{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://data.artmuseum.princeton.edu/iiif/objects/31677","type":"Manifest","label":{"en":["Thomas Tadlock (born 1941, Washington, D.C; active New York, NY, and Providence, RI), Quadirlateral Light Case with Changing Designs, 1967. 61 × 63.5 × 56 cm, 129.5 × 66 × 63.5 cm (with stand). Gift of The Forbes Magazine Collection (y1973-99)"]},"metadata":[{"value":{"en":["© Thomas Tadlock"]},"label":{"en":["Copyright"]}},{"value":{"en":["<span style=\"text-align: left; color: rgb(51, 51, 51); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: -apple-system, system-ui, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif, &quot;Apple Color Emoji&quot;, &quot;Segoe UI Emoji&quot;, &quot;Segoe UI Symbol&quot;, sans-serif; font-size: 13px; font-style: normal; font-weight: 400; word-spacing: 0px; float: none; display: inline !important; white-space: pre-wrap; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\">Kinetic art in the Forbes Collection exemplifies the period of technological idealism that followed World War II, leading artists to experiment with electricity and industrial materials to develop work that could transcend the idea of artistic medium and recenter the meaning of art in the perceptual experience of the viewer. 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