{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of David H. McAlpin, Class of 1920, and Mrs. McAlpin, in memory of Professor Clifton R. Hall","caption":"Rembrandt van Rijn (1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands), Agony in the Garden, ca. 1657. Etching and drypoint; 11.2 x 8.4 cm (to plate), 11.2 × 8.4 cm (plate, sheet trimmed to plate). Gift of David H. McAlpin, Class of 1920, and Mrs. McAlpin, in memory of Professor Clifton R. Hall (x1969-316)","cultureterms":[{"id":2031635,"culture":"Dutch"},{"id":2031563,"culture":"European"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2055694,"term":"landscapes (representations)","aatid":300015636,"termtype":"Subject"},{"id":2080185,"term":"castles","aatid":300006891,"termtype":"Subject"},{"id":2031635,"term":"Dutch","aatid":300111175,"termtype":"Culture"},{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2171366,"term":"Christ","aatid":null,"termtype":"Subject"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2054535,"term":"drypoints","aatid":300041349,"termtype":"Classification"},{"id":2171831,"term":"angels","aatid":null,"termtype":"Subject"},{"id":2054569,"term":"etchings","aatid":300041365,"termtype":"Classification"},{"id":2031563,"term":"European","aatid":300020656,"termtype":"Culture"},{"id":2133987,"term":"bible stories","aatid":null,"termtype":"Subject"},{"id":2167714,"term":"printing ink","aatid":300187371,"termtype":"Materials"},{"id":2154976,"term":"etching (printing process)","aatid":300053241,"termtype":"Techniques"}],"geography":[{"displaygeography":"Place made: Europe, Netherlands","code":"Place made","continent":"Europe","subcontinent":null,"country":"Netherlands","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/2750405/kingdom-of-the-netherlands.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"plate","type":"Height","units":"centimeters","dimension":"11.20"},{"element":"plate","type":"Width","units":"centimeters","dimension":"8.40"}],"markings":null,"accessionyear":"1969-01-01","newaccession":0,"makers":[{"id":1550,"displayname":"Rembrandt van Rijn","displaydate":"1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands","datebegin":1606,"dateend":1669,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Rembrandt van Rijn, 1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands","displayorder":1}],"datecomputed":1657,"signed":null,"restrictions":null,"classification":"Prints","packages":[{"packageid":253323,"name":"ART487_MIRADOR"},{"packageid":207234,"name":"SAB_Gala2021"},{"packageid":137019,"name":"web_WoPSR_2018_Rembrandt"},{"packageid":27815,"name":"Web_K2_Night Prints_2014_10"}],"catalograisonne":"Bartsch 75; Biörklund and Barnard 57; Hind 293; Hollstein 40; Münz 225; New Hollstein 213.269","classifications":[{"id":2054256,"classification":"prints"},{"id":2054535,"classification":"drypoints"},{"id":2054569,"classification":"etchings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/INV27249"],"displaytitle":"Agony in the Garden","displayculture":null,"displaymaker":"Rembrandt van Rijn, 1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands","captionhtml":"Rembrandt van Rijn (1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands), <i>Agony in the Garden</i>, ca. 1657. Etching and drypoint; 11.2 x 8.4 cm (to plate), 11.2 × 8.4 cm (plate, sheet trimmed to plate). Gift of David H. McAlpin, Class of 1920, and Mrs. McAlpin, in memory of Professor Clifton R. Hall (x1969-316)","displaydate":"ca. 1657","medium":"Etching and drypoint","media":[{"id":12575,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/x1969-316_GS","isprimary":0,"rank":10,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"},{"id":102512,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV27249","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"<P><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>F.W.H. Hollstein, “Rembrandt,” <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</SPAN></EM> (Amsterdam: M. Hertzberger, 1969).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>F.W.H. Hollstein, “Rembrandt,” <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</SPAN></EM> (Amsterdam: M. Hertzberger, 1969).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 40","date":1969,"id":6590,"uri":"https://search.worldcat.org/title/8532176"},{"boilertext":"\"Acquisitions 1969\", <EM>Record of the Art Museum, Princeton University</EM> 29, no. 1 (1970): p. 16-27.","citation":"\"Acquisitions 1969\", <EM>Record of the Art Museum, Princeton University</EM> 29, no. 1 (1970): p. 16-27., p. 25","date":1970,"id":3435,"uri":"https://www.jstor.org/stable/3774558"},{"boilertext":"E. F. Gersaint and Adam von Bartsch, <em>Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt et ceux de ses principaux imitateurs</em> (Vienne: A Blumauer, 1797).","citation":"E. F. Gersaint and Adam von Bartsch, <em>Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt et ceux de ses principaux imitateurs</em> (Vienne: A Blumauer, 1797)., no. 75","date":1752,"id":6382,"uri":"https://search.worldcat.org/title/323251"},{"boilertext":"Arthur Mayger Hind, <em>Rembrandt's etchings: an essay and a catalogue, with some notes on the drawings</em> (New York: Scribner, 1912).","citation":"Arthur Mayger Hind, <em>Rembrandt's etchings: an essay and a catalogue, with some notes on the drawings</em> (New York: Scribner, 1912)., no. 293","date":0,"id":6452,"uri":"https://search.worldcat.org/title/680842597"},{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 1\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Erik&nbsp;Hinterding and Jaco Rutgers, Ger Luijten, ed., \"Rembrandt,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>New Hollstein Dutch &amp; Flemish etchings, engravings and woodcuts, 1450-1700 </SPAN></EM>(Ouderkerk aan den Ijssel: Sound &amp; Vision Publishers ; Amsterdam: In co-operation with the Rijksprentenkabinet, Rijksmuseum, 2013).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 1\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Erik&nbsp;Hinterding and Jaco Rutgers, Ger Luijten, ed., \"Rembrandt,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>New Hollstein Dutch &amp; Flemish etchings, engravings and woodcuts, 1450-1700 </SPAN></EM>(Ouderkerk aan den Ijssel: Sound &amp; Vision Publishers ; Amsterdam: In co-operation with the Rijksprentenkabinet, Rijksmuseum, 2013).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 269, p. 213","date":2013,"id":6453,"uri":"https://search.worldcat.org/title/844154989"},{"boilertext":"George Biörklund and Osbart H. Barnard, Rembrandt's Etchings, True and False (Stockholm, New York [etc.], 1968).","citation":"George Biörklund and Osbart H. Barnard, Rembrandt's Etchings, True and False (Stockholm, New York [etc.], 1968)., no. 57","date":1968,"id":6474,"uri":"https://search.worldcat.org/title/10926"},{"boilertext":"Ludwig Münz, <em>Rembrandt's Etchings: Reproductions of the Whole Original Etched Work</em> (London: Phaidon Press, 1952).","citation":"Ludwig Münz, <em>Rembrandt's Etchings: Reproductions of the Whole Original Etched Work</em> (London: Phaidon Press, 1952)., no. 225","date":1952,"id":6476,"uri":"https://search.worldcat.org/title/1534415"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1600-1700","dateend":1662,"depicted":[],"titles":[{"title":"Agony in the Garden","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"x1969-316","inscribed":"Signed in plate, lower right: Rembrandt f. 165- [1657?]","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nWhile praying in the Garden of Gethsemane just before his arrest, Christ was visited by an angel, who strengthened his resolve to undergo death by crucifixion. In this small but powerful etching, Rembrandt humanized the event by stressing the physicality of the angel’s embrace. He also highlighted Jesus’s spiritual agony—his internal struggle in accepting his fate—by contrasting the diagonal rays of heavenly light falling on Christ and the angel with the more ephemeral shadows cast by the moon, peeking out from behind the scudding clouds. The dark patches, created by ink left on the surface of the plate during printing, enhance the flickering drama of this nocturnal scene.</P></SPAN>","remarks":"K2 paper rotation--In the Dark"}],"datebegin":1652,"sortnumber":"1969  316x","published_date":"2026-02-11 08:38:40.337523","objectid":11034,"dimensions":"plate (sheet trimmed to plate): 11.2 × 8.4 cm (4 7/16 × 3 5/16 in.)","on_view":false}