{"secondaryobjectnumber":"","periodterms":[],"creditline":"Museum purchase, Fowler McCormick, Class of 1921, Fund","caption":"Melvin Edwards (born 1937, Houston, TX; active Los Angeles, CA, New York, NY and Plainfield, NJ), Printed by Brodsky Center for Print and Paper, Curtain for Friends, 2015. Diptych; lithographs; 71.1 × 59.7 cm (sheet), 71.1 × 119.4 cm, 80 × 128.9 × 5.1 cm (frame). Museum purchase, Fowler McCormick, Class of 1921, Fund (2017-12 a-b)","cultureterms":[{"id":2038492,"culture":"American"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2162655,"term":"barbed wire","aatid":300011064,"termtype":"Subject"},{"id":2038492,"term":"American","aatid":300107956,"termtype":"Culture"},{"id":2051419,"term":"diptychs","aatid":300178228,"termtype":"Classification"},{"id":2054597,"term":"lithographs","aatid":300041379,"termtype":"Classification"},{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2043813,"term":"paper (fiber product)","aatid":300014109,"termtype":"Materials"},{"id":2155010,"term":"lithography","aatid":300053271,"termtype":"Techniques"}],"geography":[],"dimensionelements":[{"element":"frame","type":"Height","units":"centimeters","dimension":"80.00"},{"element":"frame","type":"Width","units":"centimeters","dimension":"128.90"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"5.07"},{"element":"Overall","type":"Height","units":"centimeters","dimension":"71.11"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"119.37"},{"element":"sheet","type":"Height","units":"centimeters","dimension":"71.11"},{"element":"sheet","type":"Width","units":"centimeters","dimension":"59.68"}],"markings":null,"accessionyear":"2017-01-01","newaccession":0,"makers":[{"id":20406,"displayname":"Melvin Edwards","displaydate":"born 1937, Houston, TX; active Los Angeles, CA, New York, NY and Plainfield, NJ","datebegin":1937,"dateend":0,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Melvin Edwards, born 1937, Houston, TX; active Los Angeles, CA, New York, NY and Plainfield, NJ","displayorder":1},{"id":21845,"displayname":"Brodsky Center at PAFA","displaydate":null,"datebegin":1986,"dateend":0,"prefix":"Printed by","suffix":null,"role":"Printer","displaymaker":"Printed by Brodsky Center at PAFA","displayorder":2}],"datecomputed":2015,"signed":"Signed by artist lower right, beneath image on right-side sheet\r\nSigned with his initials on lower right, beneath image on left-side sheet","restrictions":"restricted","classification":"Prints","packages":[{"packageid":220938,"name":"web_2000-2022printacquisitions"},{"packageid":197269,"name":"web_highlights -revised 2021"}],"catalograisonne":null,"classifications":[{"id":2054597,"classification":"lithographs"},{"id":2054256,"classification":"prints"},{"id":2051419,"classification":"diptychs"}],"exhibitions":[{"exhibitionid":3379,"citation":"Hold: A Meditation on Black Aesthetics (Princeton University Art Museum,  November 4, 2017–February 11, 2018)\r\n","isvirtual":true,"begindate":"2017-11-04","enddate":"2018-02-11","uri":"https://artmuseum.princeton.edu/art/exhibitions/3379"}],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2018_43411"],"displaytitle":"Curtain for Friends","displayculture":null,"displaymaker":"Melvin Edwards, born 1937, Houston, TX; active Los Angeles, CA, New York, NY and Plainfield, NJ | Printed by Brodsky Center at PAFA","captionhtml":"Melvin Edwards (born 1937, Houston, TX; active Los Angeles, CA, New York, NY and Plainfield, NJ), Printed by Brodsky Center for Print and Paper, <i>Curtain for Friends</i>, 2015. Diptych; lithographs; 71.1 × 59.7 cm (sheet), 71.1 × 119.4 cm, 80 × 128.9 × 5.1 cm (frame). Museum purchase, Fowler McCormick, Class of 1921, Fund (2017-12 a-b)","displaydate":"2015","medium":"Diptych; lithographs","media":[{"id":206501,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2018_43411","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"restricted","caption":"PUAM photo"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199325,"term":"North American Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":2015,"depicted":[],"titles":[{"title":"Curtain for Friends","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"© Melvin Edwards / Artists Rights Society (ARS), New York","objectnumber":"2017-12 a-b","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Special Exhibition","textentryhtml":"<SPAN lang=EN>\r\n<P dir=ltr align=left>Over the past five decades, Edwards has produced abstract sculptures and installations that address issues of race, labor, and violence. This recent print foregrounds two prominent motifs and materials—chains and barbed wire—used by the artist. The composition recalls his massive <EM>Curtain for William and Peter</EM>, named for William T. Williams and Peter Bradley, two painters who shared a studio with Edwards in the late 1960s. When first displayed, <EM>Curtain</EM> had profound historical associations to younger African American artists, including David Hammons, who commented, \"this was the first abstract piece of art that I saw that had a cultural value in it for black people. I didn’t think you could make abstract art with a message.\" </P></SPAN>","remarks":"Hold: A Meditation on Black Aesthetics"}],"datebegin":2015,"sortnumber":"2017   12 a    b","published_date":"2026-03-31 03:27:24.680174","objectid":129561,"dimensions":"sheet: 71.1 × 59.7 cm (28 × 23 1/2 in.)\r\n71.1 × 119.4 cm (28 × 47 in.)\r\nframe: 80 × 128.9 × 5.1 cm (31 1/2 × 50 3/4 × 2 in.)","on_view":false}