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On the identity of a puzzling figure on the Princeton dionysiac sarcophagus\", Rivista di archeologia 17 (1993)., p. 41-53; fig. 1","date":1993,"id":2458,"uri":"https://search.worldcat.org/title/6177485"},{"boilertext":"\"Recent Acquisitions,\" Record of the Art Museum, Princeton University 8, no. 2 (1949): 11–12.","citation":"\"Recent Acquisitions,\" Record of the Art Museum, Princeton University 8, no. 2 (1949): 11–12., p. 12","date":1949,"id":7849,"uri":"https://www.jstor.org/stable/3774309"},{"boilertext":"Margarete Bieber, A history of Greek and Roman theater, (Princeton, NJ: Princeton University Press, 1961). 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Friedman, To bid farewell: images of death in the ancient world, (Providence, RI: Rhode Island School of Design, 1987)., fig. 3 (illus.)","date":1987,"id":6885,"uri":"https://search.worldcat.org/title/82787997"},{"boilertext":"Christopher White, Peter Paul Rubens: man & artist, (New Haven, CT: Yale University Press, 1987).","citation":"Christopher White, Peter Paul Rubens: man & artist, (New Haven, CT: Yale University Press, 1987)., p. 91 (illus.)","date":1987,"id":6886,"uri":"https://search.worldcat.org/title/14272253"},{"boilertext":"Donald N. Wilber, \"A relief from Persepolis\", Record of the Art Museum, Princeton University 9, no. 2 (1950): p. 2-3.
","citation":"Donald N. Wilber, \"A relief from Persepolis\", Record of the Art Museum, Princeton University 9, no. 2 (1950): p. 2-3.
, p. 2-3; cover illus.","date":1950,"id":6887,"uri":"https://www.jstor.org/stable/3774238"},{"boilertext":"Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013)","citation":"Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013), p. 93","date":2013,"id":1994,"uri":"https://search.worldcat.org/title/865020505"},{"boilertext":"C. Vermeule and D. von Bothmer, \"Notes on a new edition of Michaelis, part 3:2\", American journal of archaeology 63, no. 4, (Oct., 1959): p. 329-348.","citation":"C. Vermeule and D. von Bothmer, \"Notes on a new edition of Michaelis, part 3:2\", American journal of archaeology 63, no. 4, (Oct., 1959): p. 329-348., p. 347","date":1959,"id":3763,"uri":"https://www.jstor.org/stable/501786"},{"boilertext":"Peter B. Blanchard, Rona Goffen and David Steadman, Copies as originals: translations in media and techniques, (Princeton, NJ: Art Museum, Princeton University, 1974).","citation":"Peter B. Blanchard, Rona Goffen and David Steadman, Copies as originals: translations in media and techniques, (Princeton, NJ: Art Museum, Princeton University, 1974)., no. 22[?]; p. 98 (illus.)","date":1974,"id":3824,"uri":"https://search.worldcat.org/title/2013508"}],"nowebuse":"False","periods":[{"id":12861,"period":"Roman Imperial Period","alphasort":"Roman Imperial Period","begindate":-30,"enddate":467,"displayperiod":"Roman Imperial Period, Antonine Period, 138–193 CE, ca. 30 BCE–476 CE","displaydate":"ca. 30 BCE–476 CE"}],"department":"Ancient, Byzantine, and Islamic Art","attribute_groups":[{"id":2199316,"term":"Ancient Mediterranean Art","termtype":"Collecting Area"}],"daterange":"A.D. 1-500","dateend":160,"depicted":[],"titles":[{"title":"Front panel of a sarcophagus with scenes from the life of Dionysos","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1949-110","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Museum purchase from Mario Barsanti, Rome, 1949.","remarks":"From accession card. "},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Joyous celebrations, often in the company of the wine god Dionysos, are frequently found on second-century CE sarcophagi. At the left of this fragmentary panel, a cult statue of Dionysos is being set up by satyrs and maenads. In the center, seated satyrs receive offerings from two women. The scene at the right develops around a baby Dionysos with four attendants. To the right of this group stands the half-goat, half-anthropomorphic god Pan; his fragmentary figure indicates that a fourth scene, now lost, was originally present. The sarcophagus’s left-end panel, depicting Silenos and a maenad, survives in Arezzo, Italy. The right-end panel, with nymphs and the infant Dionysos, is in Woburn Abbey, England. This relief was known as early as the fifteenth century, when a vignette inspired Donatello’s bronze pulpit relief in the Church of San Lorenzo, Florence.","remarks":"MED2_22_WLA.pdf – Day One Cataloguing"}],"datebegin":140,"sortnumber":"1949 110y","published_date":"2026-04-03 02:00:16.154864","objectid":23705,"dimensions":"38.5 x 150.5 x 5.5 cm (15 3/16 x 59 1/4 x 2 3/16 in.)\r\nfloor: d. 4.5 cm (1 3/4 in.)","on_view":true}