Ana Carrasson Lopez de Latona, \"Nuevas aportaciones sobre la pintura del alfarje mudejar del Monasterio de Santo Domingo de Silos (Burgos)\", Patrimonio cultural de España 1 (2009): p. 291-302.
","citation":"Ana Carrasson Lopez de Latona, \"Nuevas aportaciones sobre la pintura del alfarje mudejar del Monasterio de Santo Domingo de Silos (Burgos)\", Patrimonio cultural de España 1 (2009): p. 291-302.
","date":2009,"id":6968,"uri":"https://search.worldcat.org/title/466942726"},{"boilertext":""Recent Acquisitions," Record of the Art Museum, Princeton University 18, no. 1 (1959): p. 40-42.","citation":""Recent Acquisitions," Record of the Art Museum, Princeton University 18, no. 1 (1959): p. 40-42., p. 40","date":1959,"id":876,"uri":"https://www.jstor.org/stable/3774388"},{"boilertext":"Chandler Rathfon Post and Harold E. Wethey, A history of Spanish painting, (Cambridge, Mass., Harvard University Press, 1930-66).","citation":"Chandler Rathfon Post and Harold E. Wethey, A history of Spanish painting, (Cambridge, Mass., Harvard University Press, 1930-66)., Vol. 2: p. 158-160","date":1930,"id":4225,"uri":"https://search.worldcat.org/title/2942763"},{"boilertext":"Juan Contreras y López de Ayala. Marques de Lozoya, Historia del arte hispánico, (Barcelona: Salvat, 1931-1949).","citation":"Juan Contreras y López de Ayala. Marques de Lozoya, Historia del arte hispánico, (Barcelona: Salvat, 1931-1949)., Vol. 22: p. 258-59, fig. 21-273","date":1931,"id":4500,"uri":"https://search.worldcat.org/title/1084667"},{"boilertext":"Ars Hispaniae: historia universal del arte hispánico, (Madrid: Editorial Plus-Ultra, 1947-1977).","citation":"Ars Hispaniae: historia universal del arte hispánico, (Madrid: Editorial Plus-Ultra, 1947-1977)., Vol. 5: fig. 373\r\nVol. 9: p. 48-49, fig. 30","date":1947,"id":4501,"uri":"https://search.worldcat.org/title/22259976"},{"boilertext":"Agustin Ruiz, Abadia de Santo Domingo de Silos: el abad Santo: el claustro Romanico: la vida Benedictina, (Madrid: Ed. Magisteria Español, 1960).","citation":"Agustin Ruiz, Abadia de Santo Domingo de Silos: el abad Santo: el claustro Romanico: la vida Benedictina, (Madrid: Ed. Magisteria Español, 1960)., pl. 44, 45, 62, 63","date":1960,"id":4502,"uri":"https://search.worldcat.org/title/14202451"},{"boilertext":"\"The Carl Otto von Kienbusch, Jr., Memorial Collection,\" Record of the Art Museum, Princeton University, vol. 36, no. 2 (1977): p. 24-32.","citation":"\"The Carl Otto von Kienbusch, Jr., Memorial Collection,\" Record of the Art Museum, Princeton University, vol. 36, no. 2 (1977): p. 24-32., p. 24","date":1977,"id":7732,"uri":"https://www.jstor.org/stable/3774527"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"daterange":"A.D. 1000-1500","dateend":1400,"depicted":[],"titles":[{"title":"Beam from the ceiling of the Castle of Curiel de Campos (Valladolid)","titletype":"Primary Title","displayorder":2},{"title":"Horseman; Warrior; Wildman","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"y1958-22","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Castle of Curiel de Campos (also known as Curiel de los Ajos), Valladolid; Valladolid dealer; sold to Alexandre Soler i March by 1934 (Barcelona); Adolph Loewi Gallery (?), New York; museum purchase, 1958.","remarks":"From Cristina Aldrich"},{"texttype":"Online","textpurpose":"Multivocal Label","textentryhtml":"\n\tOnce thought to originate from the Monastery of Santo Domingo de Silos, these painted panels likely decorated the ceilings of the Palace of Curiel de Campos in Valladolid, Spain. They depict fantastical confrontations between beasts and men: each encounter is separated by a triangular arched frame made up of elongated white pearls. Above, an elegant rider on a white horse—perhaps a depiction of Saint George—opposes a blue dragon with a curling tail. The ornamentation includes medallions of interlacing blue and red flowers. The panels are some of the many Spanish medieval architectural elements that entered American art collections during the early twentieth century. The newspaper publisher William Randolph Hearst, for example, installed dozens of Spanish ceilings, including fragments from this palace, in his colossal home in San Simeon, California. While many ceiling panels were embedded into modern buildings and museums, the panels on view here survive as individual fragments that can be appreciated up close.\n
\n\n\tCristina Aldrich, PhD Candidate, Institute of Fine Arts, New York University\n
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