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Lang, 1989).","citation":"Mathias Prange, <EM>Der Niobidenmaler und seine Werkstatt: Untersuchungen zu einer Vasenwerkstatt frühklassischer Zeit</EM>, (Frankfurt am Main: P. Lang, 1989)., p. 189; no. N84, pl. 4 (right)","date":1989,"id":6734,"uri":"https://search.worldcat.org/title/611668898"},{"boilertext":"F. F. Jones and R. Goldberg, <em>Ancient art in the Art Museum: Princeton University</em>, (Princeton, NJ: Princeton University Press, 1960).","citation":"F. F. Jones and R. Goldberg, <em>Ancient art in the Art Museum: Princeton University</em>, (Princeton, NJ: Princeton University Press, 1960)., p. 36; p. 37 (illus.)","date":1960,"id":749,"uri":"https://search.worldcat.org/title/2181913"},{"boilertext":"J. D. Beazley, <em>Attic Red-figure \\Vase-painters,</em> 2nd ed., (Oxford: Clarendon Press, 1963).","citation":"J. D. Beazley, <em>Attic Red-figure \\Vase-painters,</em> 2nd ed., (Oxford: Clarendon Press, 1963)., p. 605, no. 65","date":1963,"id":2511,"uri":"https://search.worldcat.org/title/282870107"}],"nowebuse":"False","periods":[],"department":"Ancient, Byzantine, and Islamic Art","attribute_groups":[{"id":2199316,"term":"Ancient Mediterranean Art","termtype":"Collecting Area"}],"daterange":"1000 B.C.-A.D 1","dateend":-450,"depicted":[],"titles":[{"title":"Red-figured Hydria: Zeus and two goddesses","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1933-42","inscribed":"Graffito on foot, incised after firing: [ZE]","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"In the ancient Mediterranean, divine bodies could be shown using many representational strategies: the gods could be painted on vases or fashioned from bronze, marble, or wood; they might be rendered so small that they could sit in one’s hand, or so large that they towered over worshippers; and many gods could be depicted in multiple shapes and forms or with different iconographic attributes. These choices dramatically affected how a god’s image was perceived and, as a consequence, how the god’s presence could be experienced by their worshippers. Surviving ancient literary accounts describe how particularly striking images of the gods could elicit powerful responses in their viewers, provoking epiphanies, or sacred visions of the divine.","remarks":"MED2_22-T4B-3_CLA.pdf – Day One Cataloguing (Group chat for 1998-224, 1998-223, 2002-283, 2018-132, y1928-28, y1933-42)"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Lot no. 365 in the 1899 sale of the collection of Thomas Benedict Clark; bequest of Junius S. Morgan to the Museum in 1933","remarks":null}],"datebegin":-470,"sortnumber":"1933   42y","published_date":"2026-02-11 09:24:11.746578","objectid":20030,"dimensions":"h. 32.6 cm, diam. rim 13.5 cm (12 13/16 x 5 5/16 in.)","on_view":true}