{"secondaryobjectnumber":"","periodterms":[],"creditline":"Museum commission made possible by the John B. Putnam Jr. Memorial Fund and the Fowler McCormick, Class of 1921, Fund","caption":"Nick Cave (born 1959, Fulton, MO; active Chicago, IL), Let me kindly introduce myself. They call me MC Prince Brighton., 2025. Mosaic tile, wood, chrome-painted HDU inlay; 914.4 × 1341.1 cm, 914.4 × 731.5 cm. Museum commission made possible by the John B. Putnam Jr. Memorial Fund and the Fowler McCormick, Class of 1921, Fund (2025-108)","cultureterms":[],"type":"artobject","dimensionsproposed":"","campus_art":false,"terms":[],"geography":[{"displaygeography":null,"code":"Place located","continent":null,"subcontinent":null,"country":null,"region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":null,"location":{"lat":"40.34746301909013","lon":"-74.65832529991954"}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"914.39"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"731.51"},{"element":"Overall","type":"Height","units":"centimeters","dimension":"914.39"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"1341.11"}],"markings":null,"accessionyear":"2025-01-01","newaccession":1,"makers":[{"id":21384,"displayname":"Nick Cave","displaydate":"born 1959, Fulton, MO; active Chicago, IL","datebegin":1959,"dateend":0,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Nick Cave, born 1959, Fulton, MO; active Chicago, IL","displayorder":1}],"datecomputed":2025,"signed":null,"restrictions":"Restricted Download - Under Copyright","classification":"Sculpture","packages":[{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":239550,"name":"VP_Exterior Sculpture & Terrace"},{"packageid":279982,"name":"Line_Color_Shape"}],"catalograisonne":null,"classifications":[],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/2025_09_22_JH_0024"],"displaytitle":"Let me kindly introduce myself. They call me MC Prince Brighton.","displayculture":null,"displaymaker":"Nick Cave, born 1959, Fulton, MO; active Chicago, IL","alt_numbers":[],"captionhtml":"Nick Cave (born 1959, Fulton, MO; active Chicago, IL), <i>Let me kindly introduce myself. They call me MC Prince Brighton.</i>, 2025. Mosaic tile, wood, chrome-painted HDU inlay; 914.4 × 1341.1 cm, 914.4 × 731.5 cm. Museum commission made possible by the John B. Putnam Jr. Memorial Fund and the Fowler McCormick, Class of 1921, Fund (2025-108)","displaydate":"2025","medium":"Mosaic tile, wood, chrome-painted HDU inlay","media":[{"id":263663,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2025_09_22_JH_0024","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted Download - Under Copyright","caption":"PUAM Photo"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[],"nowebuse":"False","periods":[],"department":"Modern and Contemporary Art","attribute_groups":[{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199325,"term":"North American Art","termtype":"Collecting Area"},{"id":2199328,"term":"Campus Art","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":2025,"depicted":[],"titles":[{"title":"Let me kindly introduce myself. They call me MC Prince Brighton.","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"© Nick Cave","objectnumber":"2025-108","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Commissioned by the Princeton University Art Museum, 2025.","remarks":null},{"texttype":"Online","textpurpose":"Multivocal Label","textentryhtml":"<p>\n\t<i>Let me kindly introduce myself. They call me MC Prince Brighton.</i> This is the title, as well as the purpose, of my monumentally scaled, multi-material wall relief.\n</p>\n<p>\n\tCentral to the concept of this work is the role of welcoming all visitors into and through the space.  Prince Brighton is a self-portrait that spans decades of my own development. It reflects the growth that took place from the moment I stepped onto my first campus at the Kansas City Art Institute until my first visit to Princeton to explore this commission. Each of those moments was epic to me as an artist. Each came at a critical point in my development as an individual, and each was made more meaningful, memorable, and possible because of the welcome feeling that was shared with me by those who inhabited those spaces. I want Prince Brighton to do that for everyone they encounter.\n</p>\n<p>\n\tPrince Brighton’s soft gesture shows a humbleness of self as he relates to each visitor, ensuring a feeling of welcome and warmth despite his massive size. He meets the visitor where they are while suggesting that the importance of any human is bigger than any space they enter. He is greatness without  elitism, and employs beauty, power, and vulnerability as a means to his mission.\n</p>\n<p>\n\tMaterially, the work is complex as well, and this is critical to the concept. Because I chose glass mosaic, wood, and cast acrylic, materials with their own very different elemental characteristics, I had to assemble the work in a way that is mindful of those differences, conveying an underlying system of connection that allows each element to interact with the others. Independence is never stifled; rather, the foundation allows the unique expansion, contraction, and growth to occur harmoniously.\n</p>\n<p>\n\tPrince Brighton is central to the work and is based on a <i>Soundsuit I</i> made in 2008, which is comprised of found vintage textiles and toys, including a tin globe on the shoulder. They are surrounded by seven  African adinkra symbols representing (counterclockwise) “welcome you,” “enjoy yourself,” “peace,” “truth,” “the King sees all,” “have courage,” and “I shall meet you again.” These are the tenets Prince Brighton wants to share with you.\n</p>\n<p>\n\tConnecting these elements to each other is a radial burst representative of Prince Brighton’s ether. The ornately carved wood, which was repurposed from the elm trees that once stood on the site the Museum now occupies, was machine milled using three unique sculpted expressions generated via a high-tech mapping of “noise” and stained in the darkest of browns.\n</p>\n<p><b>\n\tNick Cave</b>, artist\n</p>","remarks":null}],"datebegin":2025,"sortnumber":"2025  108","published_date":"2026-08-15 02:01:08.252723","objectid":142770,"dimensions":"panel a: 914.4 × 1341.1 cm (360 × 528 in.)\r\npanel b: 914.4 × 731.5 cm (360 × 288 in.)","on_view":true}