{"secondaryobjectnumber":"","periodterms":[{"id":2039412,"period":"Early Intermediate period"}],"creditline":"Museum purchase, Peter Jay Sharp, Class of 1952, Fund","caption":"Nasca, Early Intermediate Period (Early Nasca phase), 80–260 CE, South coast, Peru, Andes, Antara (panpipe). Ceramic with polychrome slip-paint\r\n; 20.7 × 11.7 × 2.3 cm. Museum purchase, Peter Jay Sharp, Class of 1952, Fund (2021-237)","cultureterms":[{"id":2036024,"culture":"Nazca"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2049167,"term":"ceramics","aatid":300151343,"termtype":"Classification"},{"id":2158039,"term":"birds","aatid":null,"termtype":"Subject"},{"id":2039412,"term":"Early Intermediate period","aatid":300017280,"termtype":"Period / Style"},{"id":2072851,"term":"vessels (containers)","aatid":300193015,"termtype":"Classification"},{"id":2147420,"term":"mythical or legendary beings","aatid":null,"termtype":"Subject"},{"id":2036024,"term":"Nazca","aatid":300017290,"termtype":"Culture"},{"id":2147686,"term":"panpipes","aatid":300042548,"termtype":"Classification"},{"id":2150797,"term":"musical instruments","aatid":300041620,"termtype":"Classification"},{"id":2045864,"term":"bean","aatid":300011863,"termtype":"Subject"},{"id":2160397,"term":"slip","aatid":300010459,"termtype":"Materials"},{"id":2160750,"term":"ceramic","aatid":300235507,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: South America, Peru, South coast","code":"Place made","continent":"South America","subcontinent":"Andes","country":"Peru","region":"South coast","state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":null,"location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"20.70"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"11.70"},{"element":"Overall","type":"Depth","units":"centimeters","dimension":"2.30"}],"markings":null,"accessionyear":"2021-01-01","newaccession":0,"makers":[],"datecomputed":170,"signed":null,"restrictions":null,"classification":"Ceramics","packages":[{"packageid":225488,"name":"Gallery_20(Pavilion5)-AAA"},{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2147686,"classification":"panpipes"},{"id":2049167,"classification":"ceramics"},{"id":2150797,"classification":"musical instruments"},{"id":2072851,"classification":"vessels (containers)"}],"exhibitions":[],"cultures":[{"id":13509,"culture":"Nasca","alphasort":"Nasca","begindate":0,"enddate":0,"displayculture":"Nasca","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMANX23_6028"],"displaytitle":"Antara (panpipe)","displayculture":"Nasca","displaymaker":null,"captionhtml":"Nasca, Early Intermediate Period (Early Nasca phase), 80–260 CE, South coast, Peru, Andes, <i>Antara (panpipe)</i>. Ceramic with polychrome slip-paint\r\n; 20.7 × 11.7 × 2.3 cm. Museum purchase, Peter Jay Sharp, Class of 1952, Fund (2021-237)","displaydate":"80–260 CE","medium":"Ceramic with polychrome slip-paint\r\n","media":[{"id":244465,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMANX23_6038","isprimary":0,"rank":4,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":244466,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMANX23_6034","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":244467,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMANX23_6028","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":244468,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMANX23_6024","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"}],"displayperiod":"Early Intermediate Period (Early Nasca phase)","extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Gordon Willey, ed. <em>Das alte Amerika</em> (Berlin: Propyläen Verlag, 1975)<br>","citation":"Gordon Willey, ed. <em>Das alte Amerika</em> (Berlin: Propyläen Verlag, 1975)<br>, pl. 365 (illus.)","date":1975,"id":9582,"uri":"https://search.worldcat.org/title/439659306"},{"boilertext":"<em>1969 Pre-Columbian and North-American Indian Art</em> (Sale cat., #2864, 17 May 1969). Parke-Bernet Galleries, New York.","citation":"<em>1969 Pre-Columbian and North-American Indian Art</em> (Sale cat., #2864, 17 May 1969). Parke-Bernet Galleries, New York., p. 29, lot 129 (illus.)","date":1969,"id":9834,"uri":"https://search.worldcat.org/en/title/1238065290"},{"boilertext":"Joerg Haeberli, “Twelve Nasca Panpipes: A Study,” <em>Ethnomusicology</em> 23(1): pp. 57-74.","citation":"Joerg Haeberli, “Twelve Nasca Panpipes: A Study,” <em>Ethnomusicology</em> 23(1): pp. 57-74., pp. 57-74 [Discussed as ‘JH’]","date":1979,"id":9835,"uri":"https://search.worldcat.org/en/title/9569926105"},{"boilertext":"Hilaine Silverman, “Differentiating Paracas Necropolis and Early Nasca textiles,” in <em>Andean Archaeology II: Art, Landscape and Society</em>, H. Silverman and W. H. Isbell, eds. (New York: Kluwer Academic/Plenum Publishers, 2002.)","citation":"Hilaine Silverman, “Differentiating Paracas Necropolis and Early Nasca textiles,” in <em>Andean Archaeology II: Art, Landscape and Society</em>, H. Silverman and W. H. Isbell, eds. (New York: Kluwer Academic/Plenum Publishers, 2002.), pp. 71-106; Fig. 3.1. (illus.)","date":2002,"id":9836,"uri":"https://search.worldcat.org/en/title/49225647"},{"boilertext":"Hilaine Silverman  and Donald A. Proulx, <em>The Nasca</em> (Malden: Blackwell, 2002).","citation":"Hilaine Silverman  and Donald A. Proulx, <em>The Nasca</em> (Malden: Blackwell, 2002)., Fig. 2.4 (illus.)","date":2002,"id":9837,"uri":"https://search.worldcat.org/en/title/48534070"},{"boilertext":"Patrick H. Carmichael, “Proto-Nasca Art and Antaras,” <em>Ñawpa Pacha: Journal of Andean Archaeology</em>, no. 35 (2): pp. 117-172.","citation":"Patrick H. Carmichael, “Proto-Nasca Art and Antaras,” <em>Ñawpa Pacha: Journal of Andean Archaeology</em>, no. 35 (2): pp. 117-172., 117-172; Fig. 11. (illus.)","date":2015,"id":9838,"uri":"https://search.worldcat.org/en/title/5986685683"}],"nowebuse":"False","periods":[{"id":13506,"period":"Early Intermediate Period","alphasort":"Intermediate, Early","begindate":-200,"enddate":500,"displayperiod":"Early Intermediate Period (Early Nasca phase)","displaydate":null}],"department":"Art of the Ancient Americas","attribute_groups":[{"id":2199317,"term":"Art of the Ancient Americas","termtype":"Collecting Area"}],"daterange":"A.D. 1-500","dateend":260,"depicted":[],"titles":[{"title":"Antara (panpipe)","titletype":"Primary Title","displayorder":1},{"title":"The Haeberli Panpipe","titletype":"Published","displayorder":2},{"title":"The Haeberli Antara","titletype":"Published","displayorder":3}],"hasimage":"true","creditlinerepro":null,"objectnumber":"2021-237","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<p>\n\tCarlebach Gallery, New York; May 17, 1969, “Property of Carlebach Gallery, New York” sale, Parke-Bernet Galleries, New York, lot 129, sold to Joerg Haeberli (1928-2017) [1]; by descent to his widow, Carolyn Haeberli; 2021, sold to the Princeton University Art Museum.\n</p>\n<p>\n\tNotes:\n\t<br />\n\t[1] According to Parke-Bernet Galleries, Pre-Columbian Art &amp; American Indian Art: Property of the Carlebach Gallery (New York: Parke-Bernet Galleries, 1969), lot 129, and paid invoice. Copies in the curatorial file.\n</p>","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"The designs that embellish the gourd and panpipes displayed here present complex variations of the so-called Anthropomorphic Mythical Being, a common supernatural subject in Nasca art that blends animal and human qualities. Both of these works feature one of the being’s characteristic traits, a human face largely covered by white feline whiskers. The figure that wraps around the gourd has human arms and legs but also a wing and a bird tail. The image on the panpipes is more complex, with elements of the primary supernatural’s body replaced by other elements.\n","remarks":"AAA2_20-T6-1_CLA_FA.pdf - Day 1 installation"}],"datebegin":80,"sortnumber":"2021  237","published_date":"2026-02-11 14:48:24.002874","objectid":137461,"dimensions":"20.7 × 11.7 × 2.3 cm (8 1/8 × 4 5/8 × 7/8 in.)","on_view":true}