{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of Alexander P. Morgan, Class of 1922","caption":"Albrecht Dürer (1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg), Holy Family with Three Hares, ca. 1497–98. Woodblock; 39.8 x 28.3 x 2.5 cm. Gift of Alexander P. Morgan, Class of 1922 (x1967-111)","cultureterms":[{"id":2031614,"culture":"German"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2055694,"term":"landscapes (representations)","aatid":300015636,"termtype":"Subject"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2031614,"term":"German","aatid":300111192,"termtype":"Culture"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2171366,"term":"Christ","aatid":null,"termtype":"Subject"},{"id":2171368,"term":"Mary","aatid":null,"termtype":"Subject"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2088151,"term":"children (people by age group)","aatid":300025945,"termtype":"Subject"},{"id":2142002,"term":"wood blocks","aatid":300234278,"termtype":"Classification"},{"id":2150106,"term":"woodblocks","aatid":300041973,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Europe, Germany, Nuremburg","code":"Place made","continent":"Europe","subcontinent":null,"country":"Germany","region":null,"state":null,"city":"Nuremburg","county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/2861650/nuernberg.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"39.80"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"28.30"},{"element":"Overall","type":"Depth","units":"centimeters","dimension":"2.50"}],"markings":null,"accessionyear":"1967-01-01","newaccession":0,"makers":[{"id":5715,"displayname":"Albrecht Dürer","displaydate":"1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg","datebegin":1471,"dateend":1528,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Albrecht Dürer, 1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg","displayorder":1}],"datecomputed":1498,"signed":null,"restrictions":null,"classification":"Woodblocks","packages":[{"packageid":265624,"name":"Prison Teaching Initiative Project"},{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":208930,"name":"2022_ART451_04_14"},{"packageid":196263,"name":"WEB_2021_spring"},{"packageid":181777,"name":"CRS_2020_FRS132_04_29"},{"packageid":225374,"name":"Gallery_02-05(Pavilion1)-European [3]"}],"catalograisonne":null,"classifications":[{"id":2142002,"classification":"wood blocks"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/x1967-111"],"displaytitle":"Holy Family with Three Hares","displayculture":null,"displaymaker":"Albrecht Dürer, 1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg","captionhtml":"Albrecht Dürer (1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg), <i>Holy Family with Three Hares</i>, ca. 1497–98. Woodblock; 39.8 x 28.3 x 2.5 cm. Gift of Alexander P. Morgan, Class of 1922 (x1967-111)","displaydate":"ca. 1497–98","medium":"Woodblock","media":[{"id":2496,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/x1967-111","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Michael Olmert, <I>Smithsonian Book of Books</I> (Washington: Smithsonian Books, 1992).","citation":"Michael Olmert, <I>Smithsonian Book of Books</I> (Washington: Smithsonian Books, 1992)., p. 236 (illus.)","date":1992,"id":2785,"uri":"https://search.worldcat.org/title/24907462"},{"boilertext":"\"Catalogue of the Exhibition\" and \"Plates,\"&nbsp;<em>Record of the Art Musuem </em>30, no. 2 (1971): 29-60","citation":"\"Catalogue of the Exhibition\" and \"Plates,\"&nbsp;<em>Record of the Art Musuem </em>30, no. 2 (1971): 29-60, p. 32, no. 36b, p. 55 (illus.)","date":1971,"id":6221,"uri":"https://www.jstor.org/stable/3774469"},{"boilertext":"Robert Koch, \"A Woodblock by Dürer\" <em>Record of the Art Museum, Princeton University </em>XVII, no. 2 (1968): 63-65.","citation":"Robert Koch, \"A Woodblock by Dürer\" <em>Record of the Art Museum, Princeton University </em>XVII, no. 2 (1968): 63-65., p. 63; p. 64 (illus.); p. 65 (illus.)","date":1968,"id":6240,"uri":"https://www.jstor.org/stable/3774486"},{"boilertext":"Colin Eisler, <EM>Dürer's Animals</EM> (Washington, D.C.: Smithsonian Institution Press, 19910.","citation":"Colin Eisler, <EM>Dürer's Animals</EM> (Washington, D.C.: Smithsonian Institution Press, 19910., p. 109, p. 110 (illus.)","date":1991,"id":6241,"uri":"https://search.worldcat.org/title/22624512"},{"boilertext":"Alfreda J. Murck, \"Acquisitions 1967,\" <i>Record of the Art Museum, Princeton University </i>27, no. 1 (1968): p. 35-41.","citation":"Alfreda J. Murck, \"Acquisitions 1967,\" <i>Record of the Art Museum, Princeton University </i>27, no. 1 (1968): p. 35-41., p. 41","date":1968,"id":884,"uri":"https://www.jstor.org/stable/3774425"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1000-1500","dateend":1498,"depicted":[],"titles":[{"title":"Holy Family with Three Hares","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"x1967-111","inscribed":"Monogram, lower center: AD","texts":[{"texttype":"Online","textpurpose":"Multivocal Label","textentryhtml":"<p>\n\tIt is a humbling delight to be in the presence of a Dürer print and a rare privilege to see the original block from which it was printed. This relic provides a window into Dürer’s process. The depth and texture of marks left behind by carving tools bring the maker’s labor to life. During the fifteenth century, woodcut was valued less for its expressive effects than as a means of reproducing drawings to make them widely available. For this woodcut, Dürer drew an image onto a woodblock. Then he, or a professional block cutter, used a knife to carve away the wood around the drawn lines. Printers then applied ink to the raised surface of the block and placed paper onto it, using a press to apply even pressure. Pulling the paper from the woodblock revealed a printed mirror image of the original drawing. This process was repeated to make numerous impressions.\n</p>\n<p><b>\n\tRebecca Gilbert</b>, Printmaker\n</p>","remarks":"EUR2_02-05_WLA-Day 1 Cataloguing (group chat for x1967-111, x1972-13) "},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Junius Spencer Morgan (1867–1932); by descent to Alexander Perry Morgan (1900–1968); gifted to Princeton University Art Museum, 1967.","remarks":null}],"datebegin":1497,"sortnumber":"1967  111x","published_date":"2026-02-11 08:30:42.846189","objectid":10045,"dimensions":"39.8 x 28.3 x 2.5 cm. (15 11/16 x 11 1/8 x 1 in.)","on_view":true}