{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of The Forbes Magazine Collection: Steve Forbes, Class of 1970, and Christopher Forbes, Class of 1972","caption":"Jean-Auguste-Dominique Ingres (1780–1867; born Montauban, France; died Paris; active Rome, Florence, and Paris), The so-called \"Bacchus Richelieu\", 1793. Charcoal with stumping slightly accented with black chalk; 70 × 53 cm (sight), 87 × 68.5 × 6 cm (frame). Gift of The Forbes Magazine Collection: Steve Forbes, Class of 1970, and Christopher Forbes, Class of 1972 (1996-307)","cultureterms":[{"id":2031609,"culture":"French"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2031609,"term":"French","aatid":300111188,"termtype":"Culture"},{"id":2055271,"term":"sculptures","aatid":300047203,"termtype":"Subject"},{"id":2051964,"term":"drawings","aatid":300033973,"termtype":"Classification"},{"id":2055663,"term":"busts","aatid":300047457,"termtype":"Subject"},{"id":2055672,"term":"nudes","aatid":300189568,"termtype":"Subject"},{"id":2096051,"term":"mythology","aatid":300055985,"termtype":"Subject"},{"id":2044353,"term":"wove paper","aatid":300014187,"termtype":"Materials"},{"id":2045804,"term":"charcoal","aatid":300012862,"termtype":"Materials"},{"id":2153317,"term":"stumping","aatid":300053412,"termtype":"Techniques"},{"id":2160324,"term":"black chalk","aatid":300080058,"termtype":"Materials"}],"geography":[],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"70.00"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"53.00"},{"element":"frame","type":"Height","units":"centimeters","dimension":"87.00"},{"element":"frame","type":"Width","units":"centimeters","dimension":"68.50"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"6.00"}],"markings":null,"accessionyear":"1996-01-01","newaccession":0,"makers":[{"id":5408,"displayname":"Jean-Auguste-Dominique Ingres","displaydate":"1780–1867; born Montauban, France; died Paris; active Rome, Florence, and Paris","datebegin":1780,"dateend":1867,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Jean-Auguste-Dominique Ingres, 1780–1867; born Montauban, France; died Paris; active Rome, Florence, and Paris","displayorder":1}],"datecomputed":1793,"signed":"Signed and dated in black chalk, upper right:  JD Ingres | 1793","restrictions":null,"classification":"Drawings","packages":[{"packageid":181690,"name":"CRS_2020_ART326_04_15"},{"packageid":182970,"name":"P&D_Drawings_Watercolors"},{"packageid":214385,"name":"web_Forbes"},{"packageid":207234,"name":"SAB_Gala2021"},{"packageid":195742,"name":"PUAM_Drawings from the Collections"}],"catalograisonne":null,"classifications":[{"id":2051964,"classification":"drawings"}],"exhibitions":[{"exhibitionid":1046,"citation":"Nineteenth-Century Pastels, Drawings, Watercolors (Complement to Cezanne Exhibition) (Saturday, February 01, 1992 - Sunday, April 05, 1992)","isvirtual":true,"begindate":"1992-02-01","enddate":"1992-04-05","uri":"https://artmuseum.princeton.edu/art/exhibitions/1046"}],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/INV45792"],"displaytitle":"The so-called \"Bacchus Richelieu\"","displayculture":null,"displaymaker":"Jean-Auguste-Dominique Ingres, 1780–1867; born Montauban, France; died Paris; active Rome, Florence, and Paris","captionhtml":"Jean-Auguste-Dominique Ingres (1780–1867; born Montauban, France; died Paris; active Rome, Florence, and Paris), <i>The so-called \"Bacchus Richelieu\"</i>, 1793. Charcoal with stumping slightly accented with black chalk; 70 × 53 cm (sight), 87 × 68.5 × 6 cm (frame). Gift of The Forbes Magazine Collection: Steve Forbes, Class of 1970, and Christopher Forbes, Class of 1972 (1996-307)","displaydate":"1793","medium":"Charcoal with stumping slightly accented with black chalk","media":[{"id":122590,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV45792","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"<EM>Catalogue of fine old masters drawings: which will be sold at auction by Christie, Manson &amp; Woods ... London ... June, 23, 1970</EM>, (London: Christie, Manson &amp; Woods, 1970).","citation":"<EM>Catalogue of fine old masters drawings: which will be sold at auction by Christie, Manson &amp; Woods ... London ... June, 23, 1970</EM>, (London: Christie, Manson &amp; Woods, 1970)., no. 148 (illus.)","date":1970,"id":5735,"uri":"https://search.worldcat.org/title/270105390"},{"boilertext":"Egbert Haverkamp-Begemann and Carolyn Logan, <EM>Creative copies: interpretative drawings from Michelangelo to Picasso: the Drawing Center ..., New York, 9 April-23 July 1988</EM>, (New York: The Drawing Center, 1988). ","citation":"Egbert Haverkamp-Begemann and Carolyn Logan, <EM>Creative copies: interpretative drawings from Michelangelo to Picasso: the Drawing Center ..., New York, 9 April-23 July 1988</EM>, (New York: The Drawing Center, 1988). , no. 50 (illus.)","date":1988,"id":5736,"uri":"https://search.worldcat.org/title/18177333"},{"boilertext":"Phyllis Hattis, <EM>Ingres' sculptural style: a group of unknown drawings</EM>, (Cambridge, MA: Fogg Art Museum, Harvard University, 1973). ","citation":"Phyllis Hattis, <EM>Ingres' sculptural style: a group of unknown drawings</EM>, (Cambridge, MA: Fogg Art Museum, Harvard University, 1973). , no. 6 (illus.)","date":1973,"id":5737,"uri":"https://search.worldcat.org/title/886369315"},{"boilertext":"Gerald Schurr, \"Collecting\", <EM>Réalités</EM> no. 254 (Jan., 1972).","citation":"Gerald Schurr, \"Collecting\", <EM>Réalités</EM> no. 254 (Jan., 1972)., p. 9 (illus.)","date":1972,"id":5738,"uri":"https://search.worldcat.org/title/615896427"},{"boilertext":"\"Acquisitions of the Art Museum 1996,\" <em>Record of the Art Museum, Princeton University</em> 56, no. 1/2 (1997): p. 75-115.","citation":"\"Acquisitions of the Art Museum 1996,\" <em>Record of the Art Museum, Princeton University</em> 56, no. 1/2 (1997): p. 75-115., p. 82 (illus.), p. 83","date":1997,"id":3051,"uri":"https://www.jstor.org/stable/3774760"},{"boilertext":"<em>Princeton alumni collections: works on paper</em>, (Princeton, NJ: Published by the Art Museum, Princeton University, in association with Princeton University Press, 1981).","citation":"<em>Princeton alumni collections: works on paper</em>, (Princeton, NJ: Published by the Art Museum, Princeton University, in association with Princeton University Press, 1981)., p. 86 (illus.)","date":1981,"id":5673,"uri":"https://search.worldcat.org/title/7923918"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1700-1800","dateend":1793,"depicted":[],"titles":[{"title":"The so-called \"Bacchus Richelieu\"","titletype":"Published","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"1996-307","inscribed":"in brown ink, center right:  Ve [veuve] Ingres [in Mme. Ingres' hand]","texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Gift of the artist to his second wife Delphine; her gift to Léon Bonnal, January 1887; his granddaughter, Mme. Albert Bonnat-Monfleur; Paul Bianchini, New York, November 1969 (sold Christie’s, London, 23 June 1970, no. 148, illus., sold for $6,550) (See reference Bib. 4834); Forbes Magazine Collection, New York.;","remarks":"From accession card. "},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nIngres’s early academic training in Toulouse is reflected in this finished drawing after a plaster cast, or <I>dessin de bosse</I>—the prerequisite stage in the study of the human figure, before the <I>académie</I>, or drawing from the live model. The bust derives from a full-length ancient Roman statue commonly called the \"Bacchus Richelieu\" after its celebrated seventeenth-century owner, the Cardinal Richelieu. The statue was seized from Richelieu’s descendants during the French Revolution and entered the collection of the Musée du Louvre by 1794, when the first casts were produced. Ingres demonstrated not only exceptional skill but also originality in this standard academic exercise in three-dimensional modeling, creating an imaginative illusionistic effect that endows the plaster surface with the sheen and luster of marble. The premature date of 1793 was probably inscribed on the sheet by the artist in his later years. </P></SPAN>","remarks":"K4-6 Gallery Rotation January 2016"}],"datebegin":1793,"sortnumber":"1996  307","published_date":"2026-02-11 09:17:31.276531","objectid":18645,"dimensions":"sight: 70 × 53 cm (27 9/16 × 20 7/8 in.)\r\nframe: 87 × 68.5 × 6 cm (34 1/4 × 26 15/16 × 2 3/8 in.)","on_view":false}