{"secondaryobjectnumber":"","periodterms":[{"id":2033917,"period":"Meiji"}],"creditline":"Gift of the P. Y. and Kinmay W. Tang Center for East Asian Art, and museum purchase, Hugh Leander Adams, Mary Trumbull Adams and Hugh Trumbull Adams Princeton Art Fund","caption":"Tanomura Chokunyu 田能村直入 (1814–1907), Tomioka Tessai 富岡鉄斎, on mounting (1837–1924), Meiji era (1868–1912), Japanese, The Three Views of Japan, 1902. Three hanging scrolls; ink on silk; 106 × 35.9 cm (Painting, Each). Gift of the P. Y. and Kinmay W. Tang Center for East Asian Art, and museum purchase, Hugh Leander Adams, Mary Trumbull Adams and Hugh Trumbull Adams Princeton Art Fund (2015-6768 a-c)","cultureterms":[{"id":2033838,"culture":"Japanese"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2122351,"term":"poems","aatid":300026451,"termtype":"Subject"},{"id":2084870,"term":"shrines","aatid":300007558,"termtype":"Subject"},{"id":2126479,"term":"hanging scrolls","aatid":300033636,"termtype":"Classification"},{"id":2033917,"term":"Meiji","aatid":300018567,"termtype":"Period / Style"},{"id":2052977,"term":"paintings","aatid":300033618,"termtype":"Classification"},{"id":2033838,"term":"Japanese","aatid":300018519,"termtype":"Culture"},{"id":2055694,"term":"landscapes (representations)","aatid":300015636,"termtype":"Subject"},{"id":2133986,"term":"calligraphy (visual work)","aatid":null,"termtype":"Subject"},{"id":2053034,"term":"scroll paintings","aatid":300033666,"termtype":"Classification"},{"id":2155285,"term":"calligraphy (writing)","aatid":300053162,"termtype":"Techniques"},{"id":2044466,"term":"silk (textile)","aatid":300243428,"termtype":"Materials"},{"id":2153366,"term":"painting (image-making)","aatid":300054216,"termtype":"Techniques"},{"id":2167672,"term":"ink","aatid":300015012,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Asia, Japan","code":"Place made","continent":"Asia","subcontinent":null,"country":"Japan","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/1861060/japan.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Painting","type":"Height","units":"centimeters","dimension":"106.00"},{"element":"Painting","type":"Width","units":"centimeters","dimension":"35.90"},{"element":"mount","type":"Height","units":"centimeters","dimension":"181.00"},{"element":"mount","type":"Width","units":"centimeters","dimension":"48.70"}],"markings":"Wooden box inscription: Brushed by Tanomura Chokunyu Dojin, The Three Landscapes of Japan – Three scrolls. Mountings with Paintings by Old Tomioka Tessai.","accessionyear":"2015-01-01","newaccession":0,"makers":[{"id":2795,"displayname":"Tomioka Tessai 富岡鉄斎","displaydate":"1837–1924","datebegin":1837,"dateend":1924,"prefix":null,"suffix":", on mounting","role":"Artist","displaymaker":"Tomioka Tessai 富岡鉄斎, on mounting, 1837–1924","displayorder":2},{"id":19071,"displayname":"Tanomura Chokunyu 田能村直入","displaydate":"1814–1907","datebegin":1814,"dateend":1907,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Tanomura Chokunyu 田能村直入, 1814–1907","displayorder":1}],"datecomputed":1902,"signed":null,"restrictions":null,"classification":"Paintings","packages":[{"packageid":104193,"name":"web_2017_ASIAN_April"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2126479,"classification":"hanging scrolls"},{"id":2053034,"classification":"scroll paintings"},{"id":2052977,"classification":"paintings"}],"exhibitions":[{"exhibitionid":3444,"citation":"Picturing Place in Japan Saturday, October 20, 2018 - Sunday, February 24, 2019","isvirtual":true,"begindate":"2018-10-20","enddate":"2019-02-24","uri":"https://artmuseum.princeton.edu/art/exhibitions/3444"}],"cultures":[{"id":13690,"culture":"Japanese","alphasort":"Japanese","begindate":0,"enddate":0,"displayculture":"Japanese","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2018_45669"],"displaytitle":"The Three Views of Japan","displayculture":"Japanese","displaymaker":"Tanomura Chokunyu 田能村直入, 1814–1907 | Tomioka Tessai 富岡鉄斎, on mounting, 1837–1924","captionhtml":"Tanomura Chokunyu 田能村直入 (1814–1907), Tomioka Tessai 富岡鉄斎, on mounting (1837–1924), Meiji era (1868–1912), Japanese, <i>The Three Views of Japan</i>, 1902. Three hanging scrolls; ink on silk; 106 × 35.9 cm (Painting, Each). Gift of the P. Y. and Kinmay W. Tang Center for East Asian Art, and museum purchase, Hugh Leander Adams, Mary Trumbull Adams and Hugh Trumbull Adams Princeton Art Fund (2015-6768 a-c)","displaydate":"1902","medium":"Three hanging scrolls; ink on silk","media":[{"id":212456,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2018_45669","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"},{"id":212457,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2018_45672","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"},{"id":212458,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2018_45678","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"}],"displayperiod":"Meiji era, 1868–1912","extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2015,\" <em>Record of the Art Museum, Princeton University</em> 75/76 (2016-17): 102-125.","citation":"\"Acquisitions of the Princeton University Art Museum 2015,\" <em>Record of the Art Museum, Princeton University</em> 75/76 (2016-17): 102-125., p. 111","date":2016,"id":9661,"uri":"https://www.jstor.org/stable/i40228781"}],"nowebuse":"False","periods":[{"id":12591,"period":"Meiji era","alphasort":"Meiji era","begindate":1868,"enddate":1912,"displayperiod":"Meiji era, 1868–1912","displaydate":"1868–1912"}],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"}],"daterange":"A.D. 1900-1945","dateend":1902,"depicted":[],"titles":[{"title":"The Three Views of Japan","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"2015-6768 a-c","inscribed":"[First scroll, right] Scene of Itsukushima:\r\n\r\nThe monastery and palace are open, facing south.\r\nThe sound of people singing brings applause.\r\nWhat can be compared with the beautiful Itsukushima landscape?\r\nThe towering heights are almost a miniature Mount Penglai.\r\nMeiji 35 (1902), October, poem and painting [by] 89 year-old Chokunyu\r\n\r\nCalligraphy and painting on the mounting by Tessai, haiku by Yamaguchi Sodou (1642-1716):\r\n\r\nAt a monastery...\r\nthe tide comes in\r\na deer cries.\r\n\r\n[Second scroll, middle] A Scene of Amanohashi[date]:\r\n\r\nA line of pines, standing for 10 ri along a road.\r\nIt seems a bridge across the sky.\r\nSome say it is the sky beneath peaks.\r\nWho knows if one can hear the sound of waves at the north beach?\r\n\r\nMeiji 35 (1902) Transcribed and borrowed [by] 89 year-old Chokunyu\r\n\r\nCalligraphy and painting on the mounting by Tessai, haiku by Yosa Buson (1716-1684):\r\n\r\nA fleeting night \r\nbeside a 6 ri stand of pines -\r\nneither were deep enough.\r\n\r\n[Third scroll, left] Scene of Matsuhima:\r\n\r\nWalking about, enjoying the view of Matsuhima.\r\nThe sky makes for an elegant mood.\r\nFacing the full moon in mid-autumn.\r\nThe sun has set... I listen serenely to the waves.\r\n\r\nMeiji 35 (1902), October, poem and painting [by] 89 year-old Chokunyu Doujin\r\n\r\nCalligraphy and painting on the mounting by Tessai, haiku by Kawai Sora (1649-1710):\r\n\r\nAh, Matsushima...\r\nMake yourself a crane\r\nO cuckoo!","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nChokunyu’s boldly brushed images and inscriptions represent the Three Landscapes of Japan (<I>Nihon sankei</I>), a group of important sights first listed by the Neo-Confucian scholar Hayashi Gaho in 1643. Tessai’s calligraphy and paintings around the mounting of each work further enliven Chokunyu’s depictions. On the right is the Itsukushima Shrine located in Hiroshima Prefecture in the south of Japan. The shrine was built over a bay, so that the devout could approach by boat. The sandbar of Amanohashidate (center) lies to the north of Kyoto Prefecture in central Japan. It is a roughly two-mile-long, thin strip of land that connects two sides of a bay and is covered with pine trees. The third sight is the islands of Matsushima (left), a group of about 260 tiny islands in Miyagi Prefecture in northern Japan. </P></SPAN>","remarks":"The Art of Calligraphy in Asia Rotation "},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<p>–2015 Bachmann Eckenstein, Japanese Art (Basel, Switzerland), sold to the Princeton University Art Museum, 2015.</p><p><br></p>","remarks":null}],"datebegin":1902,"sortnumber":"2015 6768 a    c","published_date":"2026-02-11 14:19:25.623271","objectid":115984,"dimensions":"painting (each): 106 × 35.9 cm (41 3/4 × 14 1/8 in.)\r\nmount (each): 181 × 48.7 cm (71 1/4 × 19 3/16 in.)","on_view":false}