{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Bequest of Junius S. Morgan, Class of 1888","caption":"Hendrick Goltzius (1558–1617; born Mülbracht, Netherlands; died Haarlem, Netherlands), Demogorgon and the Deities, ca. 1588–90. Chiaroscuro woodcuts; line block and two tone blocks; 34.6 × 25.8 cm (each trimmed to block, approx.). Bequest of Junius S. Morgan, Class of 1888 (x1934-691-696)","cultureterms":[{"id":2031635,"culture":"Dutch"},{"id":2031563,"culture":"European"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2055723,"term":"portraits","aatid":300015637,"termtype":"Subject"},{"id":2031635,"term":"Dutch","aatid":300111175,"termtype":"Culture"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2031563,"term":"European","aatid":300020656,"termtype":"Culture"},{"id":2096051,"term":"mythology","aatid":300055985,"termtype":"Subject"},{"id":2054732,"term":"chiaroscuro woodcuts","aatid":300041410,"termtype":"Classification"},{"id":2167714,"term":"printing ink","aatid":300187371,"termtype":"Materials"},{"id":2155120,"term":"woodcut (process)","aatid":300053296,"termtype":"Techniques"}],"geography":[{"displaygeography":"Place made: Europe, Netherlands","code":"Place made","continent":"Europe","subcontinent":null,"country":"Netherlands","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/2750405/kingdom-of-the-netherlands.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"34.60"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"25.80"}],"markings":"Collector’s stamp of either A.F.  von Lanna (Lugt 2773) or Henri de Triqueti (Lugt 1304)","accessionyear":"1934-01-01","newaccession":0,"makers":[{"id":4891,"displayname":"Hendrick Goltzius","displaydate":"1558–1617; born Mülbracht, Netherlands; died Haarlem, Netherlands","datebegin":1558,"dateend":1617,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Hendrick Goltzius, 1558–1617; born Mülbracht, Netherlands; died Haarlem, Netherlands","displayorder":1}],"datecomputed":1598,"signed":null,"restrictions":null,"classification":"Prints","packages":[{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":"Bartsch 232-237; Hollstein 367-372 II; New Hollstein 295-300","classifications":[{"id":2054256,"classification":"prints"},{"id":2054732,"classification":"chiaroscuro woodcuts"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/INV27459"],"displaytitle":"Demogorgon and the Deities","displayculture":null,"displaymaker":"Hendrick Goltzius, 1558–1617; born Mülbracht, Netherlands; died Haarlem, Netherlands","captionhtml":"Hendrick Goltzius (1558–1617; born Mülbracht, Netherlands; died Haarlem, Netherlands), <i>Demogorgon and the Deities</i>, ca. 1588–90. Chiaroscuro woodcuts; line block and two tone blocks; 34.6 × 25.8 cm (each trimmed to block, approx.). Bequest of Junius S. Morgan, Class of 1888 (x1934-691-696)","displaydate":"ca. 1588–90","medium":"Chiaroscuro woodcuts; line block and two tone blocks","media":[{"id":102725,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV27459","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"},{"id":102726,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV27460","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"},{"id":102727,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV27461","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"},{"id":102728,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV27462","isprimary":0,"rank":4,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"},{"id":102955,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV27687","isprimary":0,"rank":5,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"},{"id":102956,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV27688","isprimary":0,"rank":6,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"<P><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>F.W.H. Hollstein, \"Goltzius-Heemskerck,\"&nbsp;<EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</SPAN></EM>, (Amsterdam: M. Hertzberger, 1953).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>F.W.H. Hollstein, \"Goltzius-Heemskerck,\"&nbsp;<EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</SPAN></EM>, (Amsterdam: M. Hertzberger, 1953).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, nos. 367–372","date":1953,"id":6524,"uri":"https://search.worldcat.org/title/8532176"},{"boilertext":"<EM>Six centuries of graphic arts: prints and drawings by great masters, exhibited and offered for sale</EM> (New York: William H. Schab Gallery, 1965).","citation":"<EM>Six centuries of graphic arts: prints and drawings by great masters, exhibited and offered for sale</EM> (New York: William H. Schab Gallery, 1965)., nos. 76–79","date":1965,"id":5298,"uri":"https://search.worldcat.org/title/249660941"},{"boilertext":"Marjolein Leesberg, \"Hendrick Goltzius,\" <EM>New Hollstein Dutch &amp; Flemish etchings, engravings and woodcuts, 1450-1700 </EM>(Ouderkerk aan den Ijssel: Sound &amp; Vision Publishers, in co-operation with the Rijksprentenkabinet, Rijksmuseum, Amsterdam, 2012).","citation":"Marjolein Leesberg, \"Hendrick Goltzius,\" <EM>New Hollstein Dutch &amp; Flemish etchings, engravings and woodcuts, 1450-1700 </EM>(Ouderkerk aan den Ijssel: Sound &amp; Vision Publishers, in co-operation with the Rijksprentenkabinet, Rijksmuseum, Amsterdam, 2012)., nos. 295–300","date":2012,"id":2900,"uri":"https://search.worldcat.org/title/795174860"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1500-1600","dateend":1617,"depicted":[],"titles":[],"hasimage":"true","creditlinerepro":null,"objectnumber":"x1934-691-696","inscribed":"Most blocks initialed: HG. F","texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<span lang=\"EN\">Adalbert von Lanna [1836-1909, Lugt 2773]; sale of his collection, Stuttgart, May 11-22, 1909, lot 1856; Junius S. Morgan [1867-1932]; bequeathed to Princeton University Art Museum, 1932.\n\n</span>","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal\"><SPAN lang=EN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; mso-fareast-font-family: \"Times New Roman\"; mso-ansi-language: EN'>The complex symbolism of this series of seven oval prints can be interpreted as illustrating the fundamental harmony between humans and nature. The three regions of the world—sky, water, and earth, represented by six gods and goddesses—correlate with the spirit, the soul, and the body of man. </SPAN></P>\r\n<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal\"><SPAN lang=EN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; mso-fareast-font-family: \"Times New Roman\"; mso-ansi-language: EN'><?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN>&nbsp;</P>\r\n<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"><SPAN lang=EN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; mso-fareast-font-family: \"Times New Roman\"; mso-ansi-language: EN'>Derived from the Italian terms for light and dark, chiaroscuro relies on contrasts, created in woodcuts by printing blocks inked in different tones over a black line block. The technique originated in sixteenth-century Germany, was picked up in Italy, and then spread to the Netherlands, as evidenced in Hubert Goltzius’s book displayed on the opposite wall. Goltzius made several editions of this series, varying the ink colors each time. He began with the gray tones, then made a tan and green combination, and finally an ochre and brown edition. <o:p></o:p></SPAN></P>","remarks":"K2_rotation_Mar2015.pdf"}],"datebegin":1578,"sortnumber":"1934  691x  696","published_date":"2026-02-11 14:27:17.529589","objectid":128046,"dimensions":"each trimmed to block, approx.: 34.6 × 25.8 cm (13 5/8 × 10 3/16 in.)","on_view":false}