Baldwin Smith, \"Art and the undergraduate\", Bulletin of the Department of Art and Archaeology (Feb., 1931): p. 5-9.
","citation":"Baldwin Smith, \"Art and the undergraduate\", Bulletin of the Department of Art and Archaeology (Feb., 1931): p. 5-9.
","date":1931,"id":7143,"uri":"https://search.worldcat.org/title/2266455"},{"boilertext":"Charles-Rogers Bordley, Rubens ou Snyders?, (Paris: La Nef de Paris, 1955?).","citation":"Charles-Rogers Bordley, Rubens ou Snyders?, (Paris: La Nef de Paris, 1955?)., p. 144","date":1955,"id":7145,"uri":"https://search.worldcat.org/title/491492803"},{"boilertext":"Julius S. Held, The oil sketches of Peter Paul Rubens: a critical catalogue, (Princeton, NJ: Princeton University Press, 1980).","citation":"Julius S. Held, The oil sketches of Peter Paul Rubens: a critical catalogue, (Princeton, NJ: Princeton University Press, 1980)., Vol. 1: p. 307","date":1980,"id":7146,"uri":"https://search.worldcat.org/title/487068698"},{"boilertext":"Corpus Rubenianum Ludwig Burchard: an illustrated catalogue raisonné of the work of Peter Paul Rubens based on the material assembled by the late Dr. Ludwig Burchard in twenty-six parts, (Brussels: Nationaal Centrum voor de Plastische Kunsten van de XVIde en XVIIde Eeuw (Belgium), 1968-2016).","citation":"Corpus Rubenianum Ludwig Burchard: an illustrated catalogue raisonné of the work of Peter Paul Rubens based on the material assembled by the late Dr. Ludwig Burchard in twenty-six parts, (Brussels: Nationaal Centrum voor de Plastische Kunsten van de XVIde en XVIIde Eeuw (Belgium), 1968-2016)., Vol. 18: p. 249; no. 24a","date":1969,"id":7147,"uri":"https://search.worldcat.org/title/16042"},{"boilertext":"John Bridgman, An historical and topographical sketch of Knole, in Kent: with a brief genealogy of the Sackville family..., (London: W. Lindsell, 1821).","citation":"John Bridgman, An historical and topographical sketch of Knole, in Kent: with a brief genealogy of the Sackville family..., (London: W. Lindsell, 1821)., p. 45","date":1821,"id":7148,"uri":"https://search.worldcat.org/title/457142823"},{"boilertext":"Seventeenth century landscapes: Italian, French, Flemish, Dutch: problems of authenticity in nineteenth and twentieth century art, (Princeton, NJ: Princeton University Art Museum, 1973).","citation":"Seventeenth century landscapes: Italian, French, Flemish, Dutch: problems of authenticity in nineteenth and twentieth century art, (Princeton, NJ: Princeton University Art Museum, 1973)., p. 42, no. 28","date":1973,"id":3225,"uri":"https://search.worldcat.org/title/13373160"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"}],"daterange":"A.D. 1600-1700","dateend":1644,"depicted":[],"titles":[{"title":"Death of Adonis","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1930-458","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Late in his life, Rubens received two large and important commissions from King Philip IV of Spain. For the Torre de la Parada, the king’s hunting lodge outside Madrid, Rubens devised more than sixty mythological scenes, among them this oil sketch of the young Ganymede abducted by Jupiter in the guise of an eagle. For the Alcázar, Philip’s city palace, the king ordered a series of eighteen hunts; Rubens departed from the mythological account by the ancient Roman author Ovid in his Metamorphoses and instead portrayed the death of Adonis as a hunting accident. These quick and direct oil sketches demonstrate the assured touch and virtuoso economy of means by which Rubens conveyed his subjects.\n","remarks":"EUR1_02-05_WLA-Day 1 Cataloguing (group chat for 2022-13 and y1930-458)"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"John Frederick Sackville, 3rd Duke of Dorset (1745–1799); by descent to his widow, Arabella Diana Sackville (née Cope, later Whitworth), Duchess of Dorset (1769–1825); by descent to her eldest daughter, Lady Mary Sackville (1792-1864); by descent to her younger sister, Elizabeth Sackville-West, Countess De La Warr (1795–1870); by descent to her 4th son, Mortimer Sackville-West, 1st Baron Sackville (1820-1888); by descent to his younger brother, Lionel Sackville-West, 2nd Baron Sackville (1827-1908); by descent to his nephew, Lionel Edward Sackville-West, 3rd Baron Sackville (1867-1928). With Spink & Son, London by 1930; 1930 purchase by Princeton University Art Museum.
","remarks":null}],"datebegin":1634,"sortnumber":"1930 458y","published_date":"2026-02-11 09:22:53.580323","objectid":19749,"dimensions":"34.6 x 52.4 cm (13 5/8 x 20 5/8 in.)\r\nframe: 45 x 73 x 6 cm (17 11/16 x 28 3/4 x 2 3/8 in.)","on_view":true}