{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase, Laura P. Hall Memorial Fund","caption":"School of Andrea Mantegna (Italian, 1431–1506), Flagellation of Christ with the Pavement, ca. 1475. Engraving; 39.4 × 29 cm (plate, sheet trimmed to plate). Museum purchase, Laura P. Hall Memorial Fund (x1986-15)","cultureterms":[{"id":2031563,"culture":"European"},{"id":2031625,"culture":"Italian"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2031563,"term":"European","aatid":300020656,"termtype":"Culture"},{"id":2171366,"term":"Christ","aatid":null,"termtype":"Subject"},{"id":2133991,"term":"passion","aatid":null,"termtype":"Subject"},{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2088735,"term":"soldiers","aatid":300185678,"termtype":"Subject"},{"id":2031625,"term":"Italian","aatid":300111198,"termtype":"Culture"},{"id":2054522,"term":"engravings","aatid":300041340,"termtype":"Classification"},{"id":2146992,"term":"torturing","aatid":300260428,"termtype":"Subject"},{"id":2107983,"term":"columns (architectural elements)","aatid":300001571,"termtype":"Subject"},{"id":2167714,"term":"printing ink","aatid":300187371,"termtype":"Materials"},{"id":2154917,"term":"engraving (printing process)","aatid":300053225,"termtype":"Techniques"}],"geography":[{"displaygeography":"Place made: Europe, Italy","code":"Place made","continent":"Europe","subcontinent":null,"country":"Italy","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/3175395/repubblica-italiana.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"plate","type":"Height","units":"centimeters","dimension":"39.40"},{"element":"plate","type":"Width","units":"centimeters","dimension":"29.00"}],"markings":"Watermark: four-petalled flower","accessionyear":"1986-01-01","newaccession":0,"makers":[{"id":4791,"displayname":"Andrea Mantegna","displaydate":"Italian, 1431–1506","datebegin":1431,"dateend":1506,"prefix":"school of","suffix":null,"role":"Artist","displaymaker":"school of Andrea Mantegna, Italian, 1431–1506","displayorder":1}],"datecomputed":1478,"signed":null,"restrictions":null,"classification":"Prints","packages":[{"packageid":218101,"name":"web_TDC-Final [5]"},{"packageid":223835,"name":"TDC-Final [5]"},{"packageid":196263,"name":"WEB_2021_spring"},{"packageid":231828,"name":"2023_ART444_10_05"},{"packageid":234043,"name":"TDC-Final [6]"},{"packageid":241081,"name":"TDC-Final [7]"},{"packageid":92274,"name":"web_ImagesofChrist"},{"packageid":207234,"name":"SAB_Gala2021"},{"packageid":210384,"name":"TDC-Final [4]"}],"catalograisonne":"Bartsch 227.1; Hind 8","classifications":[{"id":2054522,"classification":"engravings"},{"id":2054256,"classification":"prints"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/INV22647"],"displaytitle":"Flagellation of Christ with the Pavement","displayculture":null,"displaymaker":"school of Andrea Mantegna, Italian, 1431–1506","captionhtml":"School of Andrea Mantegna (Italian, 1431–1506), <i>Flagellation of Christ with the Pavement</i>, ca. 1475. Engraving; 39.4 × 29 cm (plate, sheet trimmed to plate). Museum purchase, Laura P. Hall Memorial Fund (x1986-15)","displaydate":"ca. 1475","medium":"Engraving","media":[{"id":96995,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV22647","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"},{"id":12333,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/x1986-15_GS","isprimary":0,"rank":10,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Art Museum 1986,\" <em>Record of the Art Museum, Princeton University</em> 46, no. 1 (1987): p. 18–52","citation":"\"Acquisitions of the Art Museum 1986,\" <em>Record of the Art Museum, Princeton University</em> 46, no. 1 (1987): p. 18–52, p. 28 (illus.)","date":1987,"id":550,"uri":"https://www.jstor.org/stable/3774580"},{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Adam vom Bartsch, \"Volume 13,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Le peintre graveur ... </SPAN></EM>(Vienne: J. V. Degen, 1803-05).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Adam vom Bartsch, \"Volume 13,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Le peintre graveur ... </SPAN></EM>(Vienne: J. V. Degen, 1803-05).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 1, p. 227","date":1811,"id":6395,"uri":"https://search.worldcat.org/title/682354769"},{"boilertext":"Arthur Mayger Hind, <EM>Early Italian engraving: a critical catalogue with complete reproduction of all the prints described</EM> (London: Pub. for M. Knoedler, New York, by B. Quaritch, 1938-48).","citation":"Arthur Mayger Hind, <EM>Early Italian engraving: a critical catalogue with complete reproduction of all the prints described</EM> (London: Pub. for M. Knoedler, New York, by B. Quaritch, 1938-48)., no. 8","date":1938,"id":5980,"uri":"https://search.worldcat.org/title/3247767"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1000-1500","dateend":1480,"depicted":[],"titles":[{"title":"Flagellation of Christ with the Pavement","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"x1986-15","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"The Flagellation of Christ, ordered by Pontius Pilate, is one of the most frequently represented episodes of the Passion narrative, providing endless variations on the themes of nudity and violence. Christ is usually shown bound to a column and whipped, beaten, and mocked by one or more men. In this unfinished composition, rigorously conceived in accordance with the Italian Renaissance concern for perspectival space,<br>all the figures are rendered with sculptural clarity. The sharp contrasts between light and shadow, created with parallel engraved lines, create relief-like effects in the soldiers’ armor and the classical architecture, reflecting Mantegna’s keen interest in Roman antiquity.","remarks":"K1-3 rotation May 2019"},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Mentioned only briefly in the Gospels, the flagellation of Christ, ordered by Pontius Pilate, is one of the most violent and most frequently represented episodes of the Passion narrative. Christ is usually shown bound to a column, while being beaten, and is mocked by one or more bystanders. In this unfinished composition, rigorously planned in accordance with the Italian Renaissance concern for one-point linear perspective, all of the figures are rendered with sculptural clarity. The sharp contrasts between light and shadow, created with parallel engraved lines, create relieflike effects in the soldiers’ armor and the classical architecture—both of which reflect Mantegna’s keen interest in Roman antiquity.","remarks":"K1-3_Nov2013.pdf"}],"datebegin":1475,"sortnumber":"1986   15x","published_date":"2026-03-25 09:31:33.945088","objectid":16479,"dimensions":"plate (sheet trimmed to plate): 39.4 × 29 cm (15 1/2 × 11 7/16 in.)","on_view":false}