{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase, gift of Mrs. Roger Wolcott Hooker","caption":"Thomas Burke (1749–1815; born Dublin, Ireland; died London, England), after Angelica Kauffmann (1741–1807; born Chur, Switzerland; died Rome, Italy; active London, England), The Younger Pliny Reproved, 1794. Stipple engraving; 43.4 x 50.6 cm (plate), 45.7 x 53.4 cm (sheet). Museum purchase, gift of Mrs. Roger Wolcott Hooker (x1977-11)","cultureterms":[{"id":2031563,"culture":"European"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2031563,"term":"European","aatid":300020656,"termtype":"Culture"}],"geography":[],"dimensionelements":[{"element":"plate","type":"Width","units":"centimeters","dimension":"50.60"},{"element":"plate","type":"Height","units":"centimeters","dimension":"43.40"},{"element":"sheet","type":"Width","units":"centimeters","dimension":"53.40"},{"element":"sheet","type":"Height","units":"centimeters","dimension":"45.70"}],"markings":null,"accessionyear":"1977-01-01","newaccession":0,"makers":[{"id":4251,"displayname":"Angelica Kauffmann","displaydate":"1741–1807; born Chur, Switzerland; died Rome, Italy; active London, England","datebegin":1741,"dateend":1807,"prefix":"after","suffix":null,"role":"Artist","displaymaker":"after Angelica Kauffmann, 1741–1807; born Chur, Switzerland; died Rome, Italy; active London, England","displayorder":2},{"id":6194,"displayname":"Thomas Burke","displaydate":"1749–1815; born Dublin, Ireland; died London, England","datebegin":1749,"dateend":1815,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Thomas Burke, 1749–1815; born Dublin, Ireland; died London, England","displayorder":1}],"datecomputed":1794,"signed":null,"restrictions":null,"classification":"Prints","packages":[{"packageid":182980,"name":"x-COMPLETE-P&D_British_prints"}],"catalograisonne":null,"classifications":[{"id":2054256,"classification":"prints"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/INV09984"],"displaytitle":"The Younger Pliny Reproved","displayculture":null,"displaymaker":"Thomas Burke, 1749–1815; born Dublin, Ireland; died London, England | after Angelica Kauffmann, 1741–1807; born Chur, Switzerland; died Rome, Italy; active London, England","captionhtml":"Thomas Burke (1749–1815; born Dublin, Ireland; died London, England), after Angelica Kauffmann (1741–1807; born Chur, Switzerland; died Rome, Italy; active London, England), <i>The Younger Pliny Reproved</i>, 1794. Stipple engraving; 43.4 x 50.6 cm (plate), 45.7 x 53.4 cm (sheet). Museum purchase, gift of Mrs. Roger Wolcott Hooker (x1977-11)","displaydate":"1794","medium":"Stipple engraving","media":[{"id":81784,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV09984","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Art Museum 1977,\" <em>Record of the Art Museum, Princeton University</em> 37, no. 1 (1978): p. 28-40.","citation":"\"Acquisitions of the Art Museum 1977,\" <em>Record of the Art Museum, Princeton University</em> 37, no. 1 (1978): p. 28-40., p. 36","date":1978,"id":3354,"uri":"https://www.jstor.org/stable/3774515"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1700-1800","dateend":1794,"depicted":[],"titles":[{"title":"The Younger Pliny Reproved","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"x1977-11","inscribed":"engraved inscriptions in lower margin, left: Angelica Kauffmann pinxt.; right: Burke sculpt.","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"A favorite pupil of Jacques-Louis David (1748-1825), Baron François Gérard became one of the most fashionable portrait painters in the Napoleonic Empire. He went on to accept a position as painter to the King following the restoration of the monarchy under Louis XVIII in 1814. In addition to painting flattering Neoclassical portraits, Gérard specialized in mythological and antique subjects, as in his painting depicting the blind poet Homer being led by a youth, skillfully reproduced in this engraving by Massard. The romantic image of Homer as the Blind Bard-wandering penniless but revered by the common man-was a subject favored by David and his students, for whom it represented the triumphant survival of the Arts following tempestuous years of revolution and war.","remarks":"Kienbusch rotation September 2013"}],"datebegin":1794,"sortnumber":"1977   11x","published_date":"2026-02-11 08:48:07.538663","objectid":12902,"dimensions":"plate: 43.4 x 50.6 cm (17 1/16 x 19 15/16 in.)\r\nsheet: 45.7 x 53.4 cm (18 x 21 in.)","on_view":false}