{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund","caption":"Jacques Stella (French, 1596–1657), The Rape of the Sabines, mid 17th century. Oil on canvas; 116 × 163.5 cm, 147.3 × 195.6 × 14.9 cm (frame). Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund (y1967-102)","cultureterms":[{"id":2031609,"culture":"French"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2053145,"term":"oil paintings","aatid":300033799,"termtype":"Classification"},{"id":2078146,"term":"buildings","aatid":300004792,"termtype":"Subject"},{"id":2031609,"term":"French","aatid":300111188,"termtype":"Culture"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2100226,"term":"violence","aatid":300192799,"termtype":"Subject"},{"id":2134545,"term":"battles","aatid":300185692,"termtype":"Subject"},{"id":2126774,"term":"banners","aatid":300195679,"termtype":"Subject"},{"id":2052977,"term":"paintings","aatid":300033618,"termtype":"Classification"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2096051,"term":"mythology","aatid":300055985,"termtype":"Subject"},{"id":2171344,"term":"canvas","aatid":null,"termtype":"Materials"},{"id":2167780,"term":"oil paint","aatid":300015050,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Europe, France","code":"Place made","continent":"Europe","subcontinent":null,"country":"France","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/maps/google_46_2.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"116.00"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"163.50"},{"element":"frame","type":"Height","units":"centimeters","dimension":"147.31"},{"element":"frame","type":"Width","units":"centimeters","dimension":"195.57"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"14.92"}],"markings":null,"accessionyear":"1967-01-01","newaccession":0,"makers":[{"id":2548,"displayname":"Jacques Stella","displaydate":"French, 1596–1657","datebegin":1596,"dateend":1657,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Jacques Stella, French, 1596–1657","displayorder":1}],"datecomputed":1636,"signed":null,"restrictions":null,"classification":"Paintings","packages":[{"packageid":210962,"name":"Z_JS European On View 10 years"},{"packageid":182999,"name":"image_descriptions_eps_painitings"},{"packageid":181962,"name":"web_2020_SM"},{"packageid":152533,"name":"web_frenchpaintings"},{"packageid":246533,"name":"EPS Provenance Nazi-era gaps"},{"packageid":206417,"name":"image_descriptions_top250"},{"packageid":276252,"name":"Nazi Era Sept 2025 list for web"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2052977,"classification":"paintings"},{"id":2053145,"classification":"oil paintings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAM21GA41491"],"displaytitle":"The Rape of the Sabines","displayculture":null,"displaymaker":"Jacques Stella, French, 1596–1657","captionhtml":"Jacques Stella (French, 1596–1657), <i>The Rape of the Sabines</i>, mid 17th century. Oil on canvas; 116 × 163.5 cm, 147.3 × 195.6 × 14.9 cm (frame). Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund (y1967-102)","displaydate":"mid 17th century","medium":"Oil on canvas","media":[{"id":232276,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAM21GA41513","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":232277,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAM21GA41508","isprimary":0,"rank":6,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":232278,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAM21GA41506","isprimary":0,"rank":5,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":232279,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAM21GA41501","isprimary":0,"rank":4,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":232280,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAM21GA41496","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"},{"id":232281,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAM21GA41491","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Pierre Rosenberg, <em>French master drawings of the 17th &amp; 18th centuries in North American collections</em>, (London: Secker &amp; Warburg, 1972).","citation":"Pierre Rosenberg, <em>French master drawings of the 17th &amp; 18th centuries in North American collections</em>, (London: Secker &amp; Warburg, 1972)., p. 213","date":1972,"id":4708,"uri":"https://search.worldcat.org/title/662947"},{"boilertext":"Gail S. Davidson, \"Some genre drawings by Jacques Stella: notes on an attribution\",<EM> Master drawings</EM> 13, no. 2 (1975): p. 147-157+190-194.","citation":"Gail S. Davidson, \"Some genre drawings by Jacques Stella: notes on an attribution\",<EM> Master drawings</EM> 13, no. 2 (1975): p. 147-157+190-194., p. 154, note 2","date":1975,"id":4709,"uri":"https://www.jstor.org/stable/1553289"},{"boilertext":"<P>Erich Schleier, \"La peinture française du XVIIe siecle dans les collection americaines : France in the Golden Age ; Grand Palais, 29.1. - 28.11.1982\", <EM>Kunstchronik</EM> 36, no. 5&nbsp;(May, 1983): p. 184-197, 227-237.</P>","citation":"<P>Erich Schleier, \"La peinture française du XVIIe siecle dans les collection americaines : France in the Golden Age ; Grand Palais, 29.1. - 28.11.1982\", <EM>Kunstchronik</EM> 36, no. 5&nbsp;(May, 1983): p. 184-197, 227-237.</P>, p. 230","date":1983,"id":4710,"uri":"https://search.worldcat.org/title/888572782"},{"boilertext":"Jean-Pierre Cuzin, \"New York: French seventeenth-century paintings from American collections\",<em> Burlington magazine</em> 124, no. 953 (Aug., 1982): p. 526-527+529-530.","citation":"Jean-Pierre Cuzin, \"New York: French seventeenth-century paintings from American collections\",<em> Burlington magazine</em> 124, no. 953 (Aug., 1982): p. 526-527+529-530., p. 530 (A. Blunt note)","date":1982,"id":4711,"uri":"https://www.jstor.org/stable/880822"},{"boilertext":"Pierre Rosenberg, Katharine Baetjer, Mary Laing and Gretchen Wold, &nbsp;\"\"France in the Golden Age\": a postscript\", \n<div class=\"journal\"><cite>Metropolitan Museum Journal</cite> 17 (1982): p. 23-46.</div>","citation":"Pierre Rosenberg, Katharine Baetjer, Mary Laing and Gretchen Wold, &nbsp;\"\"France in the Golden Age\": a postscript\", \n<div class=\"journal\"><cite>Metropolitan Museum Journal</cite> 17 (1982): p. 23-46.</div>, p. 35","date":1982,"id":4712,"uri":"https://www.jstor.org/stable/1512784"},{"boilertext":"H. Avrey Tipping, \"Country homes, gardens old and new: Easton Neston--II: Northamptonshire, the seat of Sir Thomas Fermor-Hesketh, Bt.\", <EM>Country life</EM> 62, no. 1597 (Aug. 27, 1927): p. 296-303.","citation":"H. Avrey Tipping, \"Country homes, gardens old and new: Easton Neston--II: Northamptonshire, the seat of Sir Thomas Fermor-Hesketh, Bt.\", <EM>Country life</EM> 62, no. 1597 (Aug. 27, 1927): p. 296-303., p. 296, fig. 1","date":1927,"id":4715,"uri":"https://search.worldcat.org/title/46921601"},{"boilertext":"Sylvain Laveissiere and Lena Widerkehr, <em>Jacques Stella (1596-1657)</em>, (Paris: Somogy; Lyon: Musée des beaux-arts de Lyon; Toulouse: Musée des Augustins, 2006).","citation":"Sylvain Laveissiere and Lena Widerkehr, <em>Jacques Stella (1596-1657)</em>, (Paris: Somogy; Lyon: Musée des beaux-arts de Lyon; Toulouse: Musée des Augustins, 2006)., p. 183-184, cat. no. 107 (illus.)","date":2006,"id":4716,"uri":"https://search.worldcat.org/title/77265638"},{"boilertext":"Alfreda J. Murck, \"Acquisitions 1967,\" <i>Record of the Art Museum, Princeton University </i>27, no. 1 (1968): p. 35-41.","citation":"Alfreda J. Murck, \"Acquisitions 1967,\" <i>Record of the Art Museum, Princeton University </i>27, no. 1 (1968): p. 35-41., p. 36 (illus.)","date":1968,"id":884,"uri":"https://www.jstor.org/stable/3774425"},{"boilertext":"Pierre Rosenberg and John Pope-Hennessy, <em>La peinture française du XVIIe siècle dans les collections américaines</em> (Paris: Réunion des musées nationaux,&nbsp;1982)<br><br>","citation":"Pierre Rosenberg and John Pope-Hennessy, <em>La peinture française du XVIIe siècle dans les collections américaines</em> (Paris: Réunion des musées nationaux,&nbsp;1982)<br><br>, p. 230","date":1982,"id":573,"uri":"https://search.worldcat.org/title/9194305"},{"boilertext":"Jane Turner, <EM>The Dictionary of Art</EM>, (New York: Grove, 1996).","citation":"Jane Turner, <EM>The Dictionary of Art</EM>, (New York: Grove, 1996)., Vol. 29: p. 624 (entry for \"Stella, Jacques\")","date":1996,"id":4031,"uri":"https://search.worldcat.org/title/34409675"},{"boilertext":"Allen Rosenbaum and Francis F. Jones,<em> Selections from The Art Museum, Princeton University, </em>(Princeton,&nbsp;NJ: The Art Museum, Princeton University, 1986)","citation":"Allen Rosenbaum and Francis F. Jones,<em> Selections from The Art Museum, Princeton University, </em>(Princeton,&nbsp;NJ: The Art Museum, Princeton University, 1986), p. 92 (illus.)","date":1986,"id":1899,"uri":"https://search.worldcat.org/title/14244748"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"daterange":"A.D. 1600-1700","dateend":1657,"depicted":[],"titles":[{"title":"The Rape of the Sabines","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1967-102","inscribed":"Partially effaced date on rock, lower edge to left of center: \r\nThird number read as \"6\" or \"5\"\r\n\r\n","texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Art market, London or United States (ca. 1920s-30s; sold to Hesketh [?]); Thomas Fermor-Hesketh. 8th Bt., Easton Neston, Towcester, U.K.; by descent to his son, Frederick Fermor-Hesketh, 2nd Baron, and Lady Hesketh (until 1967; sold to Spink); Marshall Spink, Ltd., London (1967; sold to Princeton University Art Museum).","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<SPAN lang=EN>Although born in Lyons, Stella received his artistic formation during his eighteen years in Italy (1616–34), where he and another French expatriate artist, Nicolas Poussin, became close friends. Like many painters of the time, Stella and Poussin interpreted scenes from ancient Roman history. <I>The Rape of the Sabines </I>was one such subject. Seeking wives in order to establish families, the first Romans invited the neighboring Sabine people to a festival. At a signal from their leader, Romulus, the Romans abducted the young women and wed them. Poussin depicted this foundation myth as well, in two paintings (Musée du Louvre and Metropolitan Museum of Art). The painters’ works were similar enough that after Stella died a number of his canvases, including this one, were wrongly attributed to the more famous artist, Poussin.","remarks":"SM Rotation June 2018, (See SM_July2013_labels.pdf for similar text)"}],"datebegin":1616,"sortnumber":"1967  102y","published_date":"2026-02-11 10:20:25.512359","objectid":30337,"dimensions":"116 × 163.5 cm (45 11/16 × 64 3/8 in.)\r\nframe: 147.3 × 195.6 × 14.9 cm (58 × 77 × 5 7/8 in.)","on_view":false}