{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of H. Kelley Rollings, Class of 1948, and Mrs. Rollings","caption":"Albrecht Dürer (1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg), The Adoration of the Virgin, 1504. Woodcut on laid paper; 29.7 x 21 cm (block), 43.6 x 29.7 cm (sheet). Gift of H. Kelley Rollings, Class of 1948, and Mrs. Rollings (x1991-74)","cultureterms":[{"id":2031614,"culture":"German"},{"id":2031563,"culture":"European"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2171856,"term":"gods","aatid":null,"termtype":"Subject"},{"id":2031614,"term":"German","aatid":300111192,"termtype":"Culture"},{"id":2106630,"term":"rooms","aatid":300004044,"termtype":"Subject"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2054723,"term":"woodcuts","aatid":300041405,"termtype":"Classification"},{"id":2031563,"term":"European","aatid":300020656,"termtype":"Culture"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2171366,"term":"Christ","aatid":null,"termtype":"Subject"},{"id":2171368,"term":"Mary","aatid":null,"termtype":"Subject"},{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2171831,"term":"angels","aatid":null,"termtype":"Subject"},{"id":2155120,"term":"woodcut (process)","aatid":300053296,"termtype":"Techniques"},{"id":2167714,"term":"printing ink","aatid":300187371,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Europe, Germany, Nuremburg","code":"Place made","continent":"Europe","subcontinent":null,"country":"Germany","region":null,"state":null,"city":"Nuremburg","county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/2861650/nuernberg.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"block","type":"Width","units":"centimeters","dimension":"21.00"},{"element":"block","type":"Height","units":"centimeters","dimension":"29.70"},{"element":"sheet","type":"Width","units":"centimeters","dimension":"29.70"},{"element":"sheet","type":"Height","units":"centimeters","dimension":"43.60"}],"markings":"Watermark: Flower with arrow\r\n\r\n","accessionyear":"1991-01-01","newaccession":0,"makers":[{"id":5715,"displayname":"Albrecht Dürer","displaydate":"1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg","datebegin":1471,"dateend":1528,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Albrecht Dürer, 1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg","displayorder":1}],"datecomputed":1504,"signed":null,"restrictions":null,"classification":"Prints","packages":[],"catalograisonne":"Bartsch 95; Dodgson 53; Hollstein 207; Meder 207; Schoch 185","classifications":[{"id":2054256,"classification":"prints"},{"id":2054723,"classification":"woodcuts"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/INV25531"],"displaytitle":"The Adoration of the Virgin","displayculture":null,"displaymaker":"Albrecht Dürer, 1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg","captionhtml":"Albrecht Dürer (1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg), <i>The Adoration of the Virgin</i>, 1504. Woodcut on laid paper; 29.7 x 21 cm (block), 43.6 x 29.7 cm (sheet). Gift of H. Kelley Rollings, Class of 1948, and Mrs. Rollings (x1991-74)","displaydate":"1504","medium":"Woodcut on laid paper","media":[{"id":100549,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV25531","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"<SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'>Arthur Mayger Hind, <I style=\"mso-bidi-font-style: normal\">Albrecht Dürer: his engravings and woodcuts</I> (New York: Frederick A. Stokes Company, 1911).</SPAN>","citation":"<SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'>Arthur Mayger Hind, <I style=\"mso-bidi-font-style: normal\">Albrecht Dürer: his engravings and woodcuts</I> (New York: Frederick A. Stokes Company, 1911).</SPAN>, p. 13","date":1911,"id":6215,"uri":"https://search.worldcat.org/title/656866312"},{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Adam vom Bartsch, \"Volume 7,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Le peintre graveur ... </SPAN></EM>(Vienne: J. V. Degen, 1803-05).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Adam vom Bartsch, \"Volume 7,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Le peintre graveur ... </SPAN></EM>(Vienne: J. V. Degen, 1803-05).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 95, p. 133","date":1808,"id":6253,"uri":"https://search.worldcat.org/title/682354769"},{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; mso-fareast-font-family: \"Times New Roman\"'>F.W.H. Hollstein, “Dürer,” <I>German engravings, etchings, and woodcuts, ca. 1400-1700</I> (Amsterdam: M. Hertzberger, 1962).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; mso-fareast-font-family: \"Times New Roman\"'>F.W.H. Hollstein, “Dürer,” <I>German engravings, etchings, and woodcuts, ca. 1400-1700</I> (Amsterdam: M. Hertzberger, 1962).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 207","date":1962,"id":6597,"uri":"https://search.worldcat.org/title/519239"},{"boilertext":"Joseph Meder, <em>Dürer-Katalog, ein handbuch über Albrecht Dürers stiche, radierungen, Holzschnitte, deren zustände, ausgaben und wasserzeichen</em> (Vienna: Gilhofer &amp; Rauschburg, 1932).","citation":"Joseph Meder, <em>Dürer-Katalog, ein handbuch über Albrecht Dürers stiche, radierungen, Holzschnitte, deren zustände, ausgaben und wasserzeichen</em> (Vienna: Gilhofer &amp; Rauschburg, 1932)., no. 207","date":1932,"id":5905,"uri":"https://search.worldcat.org/title/248550681"},{"boilertext":"\"Acquisitions of the Art Museum 1991,\" <em>Record of the Art Museum, Princeton University </em>51, no. 1 (1992): p. 22-78.","citation":"\"Acquisitions of the Art Museum 1991,\" <em>Record of the Art Museum, Princeton University </em>51, no. 1 (1992): p. 22-78., p. 40","date":1992,"id":3085,"uri":"https://www.jstor.org/stable/3774711"},{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Campbell Dodgson, <EM>Albrecht Dürer</EM> (London: Medici Society, 1926).&nbsp;</SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Campbell Dodgson, <EM>Albrecht Dürer</EM> (London: Medici Society, 1926).&nbsp;</SPAN></P>, no. 53, p. 290","date":1926,"id":6211,"uri":"https://search.worldcat.org/title/3338518"},{"boilertext":"<p class=\"MsoNormal\" style=\"margin: 0in 0in 0pt;\"><span style='line-height: 107%; font-family: \"Arial\",sans-serif; font-size: 9pt;'>Rainer Schoch, Matthias Mende, and Anna Scherbaum, Albrecht Dürer: das druckgraphische Werk (München: Prestel, 2001).<!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /--><o:p></o:p></span></p>","citation":"<p class=\"MsoNormal\" style=\"margin: 0in 0in 0pt;\"><span style='line-height: 107%; font-family: \"Arial\",sans-serif; font-size: 9pt;'>Rainer Schoch, Matthias Mende, and Anna Scherbaum, Albrecht Dürer: das druckgraphische Werk (München: Prestel, 2001).<!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /--><o:p></o:p></span></p>, no. 185","date":2001,"id":6213,"uri":"https://search.worldcat.org/title/46853856"},{"boilertext":"<SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'>Erwin Panofsky, <I style=\"mso-bidi-font-style: normal\">Albrecht Dürer</I> (Princeton: Princeton University Press, 1945).</SPAN>","citation":"<SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'>Erwin Panofsky, <I style=\"mso-bidi-font-style: normal\">Albrecht Dürer</I> (Princeton: Princeton University Press, 1945).</SPAN>","date":1945,"id":6214,"uri":"https://search.worldcat.org/title/7184939"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1500-1600","dateend":1504,"depicted":[],"titles":[{"title":"The Adoration of the Virgin","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"x1991-74","inscribed":"Monogram in block, lower center: AD\r\nTitled and dated by unknown hand in graphite, lower center: ADORATION OF THE VIRGIN - 1511 -","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<P>By 1505, Dürer had completed seventeen single-sheet woodcuts illustrating the Life of the Virgin, prints that were widely admired for their elaborate architectural settings and exquisite technique. While traveling in Italy in 1505–06, Dürer was enraged to learn that Raimondi had published engraved copies of the series, and he sued the Italian printmaker in the Venetian courts for copyright violation, declaring the copies to be forgeries. In 1511 the Italian court ruled against Dürer and allowed Raimondi to publish the copies but ordered him to remove Dürer’s fraudulent monogram from his plates.</P>\r\n<P>That same year, Dürer reprinted the woodcuts in Germany in book form with the addition of descriptive Latin texts. <EM>The Glorification of the Virgin</EM> appeared as the final woodcut in the volume, printed with the text above warning “thieves and imitators of other people’s labor” that his images were protected by imperial privilege, granted by Maximilian I, Emperor of the Holy Roman Empire.</P>","remarks":null}],"datebegin":1504,"sortnumber":"1991   74x","published_date":"2026-03-05 09:02:48.204122","objectid":18191,"dimensions":"block: 29.7 x 21 cm (11 11/16 x 8 1/4 in.)\r\nsheet: 43.6 x 29.7 cm (17 3/16 x 11 11/16 in.)","on_view":false}