{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of Carl Otto von Kienbusch, Class of 1906, for the Carl Otto von Kienbusch Jr. Memorial Collection","caption":"French, Three Angels around the Altar of the Holocaust, 1557. Uncolored glass with silver stain, sanguine, and vitreous paint; 53.8 × 46.4 × 1 cm. Gift of Carl Otto von Kienbusch, Class of 1906, for the Carl Otto von Kienbusch Jr. Memorial Collection (y1946-102)","cultureterms":[{"id":2031609,"culture":"French"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2097045,"term":"Christianity","aatid":300073711,"termtype":"Subject"},{"id":2113430,"term":"altars","aatid":300003725,"termtype":"Subject"},{"id":2031609,"term":"French","aatid":300111188,"termtype":"Culture"},{"id":2166459,"term":"stained glass windows","aatid":null,"termtype":"Classification"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2171831,"term":"angels","aatid":null,"termtype":"Subject"},{"id":2107406,"term":"architectural elements","aatid":300000885,"termtype":"Classification"},{"id":2073643,"term":"censers","aatid":300198814,"termtype":"Subject"},{"id":2095964,"term":"religious art","aatid":300248179,"termtype":"Subject"},{"id":2161568,"term":"stained glass","aatid":300010853,"termtype":"Materials"}],"geography":[{"displaygeography":"Place collected: Europe, France, Saint-Étienne-le-Molard, Chapel of the Château de la Bastie d’Urfé","code":"Place collected","continent":"Europe","subcontinent":null,"country":"France","region":null,"state":null,"city":"Saint-Étienne-le-Molard","county":null,"subregion":null,"locale":"Chapel of the Château de la Bastie d’Urfé","locus":null,"river":null,"excavation":null,"geoname":"https://www.geonames.org/2980221/saint-etienne-le-molard.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"53.81"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"46.35"},{"element":"Overall","type":"Depth","units":"centimeters","dimension":"0.95"}],"markings":null,"accessionyear":"1946-01-01","newaccession":0,"makers":[],"datecomputed":1557,"signed":"Dated: 1557","restrictions":null,"classification":"Architectural Elements","packages":[{"packageid":208216,"name":"Gallery_06-Orientation"},{"packageid":246533,"name":"EPS Provenance Nazi-era gaps"},{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":276252,"name":"Nazi Era Sept 2025 list for web"}],"catalograisonne":null,"classifications":[{"id":2166459,"classification":"stained glass windows"},{"id":2107406,"classification":"architectural elements"}],"exhibitions":[],"cultures":[{"id":13586,"culture":"French","alphasort":"French","begindate":0,"enddate":0,"displayculture":"French","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/INV64639"],"displaytitle":"Three Angels around the Altar of the Holocaust","displayculture":"French","displaymaker":null,"captionhtml":"French, <i>Three Angels around the Altar of the Holocaust</i>, 1557. Uncolored glass with silver stain, sanguine, and vitreous paint; 53.8 × 46.4 × 1 cm. Gift of Carl Otto von Kienbusch, Class of 1906, for the Carl Otto von Kienbusch Jr. Memorial Collection (y1946-102)","displaydate":"1557","medium":"Uncolored glass with silver stain, sanguine, and vitreous paint","media":[{"id":146634,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV64639","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"\"Recent accessions\", <em>Record of the Museum of Historic Art, Princeton University</em> 6, no. 1/2 (1947): p. 7.","citation":"\"Recent accessions\", <em>Record of the Museum of Historic Art, Princeton University</em> 6, no. 1/2 (1947): p. 7., opposite p. 7","date":1947,"id":3294,"uri":"https://www.jstor.org/stable/3774166"},{"boilertext":"\"The Carl Otto von Kienbusch, Jr., Memorial Collection,\" <em>Record of the Art Museum, Princeton University</em>, vol. 36, no. 2 (1977): p. 24-32.","citation":"\"The Carl Otto von Kienbusch, Jr., Memorial Collection,\" <em>Record of the Art Museum, Princeton University</em>, vol. 36, no. 2 (1977): p. 24-32., p. 32","date":1977,"id":7732,"uri":"https://www.jstor.org/stable/3774527"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"daterange":"A.D. 1500-1600","dateend":1557,"depicted":[],"titles":[{"title":"Three Angels around the Altar of the Holocaust","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"y1946-102","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Multivocal Label","textentryhtml":"<p>\n\tEuropean stained glass, a highly valued architectural material, received a place of honor in many churches and civic institutions, where it communicated religious and social values. How it did so varied across region and time, as seen in the diverse examples on view here. A royal commission depicting Louis IX (1214–1270), France’s sainted king, or an image of an archangel’s visit to the Virgin Mary to announce that she would be the mother of Christ, show rich colors in stained glass as well as glass painted with neutral line and shading. By the late fifteenth century, realistic three-dimensionality as well as large compositions in uncolored glass became standard. With a transformed economy, and in some cases, early democracy, middle-class individuals commissioned windows. A Swiss rural pastor proclaimed his admiration for the theo-logical insights of the fifth-century North African Saint Augustine and for the preaching skills of John the Baptist. A seventeenth-century town council used one of Aesop’s fables to encourage Swiss solidarity. The inscription extols service and fraternal ties, exclaiming that “unity is your strength!”\n</p>\n<p><b>\n\tVirginia Raguin</b>, Distinguished Professor of Humanities Emerita, Visual Arts, College of the Holy Cross\n</p>","remarks":"ORI_06_WLA.pdf - Day 1 Installation. Group chat for y1936-5, y1943-65, y1946-102, y1950-26, y1960-55, y1961-52, y1961-55, and y1977-39"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Chateau de la Bastie d'Urfe. Didron Collection (Paris). Bashford Dean. Carl Otto von Kienbusch; 1946 gift to Princeton University Art Museum.","remarks":"not vetted"}],"datebegin":1557,"sortnumber":"1946  102y","published_date":"2026-02-11 09:48:59.003869","objectid":22738,"dimensions":"53.8 × 46.4 × 1 cm (21 3/16 × 18 1/4 × 3/8 in.)","on_view":true}