{"secondaryobjectnumber":"","periodterms":[{"id":2033898,"period":"Edo (Japanese period)"}],"creditline":"Museum purchase, The Anne van Biema Collection Fund","caption":"Japanese, Edo period (1603–1868), Utagawa Toyoharu 歌川豊春 (ca. 1735–1814), Published by Iseya Sanjirō 伊勢屋三次郎, Perspective Picture of Whale Hunting in Kumano Bay (Uki-e Kumano ura kujira tsuki no zu 浮絵  熊野浦鯨突之図), ca. 1770–75. Woodblock print (ōban yoko-e format); ink and color on paper; 25.8 × 37.7 cm. Museum purchase, The Anne van Biema Collection Fund (2018-103)","cultureterms":[{"id":2033838,"culture":"Japanese"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2033898,"term":"Edo (Japanese period)","aatid":300106643,"termtype":"Period / Style"},{"id":2188534,"term":"whales","aatid":null,"termtype":"Subject"},{"id":2102357,"term":"boats","aatid":300178749,"termtype":"Subject"},{"id":2120275,"term":"coastlines","aatid":300008734,"termtype":"Subject"},{"id":2147324,"term":"hunting","aatid":300239666,"termtype":"Subject"},{"id":2033838,"term":"Japanese","aatid":300018519,"termtype":"Culture"},{"id":2054726,"term":"woodblock prints","aatid":300041405,"termtype":"Classification"},{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2168157,"term":"colorant","aatid":300013026,"termtype":"Materials"},{"id":2054328,"term":"oban","aatid":300041290,"termtype":"Materials"},{"id":2043813,"term":"paper (fiber product)","aatid":300014109,"termtype":"Materials"},{"id":2167672,"term":"ink","aatid":300015012,"termtype":"Materials"},{"id":2154559,"term":"relief printing","aatid":300053285,"termtype":"Techniques"}],"geography":[{"displaygeography":"Place depicted: Asia, Japan, Kumano Bay","code":"Place depicted","continent":"Asia","subcontinent":null,"country":"Japan","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":"Kumano Bay","locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/1858406/kumano-ura.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"25.80"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"37.70"}],"markings":null,"accessionyear":"2018-01-01","newaccession":0,"makers":[{"id":14814,"displayname":"Iseya Sanjirō 伊勢屋三次郎","displaydate":null,"datebegin":0,"dateend":0,"prefix":"Published by","suffix":null,"role":"Publisher","displaymaker":"Published by Iseya Sanjirō 伊勢屋三次郎","displayorder":4},{"id":21194,"displayname":"Utagawa Toyoharu 歌川豊春","displaydate":"ca. 1735–1814","datebegin":1735,"dateend":1814,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Utagawa Toyoharu 歌川豊春, ca. 1735–1814","displayorder":3}],"datecomputed":1772,"signed":"Signed: Utagawa Toyoharu ga 歌川豊春画","restrictions":null,"classification":"Prints","packages":[{"packageid":198744,"name":"PUAM_Seascapes & Cityscapes"},{"packageid":241081,"name":"TDC-Final [7]"},{"packageid":162933,"name":"web_2019_Asian_May_rotation"},{"packageid":220938,"name":"web_2000-2022printacquisitions"},{"packageid":196263,"name":"WEB_2021_spring"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2054256,"classification":"prints"},{"id":2054726,"classification":"woodblock prints"}],"exhibitions":[],"cultures":[{"id":13690,"culture":"Japanese","alphasort":"Japanese","begindate":0,"enddate":0,"displayculture":"Japanese","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2019_34291"],"displaytitle":"Perspective Picture of Whale Hunting in Kumano Bay (Uki-e Kumano ura kujira tsuki no zu 浮絵  熊野浦鯨突之図)","displayculture":"Japanese","displaymaker":"Utagawa Toyoharu 歌川豊春, ca. 1735–1814 | Published by Iseya Sanjirō 伊勢屋三次郎","captionhtml":"Japanese, Edo period (1603–1868), Utagawa Toyoharu 歌川豊春 (ca. 1735–1814), Published by Iseya Sanjirō 伊勢屋三次郎, <i>Perspective Picture of Whale Hunting in Kumano Bay (Uki-e Kumano ura kujira tsuki no zu 浮絵  熊野浦鯨突之図)</i>, ca. 1770–75. Woodblock print (ōban yoko-e format); ink and color on paper; 25.8 × 37.7 cm. Museum purchase, The Anne van Biema Collection Fund (2018-103)","displaydate":"ca. 1770–75","medium":"Woodblock print (ōban yoko-e format); ink and color on paper","media":[{"id":220007,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2019_34291","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"}],"displayperiod":"Edo period, 1603–1868","extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"<p>&quot;Acquisitions of the Princeton University Art Museum 2018,&quot; <i>Record of the Art Museum, Princeton University</i> 77/78 (2017-18)</p>","citation":"<p>&quot;Acquisitions of the Princeton University Art Museum 2018,&quot; <i>Record of the Art Museum, Princeton University</i> 77/78 (2017-18)</p>, p. 167","date":2017,"id":9760,"uri":"https://www.jstor.org/stable/45401204"}],"nowebuse":"False","periods":[{"id":12589,"period":"Edo period","alphasort":"Edo period","begindate":1603,"enddate":1868,"displayperiod":"Edo period, 1603–1868","displaydate":"1603–1868"}],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1700-1800","dateend":1780,"depicted":[],"titles":[{"title":"Perspective Picture of Whale Hunting in Kumano Bay (Uki-e Kumano ura kujira tsuki no zu 浮絵  熊野浦鯨突之図)","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"2018-103","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Description","textentryhtml":"<p>Scene of whale hunting at Kumano Bay with a village at the base of the hills at right. Boats steer out to attack two whales at left. Harpoons can be seen in the air and in the back of the nearest whale as it surfaces to expel air through its blowhole. This first edition print survives in exceptionally good condition with its original vibrant colors. The remarkable state of this print can be seen in comparison to the faded examples in the Museum of Fine Arts, Boston (see Comparanda) and at the Minneapolis Institute of Art.</p><p>Kumano 熊野 is located at the southern tip of the Kii Peninsula, about 100 km south of Osaka. Whaling is said to have begun in the Kumano Sea coast area in the early Edo period and is still part of the region’s culture. At Koya-zaka Slope 高野坂 along the Kumano Kodō 熊野古道 pilgrimage route, the \"Whale Mountain Trail\" (<em>Kujira yamami ato</em> 鯨山見跡) was used to spot offshore whales so as to alert the fishing boats.</p><p>Toyoharu was the founder of the Utagawa school and was known for his “perspective pictures” (<em>ukie</em> 浮絵), which incorporated Western pictorial methods to create the impression of spatial recession. Toyoharu studied art in Kyoto, then in Edo (present-day Tokyo). In 1768 he began to design woodblock prints and became known for his “perspective pictures” of famous sites and copies of Western and Chinese perspective prints. Although not the first perspective prints in Japan, his were the first to be rendered in multiple-colors, known as “brocade pictures” (<em>nishiki-e</em> 錦絵). Toyoharu may have introduced landscape as a subject in woodblock prints, when before they had only served as backgrounds for other subjects. The Utagawa school grew to dominate woodblock printing in the 19th century with artists such as Utamaro, Hiroshige, and Kuniyoshi.</p>","remarks":"as per object file"},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Three black whales emerge from frothy waters as men on boats raise their harpoons to subdue the beasts. The fishermen are using the “capture by net” method, in which a whale is first chased into a net and then harpooned once it becomes exhausted. Kumano Bay, located in the Kii Peninsula in central Japan, has long been a whaling center. Whaling was extremely risky and dangerous for fishermen but also had big payoffs: a significant amount of meat as well as materials for crafts, such as bones and baleens for handiworks, oil for lanterns, and skin for the animal glue used in paintings. Whaling also became a major industry because it required so many people, not only to fish but also to take apart and produce goods from the whales.","remarks":"Asian Rotation May 2019"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"–2018&nbsp;Sebastian Izzard, LLC, Asian Art (New York, NY), sold to the Princeton University Art Museum, 2018. ","remarks":null}],"datebegin":1765,"sortnumber":"2018  103","published_date":"2026-02-11 14:35:27.975665","objectid":134417,"dimensions":"25.8 × 37.7 cm (10 3/16 × 14 13/16 in.)","on_view":false}