Ana Carrasson Lopez de Latona, \"Nuevas aportaciones sobre la pintura del alfarje mudejar del Monasterio de Santo Domingo de Silos (Burgos)\", Patrimonio cultural de España 1 (2009): p. 291-302.
","citation":"Ana Carrasson Lopez de Latona, \"Nuevas aportaciones sobre la pintura del alfarje mudejar del Monasterio de Santo Domingo de Silos (Burgos)\", Patrimonio cultural de España 1 (2009): p. 291-302.
","date":2009,"id":6968,"uri":"https://search.worldcat.org/title/466942726"},{"boilertext":""Recent Acquisitions," Record of the Art Museum, Princeton University 18, no. 1 (1959): p. 40-42.","citation":""Recent Acquisitions," Record of the Art Museum, Princeton University 18, no. 1 (1959): p. 40-42., p. 40","date":1959,"id":876,"uri":"https://www.jstor.org/stable/3774388"},{"boilertext":"Chandler Rathfon Post and Harold E. Wethey, A history of Spanish painting, (Cambridge, Mass., Harvard University Press, 1930-66).","citation":"Chandler Rathfon Post and Harold E. Wethey, A history of Spanish painting, (Cambridge, Mass., Harvard University Press, 1930-66)., Vol. 2: p. 158-160","date":1930,"id":4225,"uri":"https://search.worldcat.org/title/2942763"},{"boilertext":"Juan Contreras y López de Ayala. Marques de Lozoya, Historia del arte hispánico, (Barcelona: Salvat, 1931-1949).","citation":"Juan Contreras y López de Ayala. Marques de Lozoya, Historia del arte hispánico, (Barcelona: Salvat, 1931-1949)., Vol. 22: p. 258-59, fig. 21-273","date":1931,"id":4500,"uri":"https://search.worldcat.org/title/1084667"},{"boilertext":"Ars Hispaniae: historia universal del arte hispánico, (Madrid: Editorial Plus-Ultra, 1947-1977).","citation":"Ars Hispaniae: historia universal del arte hispánico, (Madrid: Editorial Plus-Ultra, 1947-1977)., Vol. 5: fig. 373\r\nVol. 9: p. 48-49, fig. 30","date":1947,"id":4501,"uri":"https://search.worldcat.org/title/22259976"},{"boilertext":"Agustin Ruiz, Abadia de Santo Domingo de Silos: el abad Santo: el claustro Romanico: la vida Benedictina, (Madrid: Ed. Magisteria Español, 1960).","citation":"Agustin Ruiz, Abadia de Santo Domingo de Silos: el abad Santo: el claustro Romanico: la vida Benedictina, (Madrid: Ed. Magisteria Español, 1960)., pl. 44, 45, 62, 63","date":1960,"id":4502,"uri":"https://search.worldcat.org/title/14202451"},{"boilertext":"\"The Carl Otto von Kienbusch, Jr., Memorial Collection,\" Record of the Art Museum, Princeton University, vol. 36, no. 2 (1977): p. 24-32.","citation":"\"The Carl Otto von Kienbusch, Jr., Memorial Collection,\" Record of the Art Museum, Princeton University, vol. 36, no. 2 (1977): p. 24-32., p. 24","date":1977,"id":7732,"uri":"https://www.jstor.org/stable/3774527"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"daterange":"A.D. 1000-1500","dateend":1400,"depicted":[],"titles":[{"title":"Beam from the ceiling of the Castle of Curiel de Campos (Valladolid)","titletype":"Primary Title","displayorder":2},{"title":"Man; Woman","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"y1958-26","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"The Abbey of Santo Domingo de Silos, near Burgos, has a long and distinguished artistic legacy. Not only was the abbey renowned for the production and illumination of manuscripts, it also contributed to the revival of monumental religious sculpture in the eleventh and twelfth centuries. These wooden beams from the cloister are from the end of the Middle Ages. Painted in the fourteenth century, they are decorated with colorful secular subjects. These two examples, removed during the modern restoration and renovation of the cloister, convey the wit and imagination of the artists. Burgos was situated on the Pilgrimage Road that brought travelers from across Europe to the large cathedral of St. James of Compostella on the western coast of Spain to venerate the tomb of the apostle. This site of interchange must have exposed the artists of the Burgos wooden panels not only to new fashions from northern Europe but also to Islamic geometric patterning of southern Spain, still partly a Muslim region of the Iberian Peninsula at this date. ","remarks":"Medieval Gallery Reinstallation"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Castle of Curiel de Campos (also known as Curiel de los Ajos), Valladolid; Valladolid dealer; sold to Alexandre Soler i March by 1934 (Barcelona); Adolph Loewi Gallery (?), New York; museum purchase, 1958.
","remarks":"From Cristina Aldrich"}],"datebegin":1370,"sortnumber":"1958 26y","published_date":"2026-02-11 10:09:20.722790","objectid":28064,"dimensions":"48 × 145 × 4.3 cm (18 7/8 × 57 1/16 × 1 11/16 in.)","on_view":false}