{"secondaryobjectnumber":"","periodterms":[{"id":2036550,"period":"Attic"}],"creditline":"Museum purchase, Fowler McCormick, Class of 1921, Fund","caption":"Greek, Attic, by a follower of the Berlin Painter, ca. 480–475 BCE, Red-figure Nolan Amphora: Nike pouring a libation of wine and young male running. Ceramic; 24.8 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2018-132)","cultureterms":[{"id":2036451,"culture":"Greek"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2078020,"term":"Nolan amphorae","aatid":300198849,"termtype":"Classification"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2088139,"term":"youth","aatid":300025944,"termtype":"Subject"},{"id":2171854,"term":"deities","aatid":null,"termtype":"Subject"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2036451,"term":"Greek","aatid":300020072,"termtype":"Culture"},{"id":2036550,"term":"Attic","aatid":300020118,"termtype":"Period / Style"},{"id":2160750,"term":"ceramic","aatid":300235507,"termtype":"Materials"}],"geography":[],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"24.76"}],"markings":null,"accessionyear":"2018-01-01","newaccession":0,"makers":[{"id":355,"displayname":"Berlin Painter","displaydate":null,"datebegin":-505,"dateend":-465,"prefix":"by a follower of the","suffix":null,"role":"Artist","displaymaker":"by a follower of the Berlin Painter","displayorder":2}],"datecomputed":-478,"signed":null,"restrictions":null,"classification":"Ceramic","packages":[{"packageid":181973,"name":"web_2020_Ancient"},{"packageid":182063,"name":"web_2020_ancient_greek"},{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":197269,"name":"web_highlights -revised 2021"},{"packageid":207804,"name":"2022_ART202/HLS202/CLA200_02_25"},{"packageid":185788,"name":"CRS_2020_ABI Highlights 2020"},{"packageid":220207,"name":"Gallery_22(Pavilion6)-AncientMed"},{"packageid":229470,"name":"2023_ART412/CLA412/HLS407_10_11"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2078020,"classification":"nolan amphorae"}],"exhibitions":[],"cultures":[{"id":13588,"culture":"Greek, Attic","alphasort":"Attic","begindate":0,"enddate":0,"displayculture":"Greek, Attic","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060730"],"displaytitle":"Red-figure Nolan Amphora: Nike pouring a libation of wine and young male running","displayculture":"Greek, Attic","displaymaker":"by a follower of the Berlin Painter","captionhtml":"Greek, Attic, by a follower of the Berlin Painter, ca. 480–475 BCE, <i>Red-figure Nolan Amphora: Nike pouring a libation of wine and young male running</i>. Ceramic; 24.8 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2018-132)","displaydate":"ca. 480–475 BCE","medium":"Ceramic","media":[{"id":217585,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2018-1952910","isprimary":0,"rank":5,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":217588,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2018-1952925","isprimary":0,"rank":13,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":217589,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2018-1952937","isprimary":0,"rank":12,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":217590,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2018-1952944","isprimary":0,"rank":9,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":224831,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060737","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":224832,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060747","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":224833,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060773","isprimary":0,"rank":8,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":224834,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060755","isprimary":0,"rank":4,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":224835,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060762","isprimary":0,"rank":7,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":224836,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060730","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":224837,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060757","isprimary":0,"rank":6,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":224838,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060801","isprimary":0,"rank":14,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":224839,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060795","isprimary":0,"rank":11,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":224840,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2060777","isprimary":0,"rank":10,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"<p>&quot;Acquisitions of the Princeton University Art Museum 2018,&quot; <i>Record of the Art Museum, Princeton University</i> 77/78 (2017-18)</p>","citation":"<p>&quot;Acquisitions of the Princeton University Art Museum 2018,&quot; <i>Record of the Art Museum, Princeton University</i> 77/78 (2017-18)</p>, p. 160 (illus.); p. 161 ;","date":2017,"id":9760,"uri":"https://www.jstor.org/stable/45401204"}],"nowebuse":"False","periods":[],"department":"Ancient, Byzantine, and Islamic Art","attribute_groups":[{"id":2199316,"term":"Ancient Mediterranean Art","termtype":"Collecting Area"}],"daterange":"1000 B.C.-A.D 1","dateend":-470,"depicted":[],"titles":[{"title":"Red-figure Nolan Amphora: Nike pouring a libation of wine and young male running","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"2018-132","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"In the ancient Mediterranean, divine bodies could be shown using many representational strategies: the gods could be painted on vases or fashioned from bronze, marble, or wood; they might be rendered so small that they could sit in one’s hand, or so large that they towered over worshippers; and many gods could be depicted in multiple shapes and forms or with different iconographic attributes. These choices dramatically affected how a god’s image was perceived and, as a consequence, how the god’s presence could be experienced by their worshippers. Surviving ancient literary accounts describe how particularly striking images of the gods could elicit powerful responses in their viewers, provoking epiphanies, or sacred visions of the divine.","remarks":"MED2_22-T4B-3_CLA.pdf – Day One Cataloguing (Group chat for 1998-224, 1998-223, 2002-283, 2018-132, y1928-28, y1933-42)"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Cornelius Vanderbilt, II, The Breakers, Newport, RI (d. 1899); Gladys Moore Vanderbilt, Countess Széchényi, The Breakers, Newport, RI (d. 1968); Sylvia Széchényi, Countess Szapáry, The Breakers, Newport, RI (d. 1998); Paul and Gladys Szapáry, New York; purchased by the Museum in 2018.","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Nolan amphorae were made in Athens but are named for the Italian town of Nola, where many have been found. They are distinguished by their slender shape and unframed figures, which seem to emerge from the glossy black background. On this intact example, Nike, the winged goddess of victory, pours a libation of wine. Nike became a popular subject after the Athenians and their allies defeated the invading Persians in 480/479 B.C. The youth on the reverse hurries toward the goddess, but she flies away from him. For a century this vase was exhibited at The Breakers, the Vanderbilt mansion in Newport, Rhode Island.","remarks":"Ancient rotation February 2019"}],"datebegin":-485,"sortnumber":"2018  132","published_date":"2026-02-11 14:36:59.059048","objectid":135190,"dimensions":"h. 24.8 cm (9 3/4 in.)","on_view":true}