{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of the Estate of Laurence Hutton","caption":"Eugène Boudin (1824–1898; born Honfleur, France; died Deauville, France), The Beach at Trouville, 1865. Oil on canvas; 38 × 62.8 cm, 68.6 × 94 × 11.4 cm (frame). 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Boudin - 65","restrictions":null,"classification":"Paintings","packages":[{"packageid":210962,"name":"Z_JS European On View 10 years"},{"packageid":182999,"name":"image_descriptions_eps_painitings"},{"packageid":195743,"name":"PUAM_Impressionism and Post-Impressionism"},{"packageid":198744,"name":"PUAM_Seascapes & Cityscapes"},{"packageid":124772,"name":"CRS_ART100_2017_11_29"},{"packageid":152533,"name":"web_frenchpaintings"},{"packageid":206416,"name":"image_descriptions_KG"},{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":181959,"name":"web_2020_K4-6"},{"packageid":193236,"name":"PUAM_Expressing Culture_European"},{"packageid":210960,"name":"Z_JS European Anchors"},{"packageid":204035,"name":"Teaching Kit Reproductions 8 1/2 x 11"},{"packageid":192740,"name":"PUAM_Transition to Modern Art"},{"packageid":207234,"name":"SAB_Gala2021"},{"packageid":194699,"name":"PUAM_Seascapes & Cityscapes_Evergreen"},{"packageid":225374,"name":"Gallery_02-05(Pavilion1)-European [3]"}],"catalograisonne":"Schmit 347","classifications":[{"id":2052977,"classification":"paintings"},{"id":2053145,"classification":"oil paintings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2015_9367"],"displaytitle":"The Beach at Trouville","displayculture":null,"displaymaker":"Eugène Boudin, 1824–1898; born Honfleur, France; died Deauville, France","captionhtml":"Eugène Boudin (1824–1898; born Honfleur, France; died Deauville, France), <i>The Beach at Trouville</i>, 1865. Oil on canvas; 38 × 62.8 cm, 68.6 × 94 × 11.4 cm (frame). Gift of the Estate of Laurence Hutton (y1950-65)","displaydate":"1865","medium":"Oil on canvas","media":[{"id":192607,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU2015_9367","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"},{"id":1152,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1950-65","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"John House and David Hopkin, <I>Impressionists by the sea</I>. (London and New York : Royal Academy of Arts; Distributed in the United States and Canada by Harry N. Abrams, 2007).","citation":"John House and David Hopkin, <I>Impressionists by the sea</I>. (London and New York : Royal Academy of Arts; Distributed in the United States and Canada by Harry N. Abrams, 2007)., pp. 49,126, no. 15; pp. 57, 125 (illus.)","date":2007,"id":1216,"uri":"https://search.worldcat.org/title/124982998"},{"boilertext":"Jean-Luc Douin, <em>120 ans de cinéma, Gaumont</em> (Paris: Éditions de La Martinière, Gaumont, 2015).","citation":"Jean-Luc Douin, <em>120 ans de cinéma, Gaumont</em> (Paris: Éditions de La Martinière, Gaumont, 2015).","date":2015,"id":6835,"uri":"https://search.worldcat.org/title/908014545"},{"boilertext":"Robert Schmit, <EM>Eugene Boudin, 1824-1898</EM>, (Paris: Schmit, 1973).","citation":"Robert Schmit, <EM>Eugene Boudin, 1824-1898</EM>, (Paris: Schmit, 1973)., 126, no. 347","date":1973,"id":3164,"uri":"https://search.worldcat.org/title/1218155"},{"boilertext":"Patrick Ramade, Christophe Marcheteau de Quincay, <EM>Un ete au bord de l'eau: loisirs et impressionisme</EM>, (Caen: Musée des Beaux-Arts, 2013).","citation":"Patrick Ramade, Christophe Marcheteau de Quincay, <EM>Un ete au bord de l'eau: loisirs et impressionisme</EM>, (Caen: Musée des Beaux-Arts, 2013)., pp. 16-17 (illus), p. 50 (illus), p. 51.","date":2013,"id":3165,"uri":"https://search.worldcat.org/title/846781579"},{"boilertext":"Mahonri Sharp Young and Katherine Wallace Paris, <EM>Louis Eugene Boudin: precursor of Impressionism</EM>, (Santa Barbara, CA: Santa Barbara Museum of Art, 1976).","citation":"Mahonri Sharp Young and Katherine Wallace Paris, <EM>Louis Eugene Boudin: precursor of Impressionism</EM>, (Santa Barbara, CA: Santa Barbara Museum of Art, 1976)., no. 2 (illus.)","date":1976,"id":3166,"uri":"https://search.worldcat.org/title/17030007"},{"boilertext":"Kermit Swiler Champa, Fronia E. Wissman, Deborah J. Johnson,<EM> The rise of landscape painting in France: Corot to Monet</EM>, (Manchester, NH; New York: H.N. Abrams, 1991).&nbsp;","citation":"Kermit Swiler Champa, Fronia E. Wissman, Deborah J. Johnson,<EM> The rise of landscape painting in France: Corot to Monet</EM>, (Manchester, NH; New York: H.N. Abrams, 1991).&nbsp;, cat. no. 3; p. 106 (illus.)","date":1991,"id":3167,"uri":"https://search.worldcat.org/title/23068210"},{"boilertext":null,"citation":null,"date":2011,"id":1480,"uri":"https://search.worldcat.org/title/53185722"},{"boilertext":"Allen Rosenbaum and Francis F. Jones,<em> Selections from The Art Museum, Princeton University, </em>(Princeton,&nbsp;NJ: The Art Museum, Princeton University, 1986)","citation":"Allen Rosenbaum and Francis F. Jones,<em> Selections from The Art Museum, Princeton University, </em>(Princeton,&nbsp;NJ: The Art Museum, Princeton University, 1986)","date":1986,"id":1899,"uri":"https://search.worldcat.org/title/14244748"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"}],"daterange":"A.D. 1850-1900","dateend":1865,"depicted":[],"titles":[{"title":"The Beach at Trouville","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1950-65","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Cadart et Luquet, Paris; Laurence Hutton; gift of the Estate of Laurence Hutton; accessioned at University Library May 22, 1913; transferred to Museum November 3, 1950. ","remarks":"(Formerly Loan 271.)"},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<p>\n\tWith the advent of railroad lines reaching the northern coast of France in the late 1840s, larger numbers of people could enjoy seaside vacations. Boudin depicted vacationers in street clothes near two bathing machines, horse-drawn cabanas on wheels invented in England in the eighteenth century to preserve modesty. After a swimmer changed from street clothes into a bathing suit inside the cabana, the horse would pull the machine into the surf, where the swimmer could descend into water deep enough that they would not be seen in their swimsuit.\n</p>\n<p>\n\tThis windy scene reveals Boudin’s fascination not only with changing social mores but also with capturing the transient effects of light and weather on the landscape—interests he imparted to his mentee, Claude Monet.\n</p>","remarks":"EUR1_02-05_WLA-Day 1 Cataloguing "}],"datebegin":1865,"sortnumber":"1950   65y","published_date":"2026-02-11 09:59:03.605914","objectid":23887,"dimensions":"38 × 62.8 cm (14 15/16 × 24 3/4 in.)\r\nframe: 68.6 × 94 × 11.4 cm (27 × 37 × 4 1/2 in.)","on_view":true}