{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of Stanley Mortimer, Class of 1919","caption":"Attributed to Tobias Müller (ca. 1595–1629; active Zug, Switzerland), Saint Augustine with the Arms of Johannes Hutz of Lachen, 1622. Stained glass: pot metal glass, flashed glass, vitreous paint, enamel paint, silver stain, lead came; 52.7 × 40.6 × 0.6 cm. Gift of Stanley Mortimer, Class of 1919 (y1961-55)","cultureterms":[{"id":2031678,"culture":"Swiss"}],"type":"artobject","dimensionsproposed":"","campus_art":false,"terms":[{"id":2160089,"term":"gold (color)","aatid":null,"termtype":"Subject"},{"id":2161568,"term":"stained glass","aatid":300010853,"termtype":"Classification"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2031678,"term":"Swiss","aatid":300111221,"termtype":"Culture"},{"id":2056370,"term":"red","aatid":300126225,"termtype":"Subject"},{"id":2057735,"term":"yellow","aatid":300127794,"termtype":"Subject"},{"id":2057975,"term":"yellowish white","aatid":300127985,"termtype":"Subject"},{"id":2058601,"term":"green (color)","aatid":300128438,"termtype":"Subject"},{"id":2059407,"term":"blue","aatid":300129361,"termtype":"Subject"},{"id":2188628,"term":"banderoles","aatid":null,"termtype":"Subject"},{"id":2095174,"term":"saints","aatid":300150555,"termtype":"Subject"},{"id":2171366,"term":"Christ","aatid":null,"termtype":"Subject"},{"id":2171368,"term":"Mary","aatid":null,"termtype":"Subject"},{"id":2171371,"term":"John the Baptist","aatid":null,"termtype":"Subject"},{"id":2112008,"term":"windows","aatid":300002944,"termtype":"Classification"},{"id":2161272,"term":"opaque white glass","aatid":300210944,"termtype":"Materials"},{"id":2167392,"term":"enamel","aatid":300014910,"termtype":"Materials"},{"id":2167563,"term":"silver stain","aatid":300014970,"termtype":"Materials"},{"id":2188622,"term":"pot-metal glass","aatid":null,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Europe, Switzerland, Lachen, Church of St. Jost","code":"Place made","continent":"Europe","subcontinent":null,"country":"Switzerland","region":null,"state":"Lachen","city":null,"county":null,"subregion":null,"locale":"Church of St. Jost","locus":null,"river":null,"excavation":null,"geoname":null,"location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"52.70"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"40.63"},{"element":"Overall","type":"Depth","units":"centimeters","dimension":"0.63"}],"markings":null,"accessionyear":"1961-01-01","newaccession":0,"makers":[{"id":23721,"displayname":"Tobias Müller","displaydate":"ca. 1595–1629; active Zug, Switzerland","datebegin":1590,"dateend":1629,"prefix":"attributed to","suffix":null,"role":"Artist","displaymaker":"attributed to Tobias Müller, ca. 1595–1629; active Zug, Switzerland","displayorder":1}],"datecomputed":1622,"signed":null,"restrictions":null,"classification":"Architectural Elements","packages":[{"packageid":208216,"name":"Gallery_06-Orientation - Formerly owned by sjbs"},{"packageid":210962,"name":"Z_JS European On View 10 years"},{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":181985,"name":"web_2020_medieval"}],"catalograisonne":null,"classifications":[{"id":2161568,"classification":"stained glass"},{"id":2112008,"classification":"windows"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/y1961-55"],"displaytitle":"Saint Augustine with the Arms of Johannes Hutz of Lachen","displayculture":null,"displaymaker":"attributed to Tobias Müller, ca. 1595–1629; active Zug, Switzerland","alt_numbers":[],"captionhtml":"Attributed to Tobias Müller (ca. 1595–1629; active Zug, Switzerland), <i>Saint Augustine with the Arms of Johannes Hutz of Lachen</i>, 1622. Stained glass: pot metal glass, flashed glass, vitreous paint, enamel paint, silver stain, lead came; 52.7 × 40.6 × 0.6 cm. Gift of Stanley Mortimer, Class of 1919 (y1961-55)","displaydate":"1622","medium":"Stained glass: pot metal glass, flashed glass, vitreous paint, enamel paint, silver stain, lead came","media":[{"id":3124,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1961-55","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"\"Recent acquisitions\", <em>Record of the Art Museum, Princeton University</em> 21, no. 1 (1962): p. 25-27","citation":"\"Recent acquisitions\", <em>Record of the Art Museum, Princeton University</em> 21, no. 1 (1962): p. 25-27, p. 27","date":1962,"id":3379,"uri":"https://www.jstor.org/stable/3774376"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"}],"daterange":"A.D. 1600-1700","dateend":1622,"depicted":[],"titles":[{"title":"Saint Augustine with the Arms of Johannes Hutz of Lachen","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1961-55","inscribed":"I.N.R.I. (Iesus Nazarenus, Rex Iudaeorum) / Hinc pascor a vulnere\r\nHinc lactor ab ubere\r\nPositus in medio, quo me / vertam nescio\r\nH: Johannes Hutz Der/ Ziit Pfarherr Zu Lachen/ Anno 1622\r\n\r\n(Jesus the Nazarene, King of the Jews. Here fed by the wound.\r\nHere nourished from the breast\r\nIn the middle, where I know not where to turn\r\nMr. Johann Hutz, the current pastor of Lachen, the year 1622.)","texts":[{"texttype":"Online","textpurpose":"Multivocal Label","textentryhtml":"<p>\n\tEuropean stained glass, a highly valued architectural material, received a place of honor in many churches and civic institutions, where it communicated religious and social values. How it did so varied across region and time, as seen in the diverse examples on view here. A royal commission depicting Louis IX (1214–1270), France’s sainted king, or an image of an archangel’s visit to the Virgin Mary to announce that she would be the mother of Christ, show rich colors in stained glass as well as glass painted with neutral line and shading. By the late fifteenth century, realistic three-dimensionality as well as large compositions in uncolored glass became standard. With a transformed economy, and in some cases, early democracy, middle-class individuals commissioned windows. A Swiss rural pastor proclaimed his admiration for the theo-logical insights of the fifth-century North African Saint Augustine and for the preaching skills of John the Baptist. A seventeenth-century town council used one of Aesop’s fables to encourage Swiss solidarity. The inscription extols service and fraternal ties, exclaiming that “unity is your strength!”\n</p>\n<p><b>\n\tVirginia Raguin</b>, Distinguished Professor of Humanities Emerita, Visual Arts, College of the Holy Cross\n</p>","remarks":"ORI_06_WLA.pdf - Day 1 Installation. Group chat for y1936-5, y1943-65, y1946-102, y1950-26, y1960-55, y1961-52, y1961-55, and y1977-39"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Stanley Mortimer; 1961 gift to Princeton University Art Museum.\n","remarks":null}],"datebegin":1622,"sortnumber":"1961   55y","published_date":"2026-07-30 02:00:10.699624","objectid":28735,"dimensions":"52.7 × 40.6 × 0.6 cm (20 3/4 × 16 × 1/4 in.)","on_view":true}