{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of Mrs. H. Clinch Tate","caption":"Jean-Marc Nattier (French, 1685–1766), Madame de Flesselles, 1747. Oil on canvas; 135.5 × 103 cm, 170.8 × 138.7 × 14.3 cm (frame). Gift of Mrs. H. Clinch Tate (y1964-5)","cultureterms":[{"id":2031609,"culture":"French"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2053145,"term":"oil paintings","aatid":300033799,"termtype":"Classification"},{"id":2031609,"term":"French","aatid":300111188,"termtype":"Culture"},{"id":2055723,"term":"portraits","aatid":300015637,"termtype":"Subject"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2095243,"term":"allegory","aatid":300055866,"termtype":"Subject"},{"id":2052977,"term":"paintings","aatid":300033618,"termtype":"Classification"},{"id":2073518,"term":"urns","aatid":300129425,"termtype":"Subject"},{"id":2171344,"term":"canvas","aatid":null,"termtype":"Materials"},{"id":2167780,"term":"oil paint","aatid":300015050,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Europe, France","code":"Place made","continent":"Europe","subcontinent":null,"country":"France","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/maps/google_46_2.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"135.50"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"103.00"},{"element":"frame","type":"Height","units":"centimeters","dimension":"170.81"},{"element":"frame","type":"Width","units":"centimeters","dimension":"138.74"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"14.28"}],"markings":null,"accessionyear":"1964-01-01","newaccession":0,"makers":[{"id":3967,"displayname":"Jean-Marc Nattier","displaydate":"French, 1685–1766","datebegin":1685,"dateend":1766,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Jean-Marc Nattier, French, 1685–1766","displayorder":1}],"datecomputed":1747,"signed":"Signed and dated bottom left: Nattier Pinxit / 1747","restrictions":null,"classification":"Paintings","packages":[{"packageid":210962,"name":"Z_JS European On View 10 years"},{"packageid":182999,"name":"image_descriptions_eps_painitings"},{"packageid":152533,"name":"web_frenchpaintings"},{"packageid":181958,"name":"web_2020_K1-3"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2052977,"classification":"paintings"},{"id":2053145,"classification":"oil paintings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/y1964-5"],"displaytitle":"Madame de Flesselles","displayculture":null,"displaymaker":"Jean-Marc Nattier, French, 1685–1766","captionhtml":"Jean-Marc Nattier (French, 1685–1766), <i>Madame de Flesselles</i>, 1747. Oil on canvas; 135.5 × 103 cm, 170.8 × 138.7 × 14.3 cm (frame). Gift of Mrs. H. Clinch Tate (y1964-5)","displaydate":"1747","medium":"Oil on canvas","media":[{"id":3219,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1964-5","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Xavier Salmon, <EM>Jean-Marc Nattier, 1685-1766</EM>, (Paris: Réunion des musées nationaux, 1999).","citation":"Xavier Salmon, <EM>Jean-Marc Nattier, 1685-1766</EM>, (Paris: Réunion des musées nationaux, 1999)., cat. no. 48","date":1999,"id":4669,"uri":"https://search.worldcat.org/title/42821277"},{"boilertext":"Henry de Chennevieres, \"Exposition de l'art du XVIIIe siècle\", <EM>Gazette des beaux-arts</EM> 29 (n.s. 2) (1884): p. 166-173.","citation":"Henry de Chennevieres, \"Exposition de l'art du XVIIIe siècle\", <EM>Gazette des beaux-arts</EM> 29 (n.s. 2) (1884): p. 166-173., p. 168","date":1884,"id":4670,"uri":"https://search.worldcat.org/title/731631341"},{"boilertext":"<EM>Catalogue of the celebrated collection of paintings by modern and ancient masters formed by the late Senator Prosper Crabbe of Brussels: which will be sold by auction at the Sedelmeyer Galleries: Thursday June 12, 1890 ... under the management of Charles Sedelmeyer, assisted by Arthur Stevens: public auctioneer, Me. Paul Chevallier</EM>, (Paris: Sedelmeyer Galleries, 1890).","citation":"<EM>Catalogue of the celebrated collection of paintings by modern and ancient masters formed by the late Senator Prosper Crabbe of Brussels: which will be sold by auction at the Sedelmeyer Galleries: Thursday June 12, 1890 ... under the management of Charles Sedelmeyer, assisted by Arthur Stevens: public auctioneer, Me. Paul Chevallier</EM>, (Paris: Sedelmeyer Galleries, 1890)., no. 40","date":1890,"id":4663,"uri":"https://search.worldcat.org/title/3750583"},{"boilertext":"<EM>Catalogue de l'exposition de Marie-Antoinette et son temps</EM>, (Paris: Sedelmeyer Gallery, 1894).","citation":"<EM>Catalogue de l'exposition de Marie-Antoinette et son temps</EM>, (Paris: Sedelmeyer Gallery, 1894)., p. 44, no. 137","date":1894,"id":4666,"uri":"https://search.worldcat.org/title/79710748"},{"boilertext":"Bernard Prost and Paul Mantz, \"J. M. Nattier\", <EM>Gazette des beaux-arts</EM>&nbsp;11&nbsp;(n.s. 3) (1894): p. 92-114;&nbsp;12 (n.s. 3)&nbsp;(1894):&nbsp;p. 435-448; (illus.)","citation":"Bernard Prost and Paul Mantz, \"J. M. Nattier\", <EM>Gazette des beaux-arts</EM>&nbsp;11&nbsp;(n.s. 3) (1894): p. 92-114;&nbsp;12 (n.s. 3)&nbsp;(1894):&nbsp;p. 435-448; (illus.), p. 110","date":1894,"id":4667,"uri":"https://search.worldcat.org/title/921010237"},{"boilertext":"Patrick J. Kelleher, \"College museum notes\" <em>Art journal</em> 24, no. 1 (Autumn, 1964): p. 52-70.","citation":"Patrick J. Kelleher, \"College museum notes\" <em>Art journal</em> 24, no. 1 (Autumn, 1964): p. 52-70., p. 54, fig. 4","date":1964,"id":4668,"uri":"https://search.worldcat.org/title/5787323682"},{"boilertext":"Heather MacDonald, <EM>French Art of the Eighteenth Century: The Michael L. Rosenberg Lecture Series at the Dallas Museum of Art</EM> (Dallas: Dallas Museum of Art, 2016).","citation":"Heather MacDonald, <EM>French Art of the Eighteenth Century: The Michael L. Rosenberg Lecture Series at the Dallas Museum of Art</EM> (Dallas: Dallas Museum of Art, 2016).","date":2016,"id":6839,"uri":"https://search.worldcat.org/title/946481643"},{"boilertext":"<P>\"Recent acquisitions\", <EM>Record of the Art Museum, Princeton University</EM> 23, no. 2 (1964): p. 34-55.</P>","citation":"<P>\"Recent acquisitions\", <EM>Record of the Art Museum, Princeton University</EM> 23, no. 2 (1964): p. 34-55.</P>, p. 53 (illus.)","date":1964,"id":3385,"uri":"https://www.jstor.org/stable/3774279"},{"boilertext":"\"Acquisitions of 1964\", <em>Record of the Art Museum, Princeton University</em> 24, no. 1 (1965): p. 20-23.<i></i>","citation":"\"Acquisitions of 1964\", <em>Record of the Art Museum, Princeton University</em> 24, no. 1 (1965): p. 20-23.<i></i>, p. 20","date":1965,"id":1864,"uri":"https://www.jstor.org/stable/3774350"},{"boilertext":"Susanne K. Langer, \"The social influence of design\", <EM>University</EM>, no. 25 (Summer, 1965).","citation":"Susanne K. Langer, \"The social influence of design\", <EM>University</EM>, no. 25 (Summer, 1965)., p. 8 (illus.)","date":1965,"id":3386,"uri":"https://search.worldcat.org/title/84254726"},{"boilertext":"H.R.H., \"The Art Museum at Princeton University: a selection from the collections\", <em>Art Journal</em> 26, no. 2 (Winter, 1966-1967): p. 172+174+176+178.","citation":"H.R.H., \"The Art Museum at Princeton University: a selection from the collections\", <em>Art Journal</em> 26, no. 2 (Winter, 1966-1967): p. 172+174+176+178., p. 176, fig. 11","date":1966,"id":3404,"uri":"https://www.jstor.org/stable/775045"},{"boilertext":"Allen Rosenbaum and Francis F. Jones,<em> Selections from The Art Museum, Princeton University, </em>(Princeton,&nbsp;NJ: The Art Museum, Princeton University, 1986)","citation":"Allen Rosenbaum and Francis F. Jones,<em> Selections from The Art Museum, Princeton University, </em>(Princeton,&nbsp;NJ: The Art Museum, Princeton University, 1986), p. 97 (illus.)","date":1986,"id":1899,"uri":"https://search.worldcat.org/title/14244748"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"}],"daterange":"A.D. 1700-1800","dateend":1747,"depicted":[],"titles":[{"title":"Madame de Flesselles","titletype":"Primary Title","displayorder":1},{"title":"Elisabeth de Flesselles en Source","titletype":"Published","displayorder":3}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1964-5","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<p>(Sale, collections of M. Huot-Fragonard and M. X..., Paris, May 19-20, 1876, no. 77 [as &quot;Mme. la comtesse de Flesselles sous la figure allegorique d'une source&quot;; 16,000 francs]). (Sale, baron Edmond de Beurnonville, Paris, May 9-16, 1881, no. 134 [repro. as 'Mme de Flesselles'; 45,000 francs to dealer Brame]). Alphonse Allard [1831-1900]. Brussels, in 1883; his brother-in-law, Prosper Crabbe [1887-1889], Brussels; (his sale, Paris, Galerie Sedelmeyer, June 12, 1890, no. 40 [repro.: 75,000 francs to Rickoff&quot;]): Rickoff collection, Paris until at least 1894. William Rockefeller (1841-1922); by inheritance to Mrs. Clinch Tate (nee Elaine Rockefeller McAlpin, 1905-1986); 1964 gift to Princeton University Art Museum.</p>","remarks":"Per National Gallery exh. cat. 2017"},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Nattier came from an artistic milieu; his father was a portrait painter, his mother painted miniatures, and his godfather was the history painter Jean Jouvenet. Nattier studied with his parents and godfather, and then at the Royal Academy, where he was accepted as an official member in 1717. He became a sought-after portraitist, mostly of women, whom he often depicted allegorically as figures from mythology or ancient history. In the 1740s, he painted Madame de Pompadour as Diana, and received commissions to paint the daughters of Louis XV for the royal bedchamber at Versailles, as well as the queen, Maria Leczinska. Here, Elisabeth de Flesselles, wife of Parisian banker Jacques de Flesselles, is pictured as the source, or the personification, of a river. The oar signifies that the river, spilling from her urn, is navigable.","remarks":"K1-3 May 2012"}],"datebegin":1747,"sortnumber":"1964    5y","published_date":"2026-02-11 10:15:48.406544","objectid":29488,"dimensions":"135.5 × 103 cm (53 3/8 × 40 9/16 in.)\r\nframe: 170.8 × 138.7 × 14.3 cm (67 1/4 × 54 5/8 × 5 5/8 in.)","on_view":false}