{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://data.artmuseum.princeton.edu/iiif/objects/65164","type":"Manifest","label":{"en":["Alfred Stevens (1823–1906; born Brussels, Belgium; died Paris, France), The Psyché (My Studio), ca. 1871. Oil on wood panel; 73.7 x 59.1 cm, 97.8 x 85.1 cm (frame). Museum purchase, Fowler McCormick, Class of 1921, Fund (2012-76)"]},"metadata":[{"value":{"en":["\r\nTrained in Brussels, Stevens finished his studies in Paris and made his career there. During the Second Empire (1852–70), he pioneered and perfected the domestic interior scene, which the Impressionists then adopted. He was inspired by Vermeer and Pieter de Hooch and often painted on wood panel. This painting, which once belonged to the poet Robert de Montesquiou, is one of several by Stevens of his studio with a model and sometimes the artist; its title refers to the mirror at the left. A full-length mirror with chassis was invented in the late eighteenth century and took its name, <I>psyché</I>, from the legend of Cupid and &shy;Psyche, a story that thematizes looking. Yet this is not an actual <I>psyché</I> but an easel with a mirror where the canvas would normally be, an analogue to a <I>psyché</I> suggesting that art is a reflection of life. A cloth partially covers the mirror, hiding the reflections of the studio. Focus instead is on the model, who may have interrupted her posing session to peer around the edge of the mirror, which reflects her head and hand. The artist hints at his own presence with the cigarette butt, ash, and match in the lower right corner. Nearby struts a small parrot, seemingly a reference to art’s mimetic function. The backs of canvases and portfolios of prints or drawings represent some of Stevens’s working materials. On a chair are Japanese prints, reminders of his love of objects and collecting; with his friends the Goncourt Brothers, Bracquemond, and Whistler, he was one of the earliest collectors of Japanese art in Paris. Among the small paintings on the wall is a sketch for his Salon picture <I>What They Call Vagrancy</I> (1854; Musée d’Orsay), a picture of social protest. </P></SPAN>"]},"label":{"en":["Description"]}}],"thumbnail":[{"id":"https://media.artmuseum.princeton.edu/iiif/3/collection/2012-76/full/!350,350/0/default.jpg","type":"Image","format":"image/jpeg","height":350,"width":285,"service":[{"id":"https://media.artmuseum.princeton.edu/iiif/3/collection/2012-76","type":"ImageService3","profile":"level2"}]}],"viewingDirection":"left-to-right","behavior":["individuals"],"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["Princeton University Art Museum"]}},"provider":[{"id":"https://artmuseum.princeton.edu/about","type":"Agent","label":{"en":["Princeton Univesity Art Museum"]},"homepage":[{"id":"https://artmuseum.princeton.edu/","type":"Text","label":{"en":["Princeton Univesity Art Museum Homepage"]},"format":"text/html"}],"logo":[{"id":"https://media.artmuseum.princeton.edu/iiif/3/collection/puam_logo/full/!200,200/0/default.jpg","type":"Image","format":"image/jpeg","height":38,"width ":200,"service":[{"@id":"https://media.artmuseum.princeton.edu/iiif/3/collection/puam_logo","@type":"ImageService2","profile":"http://iiif.io/api/image/2/level2.json"}]}]}],"seeAlso":[{"id":"https://artmuseum.princeton.edu/collections/objects/65164","type":"Text","label":{"en":["Object Page in Online Collections Catalog"]},"format":"text/html"}],"partOf":[{"id":"https://data.artmuseum.princeton.edu/iiif/objects/collection","type":"Collection"}],"items":[{"id":"https://data.artmuseum.princeton.edu/iiif/objects/65164/canvas/65164-canvas-89829","type":"Canvas","height":2000,"width":1629,"items":[{"id":"https://data.artmuseum.princeton.edu/iiif/objects/65164/page/65164-anno-89829","type":"AnnotationPage","items":[{"id":"https://data.artmuseum.princeton.edu/iiif/objects/65164/annotation/65164-anno-89829","type":"Annotation","motivation":"painting","target":"https://data.artmuseum.princeton.edu/iiif/objects/65164/canvas/65164-canvas-89829","body":{"id":"https://media.artmuseum.princeton.edu/iiif/3/collection/2012-76/full/max/0/default.jpg","type":"Image","format":"image/jpeg","height":2000,"width":1629,"service":[{"@id":"https://media.artmuseum.princeton.edu/iiif/2/collection/2012-76","@type":"ImageService2","profile":"http://iiif.io/api/image/2/level2.json"},{"id":"https://media.artmuseum.princeton.edu/iiif/3/collection/2012-76","type":"ImageService3","profile":"level2"}]}}]}],"thumbnail":[{"id":"https://media.artmuseum.princeton.edu/iiif/3/collection/2012-76/full/!350,350/0/default.jpg","type":"Image","format":"image/jpeg","height":350,"width":285,"service":[{"id":"https://media.artmuseum.princeton.edu/iiif/3/collection/2012-76","type":"ImageService3","profile":"level2"}]}],"label":{"en":["View 1"]}}],"start":{"id":"https://media.artmuseum.princeton.edu/iiif/3/collection/2012-76","type":"Canvas"}}