{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Given in memory of Allan Marquand, Class of 1874, and Mrs. Marquand, by their daughters","caption":"German, Mourning Madonna, early 16th century. Wood; 61 × 30 × 16.5 cm. Given in memory of Allan Marquand, Class of 1874, and Mrs. Marquand, by their daughters (y1951-56)","cultureterms":[{"id":2031614,"culture":"German"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2097045,"term":"Christianity","aatid":300073711,"termtype":"Subject"},{"id":2054791,"term":"sculpture","aatid":300047090,"termtype":"Classification"},{"id":2031614,"term":"German","aatid":300111192,"termtype":"Culture"},{"id":2099836,"term":"mourning","aatid":300238450,"termtype":"Subject"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2171368,"term":"Mary","aatid":null,"termtype":"Subject"},{"id":2131824,"term":"wimples","aatid":300212997,"termtype":"Subject"},{"id":2095964,"term":"religious art","aatid":300248179,"termtype":"Subject"},{"id":2045920,"term":"wood","aatid":300011914,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Europe, Nuremberg","code":"Place made","continent":"Europe","subcontinent":null,"country":null,"region":null,"state":null,"city":"Nuremberg","county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":null,"location":{"lat":"","lon":""}},{"displaygeography":"Place made: Europe, Franconia","code":"Place made","continent":"Europe","subcontinent":null,"country":null,"region":null,"state":null,"city":"Franconia","county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":null,"location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"61.00"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"30.00"},{"element":"Overall","type":"Depth","units":"centimeters","dimension":"16.50"}],"markings":null,"accessionyear":"1951-01-01","newaccession":0,"makers":[],"datecomputed":1514,"signed":null,"restrictions":null,"classification":"Sculpture","packages":[{"packageid":210962,"name":"Z_JS European On View 10 years"},{"packageid":246533,"name":"EPS Provenance Nazi-era gaps"},{"packageid":276252,"name":"Nazi Era Sept 2025 list for web"},{"packageid":181958,"name":"web_2020_K1-3"},{"packageid":210960,"name":"Z_JS European Anchors"}],"catalograisonne":null,"classifications":[{"id":2054791,"classification":"sculpture"}],"exhibitions":[],"cultures":[{"id":13825,"culture":"German","alphasort":"German","begindate":0,"enddate":0,"displayculture":"German","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/y1951-56_OBL1"],"displaytitle":"Mourning Madonna","displayculture":"German","displaymaker":null,"captionhtml":"German, <i>Mourning Madonna</i>, early 16th century. Wood; 61 × 30 × 16.5 cm. Given in memory of Allan Marquand, Class of 1874, and Mrs. Marquand, by their daughters (y1951-56)","displaydate":"early 16th century","medium":"Wood","media":[{"id":45113,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1951-56_FRN","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"},{"id":45114,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1951-56_OBL2","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"},{"id":45115,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1951-56_OBL1","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Betsy Rosasco, \"The teaching of art and the museum tradition: Joseph Henry to Allan Marquand,\"&nbsp; in \"An art museum for Princeton: the early years\", special issue, <EM>Record of the Art Museum, Princeton University</EM> 55, no. 1/2 (1996): p. 7-52.","citation":"Betsy Rosasco, \"The teaching of art and the museum tradition: Joseph Henry to Allan Marquand,\"&nbsp; in \"An art museum for Princeton: the early years\", special issue, <EM>Record of the Art Museum, Princeton University</EM> 55, no. 1/2 (1996): p. 7-52., p. 33, fig. 17","date":1996,"id":3052,"uri":"https://www.jstor.org/stable/3774779"},{"boilertext":"\"Recent acquisitions,\" <i>Record of the Art Museum, Princeton University</i> 10, no. 2 (1951): p. 22-23.","citation":"\"Recent acquisitions,\" <i>Record of the Art Museum, Princeton University</i> 10, no. 2 (1951): p. 22-23., p. 22","date":1951,"id":862,"uri":"https://www.jstor.org/stable/3774224"},{"boilertext":"<em>Program III: \"Images of Mary\"</em>, (Princeton, NJ: The Art Museum, Princeton University, 1975).","citation":"<em>Program III: \"Images of Mary\"</em>, (Princeton, NJ: The Art Museum, Princeton University, 1975)., no. 33; p. 67-69","date":1975,"id":2468,"uri":"https://search.worldcat.org/title/83624284"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"daterange":"A.D. 1500-1600","dateend":1529,"depicted":[],"titles":[{"title":"Mourning Madonna","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"y1951-56","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Daughters of Allan Marquand and Mrs. Marquand; 1951 gift to Princeton University Art Museum. ","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"This Mater Dolorosa from a Crucifixion group was probably painted in naturalistic colors, like most German wooden sculpture of the period. In the nineteenth century any remaining paint would have been stripped off and the wood stained a dark brown by a dealer or collector, according to the taste of the time. Unfortunately this later stain cannot be removed. The face, pose, and drapery of the Virgin Mary are inspired by the prints of Albrecht Dürer, and are exemplary of the artist’s widespread influence. The diffusion of Dürer’s style in early-sixteenth-century European art, including sculpture and the decorative arts, was one of the most remarkable results of the revolution of printing and printmaking.","remarks":null}],"datebegin":1500,"sortnumber":"1951   56y","published_date":"2026-02-11 10:00:43.200508","objectid":24022,"dimensions":"61 × 30 × 16.5 cm (24 × 11 13/16 × 6 1/2 in.)","on_view":false}