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The birds surmounting the top of the crown signify the power of women who supported and sustained the <I>oba’s </I>right to rule. Though the crown’s iconography refers to the first ruler of the Yoruba from centuries past, the tradition of the beaded <I>adenla</I> probably first developed in the early nineteenth century, when larger quantities of European glass seed beads became available. </P></SPAN>"]},"label":{"en":["Description"]}}],"thumbnail":[{"id":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2015_10947/full/!350,350/0/default.jpg","type":"Image","format":"image/jpeg","height":350,"width":262,"service":[{"id":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2015_10947","type":"ImageService3","profile":"level2"}]}],"viewingDirection":"left-to-right","behavior":["individuals"],"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["Princeton University Art Museum"]}},"provider":[{"id":"https://artmuseum.princeton.edu/about","type":"Agent","label":{"en":["Princeton Univesity Art 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