{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase","caption":"Felix Jan Ferdinand Heyndrickx (Belgian, born in the Netherlands, 1799–after 1833), Hector Censuring Helen and Paris, ca. 1820. Oil on canvas; 121 × 148 cm, 133.7 × 161 × 8.6 cm (frame). Museum purchase (y1965-228)","cultureterms":[{"id":2031609,"culture":"French"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2053145,"term":"oil paintings","aatid":300033799,"termtype":"Classification"},{"id":2031609,"term":"French","aatid":300111188,"termtype":"Culture"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2088735,"term":"soldiers","aatid":300185678,"termtype":"Subject"},{"id":2129491,"term":"armor","aatid":300036745,"termtype":"Subject"},{"id":2131295,"term":"Phrygian caps","aatid":300210776,"termtype":"Subject"},{"id":2131812,"term":"veils","aatid":300046128,"termtype":"Subject"},{"id":2052977,"term":"paintings","aatid":300033618,"termtype":"Classification"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2096051,"term":"mythology","aatid":300055985,"termtype":"Subject"},{"id":2171344,"term":"canvas","aatid":null,"termtype":"Materials"},{"id":2167780,"term":"oil paint","aatid":300015050,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Europe, France","code":"Place made","continent":"Europe","subcontinent":null,"country":"France","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/maps/google_46_2.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"frame","type":"Height","units":"centimeters","dimension":"133.66"},{"element":"frame","type":"Width","units":"centimeters","dimension":"160.97"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"8.57"},{"element":"Overall","type":"Height","units":"centimeters","dimension":"121.00"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"148.00"}],"markings":null,"accessionyear":"1965-01-01","newaccession":0,"makers":[{"id":1582,"displayname":"Felix Jan Ferdinand Heyndrickx","displaydate":"Belgian, born in the Netherlands, 1799–after 1833","datebegin":1799,"dateend":1833,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Felix Jan Ferdinand Heyndrickx, Belgian, born in the Netherlands, 1799–after 1833","displayorder":1}],"datecomputed":1820,"signed":"On original lining [photograph in conservation file]: F. H. 1820\r\n","restrictions":null,"classification":"Paintings","packages":[{"packageid":210962,"name":"Z_JS European On View 10 years"},{"packageid":182999,"name":"image_descriptions_eps_painitings"},{"packageid":181962,"name":"web_2020_SM"},{"packageid":152533,"name":"web_frenchpaintings"},{"packageid":206417,"name":"image_descriptions_top250"},{"packageid":210960,"name":"Z_JS European Anchors"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2052977,"classification":"paintings"},{"id":2053145,"classification":"oil paintings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAM21GA41108"],"displaytitle":"Hector Censuring Helen and Paris","displayculture":null,"displaymaker":"Felix Jan Ferdinand Heyndrickx, Belgian, born in the Netherlands, 1799–after 1833","captionhtml":"Felix Jan Ferdinand Heyndrickx (Belgian, born in the Netherlands, 1799–after 1833), <i>Hector Censuring Helen and Paris</i>, ca. 1820. Oil on canvas; 121 × 148 cm, 133.7 × 161 × 8.6 cm (frame). Museum purchase (y1965-228)","displaydate":"ca. 1820","medium":"Oil on canvas","media":[{"id":232305,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAM21GA41108","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Philippe Bordes, <EM>Jacques-Louis David: empire to exile</EM>, (New Haven, CT: Yale University Press; Williamstown, MA: Sterling and Francine Clark Art Institute, 2005).","citation":"Philippe Bordes, <EM>Jacques-Louis David: empire to exile</EM>, (New Haven, CT: Yale University Press; Williamstown, MA: Sterling and Francine Clark Art Institute, 2005)., p. 350, note 50","date":2005,"id":4677,"uri":"https://search.worldcat.org/title/56730077"},{"boilertext":"Thomas E. Crow, <EM>Painters and public life in eighteenth-century Paris</EM>, (New Haven, CT: Yale University Press, 1985).","citation":"Thomas E. Crow, <EM>Painters and public life in eighteenth-century Paris</EM>, (New Haven, CT: Yale University Press, 1985)., p. 247, pl. 119","date":1985,"id":4678,"uri":"https://search.worldcat.org/title/11812163"},{"boilertext":"Georg Kasper Nagler, <EM>Neues allgemeines künstler-lexicon; oder, Nachrichten von dem leben und den werken der maler, bildhauer, baumeister, kupferstecher, etc.</EM>, (München: E. A. Fleischmann, 1835-52).","citation":"Georg Kasper Nagler, <EM>Neues allgemeines künstler-lexicon; oder, Nachrichten von dem leben und den werken der maler, bildhauer, baumeister, kupferstecher, etc.</EM>, (München: E. A. Fleischmann, 1835-52)., Vol. 6: p. 171","date":1835,"id":4679,"uri":"https://search.worldcat.org/title/6994454"},{"boilertext":"Johannes Immerzeel, <EM>De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouvers, graveurs en bouwmeesters: van het begin der vijftiende eeuw tot heden</EM>, (Amsterdam: J.C. Van Kesteren, 1842-43).","citation":"Johannes Immerzeel, <EM>De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouvers, graveurs en bouwmeesters: van het begin der vijftiende eeuw tot heden</EM>, (Amsterdam: J.C. Van Kesteren, 1842-43)., Vol. 2: p. 40","date":1842,"id":4680,"uri":"https://search.worldcat.org/title/1732928"},{"boilertext":"L. A. M. de Bast, <EM>Annales du Salon de Gand et de l'école moderne des Pays-Bas: recueil de morceaux choisis parmi les ouvrages de peinture, sculpture, architecture et gravure, exposés au musée en 1820, et d'autres nouvelles productions de l'art : gravés au trait, avec l'explication des sujets et une notice sur les artistes</EM>, (Gand: Chez P.F. de Goesin-Verhaeghe, 1823).","citation":"L. A. M. de Bast, <EM>Annales du Salon de Gand et de l'école moderne des Pays-Bas: recueil de morceaux choisis parmi les ouvrages de peinture, sculpture, architecture et gravure, exposés au musée en 1820, et d'autres nouvelles productions de l'art : gravés au trait, avec l'explication des sujets et une notice sur les artistes</EM>, (Gand: Chez P.F. de Goesin-Verhaeghe, 1823)., p. 55-56, pl. 25","date":1823,"id":4681,"uri":"https://search.worldcat.org/title/80119624"},{"boilertext":"Prosper Claeys, <EM>Les expositions d'oeuvres d'art à Gand, 1792-1892: eessai historique, Salon de 1892</EM>, (Gand, Belgium: La Société royale pour l'encouragement des Beaux-Arts, 1892).","citation":"Prosper Claeys, <EM>Les expositions d'oeuvres d'art à Gand, 1792-1892: eessai historique, Salon de 1892</EM>, (Gand, Belgium: La Société royale pour l'encouragement des Beaux-Arts, 1892)., p. 50-51","date":1892,"id":4682,"uri":"https://search.worldcat.org/title/123525676"},{"boilertext":"Ulrich Thieme and Felix Becker, eds., <em>Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart</em>, (Leipzig: Engelmann, 1907-1950).","citation":"Ulrich Thieme and Felix Becker, eds., <em>Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart</em>, (Leipzig: Engelmann, 1907-1950)., Vol. 17/18: p. 37","date":1907,"id":4242,"uri":"https://search.worldcat.org/title/61954385"},{"boilertext":"\"Acquisitions 1965 and 1966,\" <I>Record of the Art Museum, Princeton University </I>26, no. 1 (1967): p. 2, 19-32.","citation":"\"Acquisitions 1965 and 1966,\" <I>Record of the Art Museum, Princeton University </I>26, no. 1 (1967): p. 2, 19-32., p. 21; p. 22 (illus.)","date":1967,"id":880,"uri":"https://www.jstor.org/stable/3774554"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"}],"daterange":"A.D. 1800-1850","dateend":1825,"depicted":[],"titles":[{"title":"Hector Censuring Helen and Paris","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1965-228","inscribed":"\r\n","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Active in the southern Netherlands, Hendrickx studied in Brussels under Jacques-Louis David. Hendrickx sought a subject from ancient Greek and Roman history and mythology with a moralizing theme for the painting he showed at the 1820 Salon in Ghent, and chose this scene from Homer’s Iliad. Paris’s abduction of Helen from her husband, Menelaus, king of Sparta, has sparked the Trojan War. Hector, Troy’s mightiest warrior, chastises his brother, Paris, for lingering in the palace with the beautiful Helen, queen of Sparta. “You would yourself reproach any other whom you might see shrinking from hateful war,” Hector says. “But get up, lest soon the city blaze with consuming fire.”","remarks":"Sterling Morton Rotation October 2010"},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<P>Active in the southern Netherlands, Hendrickx studied in Brussels under Jacques-Louis David. Seeking a subject from ancient Greek and Roman history and mythology with a moralizing theme, he chose this scene from Homer’s <EM>Iliad</EM>. Paris’s abduction of Helen from her husband, Menelaus, king of Sparta, has sparked the Trojan War. Hector, Troy’s mightiest warrior, chastises his brother, Paris, for lingering in the palace with the beautiful Helen, queen of Sparta. “You would yourself reproach any other whom you might see shrinking from hateful war,” Hector says. “But get up, lest soon the city blaze with consuming fire.”</P>\r\n<P><SPAN lang=EN>&nbsp;</P></SPAN>","remarks":"SM_July2013_labels.pdf, SM Rotation June 2018"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<p>French private collection since the 1800s; 1914 purchase by Mr. I.J. Belmont [1]; 1965 purchase by Princeton University Art Museum from Mrs. I. J. Belmont.</p><p> [1] According to accession card, Belmont purchased the painting from an officer in the French army who had inherited it from his grandfather and who said the painting had been in his family for almost a century.</p>","remarks":"not vetted"}],"datebegin":1815,"sortnumber":"1965  228y","published_date":"2026-02-11 10:16:30.149435","objectid":29621,"dimensions":"121 × 148 cm (47 5/8 × 58 1/4 in.)\r\nframe: 133.7 × 161 × 8.6 cm (52 5/8 × 63 3/8 × 3 3/8 in.)","on_view":false}