{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of David H. McAlpin, Class of 1920, and Mrs. McAlpin, in memory of Professor Clifton R. Hall","caption":"Rembrandt van Rijn (1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands), Descent from the Cross by Torchlight, 1654. Etching and drypoint; 21 x 16.3 cm (to plate), 21 x 16.3 cm (plate). Gift of David H. McAlpin, Class of 1920, and Mrs. McAlpin, in memory of Professor Clifton R. 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Etching and drypoint; 21 x 16.3 cm (to plate), 21 x 16.3 cm (plate). Gift of David H. McAlpin, Class of 1920, and Mrs. McAlpin, in memory of Professor Clifton R. Hall (x1969-313)","displaydate":"1654","medium":"Etching and drypoint","media":[{"id":12573,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/x1969-313_GS","isprimary":0,"rank":10,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"},{"id":102514,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV27251","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"<P><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>F.W.H. Hollstein, “Rembrandt,” <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</SPAN></EM> (Amsterdam: M. Hertzberger, 1969).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>F.W.H. Hollstein, “Rembrandt,” <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</SPAN></EM> (Amsterdam: M. Hertzberger, 1969).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 46","date":1969,"id":6590,"uri":"https://search.worldcat.org/title/8532176"},{"boilertext":"\"Acquisitions 1969\", <EM>Record of the Art Museum, Princeton University</EM> 29, no. 1 (1970): p. 16-27.","citation":"\"Acquisitions 1969\", <EM>Record of the Art Museum, Princeton University</EM> 29, no. 1 (1970): p. 16-27., p. 25","date":1970,"id":3435,"uri":"https://www.jstor.org/stable/3774558"},{"boilertext":"E. F. Gersaint and Adam von Bartsch, <em>Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt et ceux de ses principaux imitateurs</em> (Vienne: A Blumauer, 1797).","citation":"E. F. Gersaint and Adam von Bartsch, <em>Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt et ceux de ses principaux imitateurs</em> (Vienne: A Blumauer, 1797)., no. 83","date":1752,"id":6382,"uri":"https://search.worldcat.org/title/323251"},{"boilertext":"Arthur Mayger Hind, <em>Rembrandt's etchings: an essay and a catalogue, with some notes on the drawings</em> (New York: Scribner, 1912).","citation":"Arthur Mayger Hind, <em>Rembrandt's etchings: an essay and a catalogue, with some notes on the drawings</em> (New York: Scribner, 1912)., no. 280","date":0,"id":6452,"uri":"https://search.worldcat.org/title/680842597"},{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 1\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Erik&nbsp;Hinterding and Jaco Rutgers, Ger Luijten, ed., \"Rembrandt,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>New Hollstein Dutch &amp; Flemish etchings, engravings and woodcuts, 1450-1700 </SPAN></EM>(Ouderkerk aan den Ijssel: Sound &amp; Vision Publishers ; Amsterdam: In co-operation with the Rijksprentenkabinet, Rijksmuseum, 2013).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 1\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Erik&nbsp;Hinterding and Jaco Rutgers, Ger Luijten, ed., \"Rembrandt,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>New Hollstein Dutch &amp; Flemish etchings, engravings and woodcuts, 1450-1700 </SPAN></EM>(Ouderkerk aan den Ijssel: Sound &amp; Vision Publishers ; Amsterdam: In co-operation with the Rijksprentenkabinet, Rijksmuseum, 2013).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 286, p. 245","date":2013,"id":6453,"uri":"https://search.worldcat.org/title/844154989"},{"boilertext":"George Biörklund and Osbart H. Barnard, Rembrandt's Etchings, True and False (Stockholm, New York [etc.], 1968).","citation":"George Biörklund and Osbart H. Barnard, Rembrandt's Etchings, True and False (Stockholm, New York [etc.], 1968)., no. 54","date":1968,"id":6474,"uri":"https://search.worldcat.org/title/10926"},{"boilertext":"Ludwig Münz, <em>Rembrandt's Etchings: Reproductions of the Whole Original Etched Work</em> (London: Phaidon Press, 1952).","citation":"Ludwig Münz, <em>Rembrandt's Etchings: Reproductions of the Whole Original Etched Work</em> (London: Phaidon Press, 1952)., no. 232","date":1952,"id":6476,"uri":"https://search.worldcat.org/title/1534415"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1600-1700","dateend":1654,"depicted":[],"titles":[{"title":"Descent from the Cross by Torchlight","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"x1969-313","inscribed":"Signed in plate: Rembrandt f. 1654","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nDarkness—rendered with a dense network of etched lines—descends like a thick curtain in Rembrandt’s nocturnal staging of the moment—mentioned only briefly in biblical accounts—when Jesus’s body was taken down from the cross by his followers Joseph of Arimathea and Nicodemus. Only one light source—a torch held above Christ’s right foot, still attached to the cross—fitfully illuminates the complex chain of action, which includes a spectral hand reaching up out of the shadows to offer assistance. </P></SPAN>","remarks":"K2 paper rotation--In the Dark"}],"datebegin":1654,"sortnumber":"1969  313x","published_date":"2026-02-11 08:38:38.090057","objectid":11026,"dimensions":"sheet trimmed to plate: 21 x 16.3 cm. (8 1/4 x 6 7/16 in.)","on_view":false}