{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Bequest of Albert Mathias Friend, Jr., Class of 1915","caption":"South German, Pietà, ca. 1480. Polychrome wood; 68 × 50 × 18.8 cm. 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Polychrome wood; 68 × 50 × 18.8 cm. Bequest of Albert Mathias Friend, Jr., Class of 1915 (y1956-114)","displaydate":"ca. 1480","medium":"Polychrome wood","media":[{"id":13153,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1956-114_GS","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"\"Recent acquisitions,\" <i>Record of the Art Museum, Princeton University</i> 16, no. 1 (1957): p. 12-14.","citation":"\"Recent acquisitions,\" <i>Record of the Art Museum, Princeton University</i> 16, no. 1 (1957): p. 12-14., p. 12","date":1957,"id":1830,"uri":"https://www.jstor.org/stable/3774252"},{"boilertext":"William H. Forsyth, \"A Princeton pieta\",&nbsp;<EM>Late classical and mediaeval studies in honor of Albert Mathias Friend, jr.</EM>, (Princeton, NJ, Princeton University Press, 1955).","citation":"William H. Forsyth, \"A Princeton pieta\",&nbsp;<EM>Late classical and mediaeval studies in honor of Albert Mathias Friend, jr.</EM>, (Princeton, NJ, Princeton University Press, 1955)., p. 401-405 (illus.)","date":1955,"id":1831,"uri":"https://search.worldcat.org/title/888175835"},{"boilertext":"Robert A. Koch, \"A Gothic sculpture of the Ascending Christ\", <EM>Record of the Art Museum, Princeton University</EM> 19, no. 1 (1960): p. 37-43.","citation":"Robert A. Koch, \"A Gothic sculpture of the Ascending Christ\", <EM>Record of the Art Museum, Princeton University</EM> 19, no. 1 (1960): p. 37-43., p. 37","date":1960,"id":6500,"uri":"https://www.jstor.org/stable/3774361"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"daterange":"A.D. 1000-1500","dateend":1485,"depicted":[],"titles":[{"title":"Pietà","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"y1956-114","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Albert Mathias Friend; 1956 bequest to Princeton University Art Museum.","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"A new subject beginning in the fourteenth century, the Pietà (Italian for \"pity\") represents the Virgin Mary holding her dead son, Jesus, in her lap. This scene is not found in the Gospels, but is one of a number of new themes in Christian art intended to encourage meditation, convey pathos, and provoke a profound emotional response in the viewer. It echoes images of the Virgin cradling her child adding to its emotional immediacy. The development of the Pietà parallels the rise in mystical literature of the time and responds to individual aspirations for a personal relationship with God.","remarks":"Medieval Gallery Reinstallation"}],"datebegin":1475,"sortnumber":"1956  114y","published_date":"2026-02-11 10:08:19.240231","objectid":27786,"dimensions":"68 x 50 x 18.8 cm (26 3/4 x 19 11/16 x 7 3/8 in.)","on_view":false}