{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Bequest of Duane E. Wilder, Class of 1951","caption":"Paul Cadmus (1904–1999; born New York, NY; died Weston, CT), The Fleet's In!, 1934. Etching; 19 × 35.9 cm. Bequest of Duane E. Wilder, Class of 1951 (2018-243)","cultureterms":[],"type":"artobject","dimensionsproposed":"","terms":[{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2103919,"term":"dogs","aatid":null,"termtype":"Subject"},{"id":2103928,"term":"trees","aatid":null,"termtype":"Subject"},{"id":2054569,"term":"etchings","aatid":300041365,"termtype":"Classification"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2110200,"term":"walls","aatid":300002469,"termtype":"Subject"}],"geography":[],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"19.04"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"35.87"}],"markings":"stamp on verso: Achenbach Foundation for Graphic Arts\r\nstamp dated, on verso lowe center: Jan 26 1995","accessionyear":"2018-01-01","newaccession":0,"makers":[{"id":6227,"displayname":"Paul Cadmus","displaydate":"1904–1999; born New York, NY; died Weston, CT","datebegin":1904,"dateend":1999,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Paul Cadmus, 1904–1999; born New York, NY; died Weston, CT","displayorder":1}],"datecomputed":1934,"signed":"In graphite, lower right below image: Paul Cadmus","restrictions":"restricted","classification":"Prints","packages":[{"packageid":192086,"name":"web_eeye_hg"},{"packageid":206707,"name":"web_eeye_all"},{"packageid":220938,"name":"web_2000-2022printacquisitions"}],"catalograisonne":null,"classifications":[{"id":2054256,"classification":"prints"},{"id":2054569,"classification":"etchings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_61661"],"displaytitle":"The Fleet's In!","displayculture":null,"displaymaker":"Paul Cadmus, 1904–1999; born New York, NY; died Weston, CT","captionhtml":"Paul Cadmus (1904–1999; born New York, NY; died Weston, CT), <i>The Fleet's In!</i>, 1934. Etching; 19 × 35.9 cm. Bequest of Duane E. Wilder, Class of 1951 (2018-243)","displaydate":"1934","medium":"Etching","media":[{"id":224063,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_61661","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"restricted","caption":"PUAM Photo"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199325,"term":"North American Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1900-1945","dateend":1934,"depicted":[],"titles":[{"title":"The Fleet's In!","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"Art © Jon F. Anderson, Estate of Paul Cadmus/Licensed by VAGA, New York, NY","objectnumber":"2018-243","inscribed":"In graphite, lower left: The Fleet's In! Edition of /50- / 2-8 11934\r\nIn graphite, lower right: 410508/send 2/ Dlagh\r\nIn graphite, on verso lower left below stamp: 1963.30.1430","texts":[{"texttype":"Online","textpurpose":"Special Exhibition","textentryhtml":"<p><em>The Fleet’s In!</em> originated as one of Paul Cadmus’s most important early works, commissioned in 1934 as a mural painting by the Public Works of Art Project of the Works Project Administration, or WPA. Sailors on shore leave are depicted in complex poses and relationships, including, most notoriously at the time, a same-sex couple. The erotic exaggeration of clinging trousers and bulging crotches led to controversy: Admiral Hugh Rodman attacked it for representing “a most disgraceful, sordid, disreputable, drunken brawl,” while the secretary of the navy found it “right artistic” but “not true to the Navy.” The work was withdrawn from its inaugural exhibition, but its reproduction as an etching established a pattern in Cadmus’s career for disseminating his often-controversial work.</p><p><br></p><p><br></p>","remarks":"The Eclectic Eye: A Tribute to Duane Wilder"}],"datebegin":1934,"sortnumber":"2018  243","published_date":"2026-02-11 14:34:28.641811","objectid":134095,"dimensions":"19 × 35.9 cm (7 1/2 × 14 1/8 in.)","on_view":false}