\n\tNotes \n
\n\n\t[1] Dan Fellows Platt left his collections to the University but gave his wife life-tenure and the right to sell \n
","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"This fragment of a panel by Sienese painter Domenico di Bartolo may be from an altarpiece made in 1436 for the church of the Carmine in Florence, where it would have been seen near frescoes by Domenico’s great Florentine contemporary, Masaccio. The aristocratic Sienese figures are set in a rational spatial setting of the sort seen in Florence.","remarks":"K1-3 May 2012"}],"media":[{"id":7323,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1962-58","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"hasimage":"true","bibliography":[{"boilertext":"Ludovico Geymonat, \"A Closer Look at Two Early Italian Painted Panels,\" Record of the Art Museum, Princeton University 59, no. 1/2 (2000): 50–55.","citation":"Ludovico Geymonat, \"A Closer Look at Two Early Italian Painted Panels,\" Record of the Art Museum, Princeton University 59, no. 1/2 (2000): 50–55., p. 53, figs. 4–5","date":2000,"id":3033,"uri":"https://www.jstor.org/stable/3774803"},{"boilertext":"Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013)","citation":"Princeton University Art Museum: Handbook of the Collections (Princeton, NJ: Princeton University Art Museum, 2013)","date":2013,"id":1994,"uri":"https://search.worldcat.org/title/865020505"},{"boilertext":"B. B. Fredericksen and F. Zeri, Census of pre-nineteenth-century Italian paintings in North American collections, (Cambridge, MA: Harvard University Press, 1972).","citation":"B. B. Fredericksen and F. Zeri, Census of pre-nineteenth-century Italian paintings in North American collections, (Cambridge, MA: Harvard University Press, 1972)., p. 66","date":1972,"id":572,"uri":"https://search.worldcat.org/title/488066386"},{"boilertext":"Christa Gardner (von Teuffel), \"The Significance of the Madonna del Popolo in the Brancacci Chapel: Reframing Assumptions,\" The Brancacci Chapel: Form, Function and Setting (Acts of an International Conference, Florence, Villa I Tatti, June 6, 2003), ed. Nicholas Eckstein, (Florence, Italy: Leo S. Olschki, 2007), 37-51.","citation":"Christa Gardner (von Teuffel), \"The Significance of the Madonna del Popolo in the Brancacci Chapel: Reframing Assumptions,\" The Brancacci Chapel: Form, Function and Setting (Acts of an International Conference, Florence, Villa I Tatti, June 6, 2003), ed. Nicholas Eckstein, (Florence, Italy: Leo S. Olschki, 2007), 37-51., ","date":2007,"id":169,"uri":"https://search.worldcat.org/title/183621456"},{"boilertext":"Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works with an index of places. Central Italian and North Italian schools, (London: Phaidon, 1968).","citation":"Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works with an index of places. Central Italian and North Italian schools, (London: Phaidon, 1968)., p. 109","date":1968,"id":4076,"uri":"https://search.worldcat.org/title/21407"},{"boilertext":"Bernard Berenson, Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere, con un indice dei luoghi, (Milano: U. Hoepli, 1936).","citation":"Bernard Berenson, Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere, con un indice dei luoghi, (Milano: U. Hoepli, 1936)., p. 147","date":1936,"id":4139,"uri":"https://search.worldcat.org/title/1136695"},{"boilertext":"Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places, (Oxford, UK: Clarendon Press, 1932).","citation":"Bernard Berenson, Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places, (Oxford, UK: Clarendon Press, 1932)., p. 171","date":1932,"id":4140,"uri":"https://search.worldcat.org/title/2029496"},{"boilertext":"\"Recent acquisitions,\" Record of the Art Museum, Princeton University 22, no. 1 (1963): p. 15-19.","citation":"\"Recent acquisitions,\" Record of the Art Museum, Princeton University 22, no. 1 (1963): p. 15-19., p. 16","date":1963,"id":1867,"uri":"https://www.jstor.org/stable/3774326"},{"boilertext":"Allen Rosenbaum and Francis F. Jones, Selections from The Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1986)","citation":"Allen Rosenbaum and Francis F. Jones, Selections from The Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1986), p. 76 (illus.)","date":1986,"id":1899,"uri":"https://search.worldcat.org/title/14244748"},{"boilertext":"Lionello Venturi, Pitture italiane in America, illustrate da Lionello Venturi, CCCCXXXVIII tavole, (Milano: U. Hoepli, 1931).","citation":"Lionello Venturi, Pitture italiane in America, illustrate da Lionello Venturi, CCCCXXXVIII tavole, (Milano: U. Hoepli, 1931)., no. 171","date":1931,"id":4536,"uri":"https://search.worldcat.org/title/13609306"},{"boilertext":"F. Mason Perkins, \"Dipinti Italiani nella raccolta Platt\", Rassegna d'arte antica e moderna 11, no. 1 (1911): p. 1-6, 146-149.","citation":"F. Mason Perkins, \"Dipinti Italiani nella raccolta Platt\", Rassegna d'arte antica e moderna 11, no. 1 (1911): p. 1-6, 146-149., p. 5","date":1911,"id":4547,"uri":"https://search.worldcat.org/title/888339481"},{"boilertext":"Keith Christiansen, Laurence B. Kanter and Carl Strehlke, Painting in Renaissance Siena, 1420-1500, (New York: Metropolitan Museum of Art, 1988).","citation":"Keith Christiansen, Laurence B. Kanter and Carl Strehlke, Painting in Renaissance Siena, 1420-1500, (New York: Metropolitan Museum of Art, 1988)., no. 41","date":1988,"id":4562,"uri":"https://search.worldcat.org/title/848524842"},{"boilertext":"MIchael Mallory and Gordon Moran, \"Reviewed Work: Painting in Renaissance Siena: 1420-1500 by Keith Christiansen, Laurence B. Kanter, Carl Brandon Strehlke\", Art journal 48, no. 4 (Winter, 1989): p. 353-356.","citation":"MIchael Mallory and Gordon Moran, \"Reviewed Work: Painting in Renaissance Siena: 1420-1500 by Keith Christiansen, Laurence B. Kanter, Carl Brandon Strehlke\", Art journal 48, no. 4 (Winter, 1989): p. 353-356., p. 353","date":1989,"id":4563,"uri":"https://www.jstor.org/stable/777021"},{"boilertext":"F. Mason Perkins, \"Ancora dei dipinti scondosciuti della scuola senese\", Rassegna d'arte senese 3, no. 1 (1907): p. 73-84.","citation":"F. Mason Perkins, \"Ancora dei dipinti scondosciuti della scuola senese\", Rassegna d'arte senese 3, no. 1 (1907): p. 73-84., p. 78 (illus.)","date":1907,"id":4565,"uri":"https://search.worldcat.org/title/23284698"},{"boilertext":"Cesare Brandi, Quattrocentisti senesi, (Milano: Hoepli, 1949).","citation":"Cesare Brandi, Quattrocentisti senesi, (Milano: Hoepli, 1949)., p. 119, 264; pl. 176","date":1949,"id":4566,"uri":"https://search.worldcat.org/title/2342964"},{"boilertext":"Anthony Radcliffe and Keith Christiansen, \"John Pope-Hennessy (1913 - 94)\", Burlington magazine 137, no. 1102 (Jan., 1995): p. 34-37.","citation":"Anthony Radcliffe and Keith Christiansen, \"John Pope-Hennessy (1913 - 94)\", Burlington magazine 137, no. 1102 (Jan., 1995): p. 34-37., p. 36","date":1995,"id":4567,"uri":"https://www.jstor.org/stable/886403"}],"exhibitions":[],"geography":[{"displaygeography":"Place made: Europe, Italy, Siena","code":"Place made","continent":"Europe","subcontinent":null,"country":"Italy","region":null,"state":null,"city":"Siena","county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/maps/google_43.318_11.331.html","location":{"lat":"","lon":""}}],"terms":[{"id":2048811,"term":"devotional objects","aatid":300234144,"termtype":"Classification"},{"id":2031625,"term":"Italian","aatid":300111198,"termtype":"Culture"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2188636,"term":"halos (glories)","aatid":null,"termtype":"Subject"},{"id":2171366,"term":"Christ","aatid":null,"termtype":"Subject"},{"id":2171368,"term":"Mary","aatid":null,"termtype":"Subject"},{"id":2066033,"term":"thrones","aatid":300038141,"termtype":"Subject"},{"id":2052977,"term":"paintings","aatid":300033618,"termtype":"Classification"},{"id":2108517,"term":"cusped arches","aatid":300001001,"termtype":"Subject"},{"id":2167890,"term":"tempera","aatid":300015062,"termtype":"Materials"},{"id":2047925,"term":"panel (wood)","aatid":300014657,"termtype":"Materials"}],"classifications":[{"id":2048811,"classification":"devotional objects"},{"id":2052977,"classification":"paintings"}],"cultures":[],"cultureterms":[{"id":2031625,"culture":"Italian"}],"periods":[],"periodterms":[],"attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"dimensionelements":[{"element":"frame","type":"Height","units":"centimeters","dimension":"133.03"},{"element":"frame","type":"Width","units":"centimeters","dimension":"84.45"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"12.38"},{"element":"Overall","type":"Height","units":"centimeters","dimension":"96.00"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"66.00"}],"packages":[{"packageid":210962,"name":"Z_JS European On View 10 years"},{"packageid":182999,"name":"image_descriptions_eps_painitings"},{"packageid":246533,"name":"EPS Provenance Nazi-era gaps"},{"packageid":197269,"name":"web_highlights -revised 2021"},{"packageid":276252,"name":"Nazi Era Sept 2025 list for web"},{"packageid":181958,"name":"web_2020_K1-3"},{"packageid":207234,"name":"SAB_Gala2021"}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/y1962-58"],"displaymaker":"Domenico di Bartolo, Italian, ca. 1400–before 1445","displayculture":null,"displayperiod":null,"caption":"Domenico di Bartolo (Italian, ca. 1400–before 1445), Madonna and Child, ca. 1436. Tempera on wood panel; 96 × 66 cm, 133 × 84.5 × 12.4 cm (frame). Bequest of Dan Fellows Platt, Class of 1895 (y1962-58)","captionhtml":"Domenico di Bartolo (Italian, ca. 1400–before 1445), Madonna and Child, ca. 1436. Tempera on wood panel; 96 × 66 cm, 133 × 84.5 × 12.4 cm (frame). Bequest of Dan Fellows Platt, Class of 1895 (y1962-58)","published_date":"2026-02-11 10:13:13.591504","campusart":[{"campuscollections":"false","campusart":0,"neighborhood":null,"lat":null,"lon":null}],"extended_content":false}