{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase","caption":"Frederic Edwin Church (1826–1900; born Hartford, CT; died New York, NY), Passing Shower in the Tropics, 1872. Oil on canvas; 31 × 51 cm, 51.6 × 72.5 × 9.7 cm (frame), 41.8 × 62.5 × 3.1 cm (frame, original frame). 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Church - '72.","restrictions":null,"classification":"Paintings","packages":[{"packageid":205696,"name":"exh_tour_Object_Lessons"},{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":207234,"name":"SAB_Gala2021"},{"packageid":213904,"name":"Gallery_23-27(Pavilion7)-American"},{"packageid":190619,"name":"x-COMPLETE-Image_descriptions_HB"},{"packageid":195578,"name":"PUAM_American - Formerly owned by puamtour"},{"packageid":197269,"name":"web_highlights -revised 2021"},{"packageid":203266,"name":"web_ObjectLessons_Sections_19-26_Environment"},{"packageid":204016,"name":"x-COMPLETE-image_descriptions_American_Art_paintings"}],"catalograisonne":null,"classifications":[{"id":2052977,"classification":"paintings"},{"id":2053145,"classification":"oil paintings"}],"exhibitions":[{"exhibitionid":3649,"citation":"Object Lessons in American Art: Selections from the Princeton University Art Museum Saturday, February 4, 2023 - Sunday, January 7, 2024","isvirtual":true,"begindate":"2023-02-04","enddate":"2024-01-07","uri":"https://artmuseum.princeton.edu/art/exhibitions/3649"}],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/y1945-212"],"displaytitle":"Passing Shower in the Tropics","displayculture":null,"displaymaker":"Frederic Edwin Church, 1826–1900; born Hartford, CT; died New York, NY","alt_numbers":[],"captionhtml":"Frederic Edwin Church (1826–1900; born Hartford, CT; died New York, NY), Passing Shower in the Tropics, 1872. Oil on canvas; 31 × 51 cm, 51.6 × 72.5 × 9.7 cm (frame), 41.8 × 62.5 × 3.1 cm (frame, original frame). Museum purchase (y1945-212)","displaydate":"1872","medium":"Oil on canvas","media":[{"id":14364,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1945-212","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013)","citation":"Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013), p. 244","date":2013,"id":1994,"uri":"https://search.worldcat.org/title/865020505"},{"boilertext":"Barbara T. Ross, \"Nineteenth-century American landscape paintings: nine recent acquisitions\", Record of the Art Museum, Princeton University 44, no. 1 (1985): p. 4-13.","citation":"Barbara T. Ross, \"Nineteenth-century American landscape paintings: nine recent acquisitions\", Record of the Art Museum, Princeton University 44, no. 1 (1985): p. 4-13., p. 8, fig. 10","date":1985,"id":3141,"uri":"https://www.jstor.org/stable/3774656"},{"boilertext":"Princeton University Art Museum: Handbook of the Collection (New Haven, CT: Yale University Press, 2007)","citation":"Princeton University Art Museum: Handbook of the Collection (New Haven, CT: Yale University Press, 2007), 230 (illus.)","date":2007,"id":474,"uri":"https://search.worldcat.org/title/191864564"},{"boilertext":"\"Galleries from the bequest of Sterling Morton class of 1906\", Record of the Art Museum, Princeton University 25, no. 1/2 (1966): p. 34-35, 37-38.","citation":"\"Galleries from the bequest of Sterling Morton class of 1906\", Record of the Art Museum, Princeton University 25, no. 1/2 (1966): p. 34-35, 37-38., p. 35 (illus.)","date":1966,"id":3402,"uri":"https://www.jstor.org/stable/23211681"},{"boilertext":"Allen Rosenbaum and Francis F. Jones, Selections from The Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1986)","citation":"Allen Rosenbaum and Francis F. Jones, Selections from The Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1986), p. 274","date":1986,"id":1899,"uri":"https://search.worldcat.org/title/14244748"},{"boilertext":"F.J. Mather, Jr., \"A painting by F.E. Church\", Record of the Museum of Historic Art, Princeton University 5, no. 1 (1946): p. 2.","citation":"F.J. Mather, Jr., \"A painting by F.E. Church\", Record of the Museum of Historic Art, Princeton University 5, no. 1 (1946): p. 2., p. 2","date":1946,"id":3274,"uri":"https://www.jstor.org/stable/3774125"}],"nowebuse":"False","periods":[],"department":"American Art","attribute_groups":[{"id":2199325,"term":"North American Art","termtype":"Collecting Area"}],"daterange":"A.D. 1850-1900","dateend":1872,"depicted":[],"titles":[{"title":"Passing Shower in the Tropics","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1945-212","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"[Robert C. Vose, Boston (MA), by July 11, 1945 [1]]; purchased by the Princeton University Art Museum, July 11, 1945.\n\n[1] A label from Vose was once on the back of the painting. It was scraped off when the painting was stolen in October 1963.","remarks":null},{"texttype":"Online","textpurpose":"Handbook Entry","textentryhtml":"\r\nFrederic Church was the primary pupil of the Hudson River School’s founder, Thomas Cole, who imparted to his technically gifted student the notion of landscape painting as a vehicle for conveying ideas about history, divinity, and the human condition. These concepts were complemented by the writings of naturalist Alexander von Humboldt, whose Cosmos inspired Church to visit South America in search of sublime subject matter with which to express his pantheistic apprehension of the natural world. Church produced a series of spectacular paintings of tropical scenes that combine panoramic scope with precise, accurate detail, proposing and offering revelation through scientific knowledge. Passing Shower in the Tropics, a modestly scaled iteration of these South American subjects, shares with other, later examples of the type a focus on atmospheric effects and the apparent representation of an amalgam of locations rather than a single particular site. ","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Church was the primary pupil of Hudson River School founder Thomas Cole (1801–1848), who imparted to his gifted student the notion of land- scape painting as a vehicle for conveying ideas about nature. For Church, the natural world was most truthfully represented as a series of adjacent environments shaped by changes in altitude and characterized by corresponding variations of flora and fauna. His art articulated an early perception of earth’s fundamentally integrated character, anticipating the advent of ecology. These traits were an abiding concern for the artist following his exposure to the influential theories of the German naturalist Alexander von Humboldt (1769–1859). Church visited South America twice during the 1850s, producing a series of grand tropical scenes that combine panoramic vistas with minute, accurate detail. This later, modestly scaled painting similarly focuses on precise atmospheric effects and the representation of nature according to discrete climatic zones.\n","remarks":"AMER2_23-27_WLA Day 1 Cataloguing"}],"datebegin":1872,"sortnumber":"1945 212y","published_date":"2026-08-01 02:00:21.987546","objectid":22615,"dimensions":"31 × 51 cm (12 3/16 × 20 1/16 in.)\r\nframe: 51.6 × 72.5 × 9.7 cm (20 5/16 × 28 9/16 × 3 13/16 in.)\r\nframe (original frame): 41.8 × 62.5 × 3.1 cm (16 7/16 × 24 5/8 × 1 1/4 in.)","on_view":true}