{"secondaryobjectnumber":"","periodterms":[],"creditline":"Museum purchase, Fowler McCormick, Class of 1921, Fund","caption":"Artist unrecorded, Wé, Côte d'Ivoire, Western Africa, Mask, late 19th–20th century. Wood, iron chains, brass bells, pigment, and fiber; 25.4 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2020-39)","cultureterms":[{"id":2041478,"culture":"African"},{"id":2042193,"culture":"We"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2158090,"term":"faces","aatid":null,"termtype":"Subject"},{"id":2129353,"term":"masks (costume)","aatid":300138758,"termtype":"Classification"},{"id":2041478,"term":"African","aatid":300015647,"termtype":"Culture"},{"id":2042193,"term":"We","aatid":300015966,"termtype":"Culture"}],"geography":[{"displaygeography":"Place made: Africa, Côte d'Ivoire","code":"Place made","continent":"Africa","subcontinent":"Western Africa","country":"Côte d'Ivoire","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":null,"location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"25.39"}],"markings":null,"accessionyear":"2020-01-01","newaccession":0,"makers":[{"id":22875,"displayname":"Artist unrecorded","displaydate":null,"datebegin":0,"dateend":0,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Artist unrecorded","displayorder":1}],"datecomputed":1934,"signed":null,"restrictions":null,"classification":"Masks","packages":[{"packageid":267983,"name":"Web_CA_2025_African"},{"packageid":189897,"name":"web_recacq_2020"},{"packageid":167646,"name":"web_highlights"},{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":197269,"name":"web_highlights -revised 2021"},{"packageid":216463,"name":"image_descriptions_newacquisitions_2020"},{"packageid":223066,"name":"Gallery_31_African"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2129353,"classification":"masks (costume)"}],"exhibitions":[{"exhibitionid":3672,"citation":"Die Kunst von Schwarz–Afrika October 30, 1970–February 10, 1971","isvirtual":true,"begindate":"1970-10-30","enddate":"1971-02-10","uri":"https://artmuseum.princeton.edu/art/exhibitions/3672"},{"exhibitionid":3673,"citation":"African Art: Figures and Masks May 4–June 9, 1984","isvirtual":true,"begindate":"1984-05-04","enddate":"1984-06-09","uri":"https://artmuseum.princeton.edu/art/exhibitions/3673"},{"exhibitionid":3674,"citation":"Facing the Mask September 19, 2002–March 2, 2003","isvirtual":true,"begindate":"2002-09-19","enddate":"2003-03-02","uri":"https://artmuseum.princeton.edu/art/exhibitions/3674"}],"cultures":[{"id":16390,"culture":"Wé","alphasort":"Wé","begindate":0,"enddate":0,"displayculture":"Wé","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_37643"],"displaytitle":"Mask","displayculture":"Wé","displaymaker":"Artist unrecorded","captionhtml":"Artist unrecorded, Wé, Côte d'Ivoire, Western Africa, <i>Mask</i>, late 19th–20th century. Wood, iron chains, brass bells, pigment, and fiber; 25.4 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2020-39)","displaydate":"late 19th–20th century","medium":"Wood, iron chains, brass bells, pigment, and fiber","media":[{"id":225177,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_37643","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":225794,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_37646","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":225795,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_37647","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":225796,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_37648","isprimary":0,"rank":4,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":225797,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_37649","isprimary":0,"rank":5,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":225798,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_37651","isprimary":0,"rank":6,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":225799,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_37652","isprimary":0,"rank":7,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":225800,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_E_2020_37654","isprimary":0,"rank":8,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"Elsy Leuzinger, <em>Die Kunst von Schwarz-Afrika </em>(Recklinghausen: Verlag Aurel Bongers, 1970).","citation":"Elsy Leuzinger, <em>Die Kunst von Schwarz-Afrika </em>(Recklinghausen: Verlag Aurel Bongers, 1970)., p. 101, fig. 14","date":1970,"id":9628,"uri":"https://search.worldcat.org/title/1138933104"},{"boilertext":"Frank Herreman, <em>Facing the Mask</em> (New York: Museum for African Art, 2002)","citation":"Frank Herreman, <em>Facing the Mask</em> (New York: Museum for African Art, 2002), p. 44, cat. no. 40","date":2002,"id":9629,"uri":"https://search.worldcat.org/title/901464003"},{"boilertext":"<p>Elsy Leuzinger, <em>The Art of Black Africa (</em>Greenwich, 1972)</p>","citation":"<p>Elsy Leuzinger, <em>The Art of Black Africa (</em>Greenwich, 1972)</p>, p. 105, fig. 15","date":1972,"id":9630,"uri":"https://search.worldcat.org/title/651181407"},{"boilertext":"Elsy Leuzinger, <em>Die Kunst von Schwarz-Afrika </em>(Recklinghausen: Bongers, 1972).","citation":"Elsy Leuzinger, <em>Die Kunst von Schwarz-Afrika </em>(Recklinghausen: Bongers, 1972)., p. 105, fig. 15","date":1972,"id":9631,"uri":"https://search.worldcat.org/title/1014801288"},{"boilertext":"Elsy Leuzinger, <em>The Art of Black Africa</em> (Greenwich, 1977)","citation":"Elsy Leuzinger, <em>The Art of Black Africa</em> (Greenwich, 1977), p. 59","date":1977,"id":9632,"uri":"https://search.worldcat.org/title/3180019"},{"boilertext":"Elsy Leuzinger, <em>Art de l’Afrique Noire </em>(Barcelona, 1984)","citation":"Elsy Leuzinger, <em>Art de l’Afrique Noire </em>(Barcelona, 1984), p. 59","date":1984,"id":9633,"uri":"https://search.worldcat.org/title/434642765"},{"boilertext":"Heinrich Schweizer, <em>Visions of Grace: 100 African Masterpieces from the Collection of Daniel and Marian Malcolm</em>&nbsp;(Milan, 2014)","citation":"Heinrich Schweizer, <em>Visions of Grace: 100 African Masterpieces from the Collection of Daniel and Marian Malcolm</em>&nbsp;(Milan, 2014), pp. 54-55, cat. no. 16","date":2014,"id":9634,"uri":"https://search.worldcat.org/title/1040958770"}],"nowebuse":"False","periods":[],"department":"African and Oceanic Art","attribute_groups":[{"id":2199315,"term":"African Art","termtype":"Collecting Area"}],"daterange":"A.D. 1900-1945","dateend":1999,"depicted":[],"titles":[{"title":"Mask","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"2020-39","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Alfred Muller, Saint Gratien, France, by 1970; [purchased by Pace Gallery, New York]; purchased by Marian and Daniel Malcolm, Tenafly, NJ, 1973; purchased by the Princeton University Art Museum, Prinecton, NJ, 2020.","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"This Wè mask represents an idealized woman, identified by the red pigment sweeping across the nose and cheeks, and the curved scars extending from each ear and meeting at the nostrils. Though these attributes were typical of female ornamentation, this mask was commissioned and worn by a man during performances at harvest festivals, funerals, or burials. The mask retains an accumulation of brass bells and iron chains along its jawline, but it is missing the dried raffia skirt, heavy cloth shirt or cape, and conical red cloth and cowrie-covered cap with which it was paired.\n","remarks":"AFR_31_WLA.pdf - Day 1 installation"}],"datebegin":1869,"sortnumber":"2020   39","published_date":"2026-02-11 14:48:02.329374","objectid":137407,"dimensions":"h. 25.4 cm (10 in.)","on_view":true}