{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Anonymous gift","caption":"Lewis Wickes Hine (1874–1940; born Oshkosh, WI; died Hastings-on-Hudson, NY; active New York City, NY), Man on girders, mooring mast, Empire State Building, ca. 1931. Gelatin silver print; 12 x 9.4 cm (image), 13 x 10.3 cm (sheet). 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Gelatin silver print; 12 x 9.4 cm (image), 13 x 10.3 cm (sheet). Anonymous gift (x1973-43)","displaydate":"ca. 1931","medium":"Gelatin silver print","media":[{"id":87926,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV14096","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Art Museum 1974\", <EM>Record of the Art Museum, Princeton University</EM> 33, no. 1 (1974): p. 37-47.","citation":"\"Acquisitions of the Art Museum 1974\", <EM>Record of the Art Museum, Princeton University</EM> 33, no. 1 (1974): p. 37-47., p. 44","date":1974,"id":3613,"uri":"https://www.jstor.org/stable/3774502"},{"boilertext":"<P style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Karl Steinorth, ed., <I style=\"mso-bidi-font-style: normal\">Lewis Hine: Passionate Journey </I>(Zurich: Edition Stemmle, 1996).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Karl Steinorth, ed., <I style=\"mso-bidi-font-style: normal\">Lewis Hine: Passionate Journey </I>(Zurich: Edition Stemmle, 1996).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, p. 206","date":1996,"id":7626,"uri":"https://search.worldcat.org/title/36029216"},{"boilertext":"<P style=\"MARGIN: 0in 0in 0pt\"><I style=\"mso-bidi-font-style: normal\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Lewis Hine</SPAN></I><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'> (New York: Distributed Art Publishers, 2012).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P style=\"MARGIN: 0in 0in 0pt\"><I style=\"mso-bidi-font-style: normal\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Lewis Hine</SPAN></I><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'> (New York: Distributed Art Publishers, 2012).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, p. 20","date":2012,"id":7628,"uri":"https://search.worldcat.org/title/754105561"},{"boilertext":"Judith Mara Gutman, <EM>Lewis Hine and the American Social Conscience </EM>(New York: Walker, 1967).","citation":"Judith Mara Gutman, <EM>Lewis Hine and the American Social Conscience </EM>(New York: Walker, 1967)., p. 143","date":1967,"id":7630,"uri":"https://search.worldcat.org/title/879093427"}],"nowebuse":"False","periods":[],"department":"Photography","attribute_groups":[{"id":2199325,"term":"North American Art","termtype":"Collecting Area"},{"id":2199326,"term":"Photography","termtype":"Collecting Area"}],"daterange":"A.D. 1900-1945","dateend":1936,"depicted":[],"titles":[{"title":"Man on girders, mooring mast, Empire State Building","titletype":"Published","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"x1973-43","inscribed":"Inscribed, verso: [Unreadable 3 digit number]\r\n","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Hine was intrigued by the expository nature of photography. He considered the medium more than an art form and used it to highlight the social realities of a rapidly growing nation. After documenting tenement life and child labor in New York City, Hine began to photograph the city’s physical modernization. Commissioned in 1930 to document the Empire State Building’s construction, Hine shot nearly one thousand photographs during the yearlong project, most of which are tributes to the tireless workers as much as to the skyscraper’s architectural feats.","remarks":"Franz HOP rotation"}],"datebegin":1926,"sortnumber":"1973   43x","published_date":"2026-03-05 08:43:18.546570","objectid":12570,"dimensions":"image: 12 x 9.4 cm. (4 3/4 x 3 11/16 in.)\r\nsheet: 13 x 10.3 cm. (5 1/8 x 4 1/16 in.)","on_view":false}