J. Richard Judson, Gerrit van Honthorst: a discussion of his position in Dutch art, (The Hague, Nijhoff, 1959).
","citation":"J. Richard Judson, Gerrit van Honthorst: a discussion of his position in Dutch art, (The Hague, Nijhoff, 1959).
, p. 192, no. 97","date":1959,"id":4728,"uri":"https://search.worldcat.org/title/1446399"},{"boilertext":"John Rupert Martin, \"Artemisia\", Record of the Art Museum, Princeton University 27, no. 2 (1968): p. 72-73.","citation":"John Rupert Martin, \"Artemisia\", Record of the Art Museum, Princeton University 27, no. 2 (1968): p. 72-73., p. 72; p. 73 (illus.)","date":1968,"id":4729,"uri":"https://www.jstor.org/stable/3774489"},{"boilertext":"Hermann Braun, Gerard und Willem van Honthorst, (Göttingen, Germany: [Diss, University of Göttingen], 1966).","citation":"Hermann Braun, Gerard und Willem van Honthorst, (Göttingen, Germany: [Diss, University of Göttingen], 1966)., no. 99","date":1966,"id":4730,"uri":"https://search.worldcat.org/title/5531140"},{"boilertext":"Eugene Ernest Desplaces, J. Fr. Michaud and Louis Gabriel Michaud, Biographie universelle ancienne et moderne..., (Paris: Madame C. Desplaces, 1854-1865).","citation":"Eugene Ernest Desplaces, J. Fr. Michaud and Louis Gabriel Michaud, Biographie universelle ancienne et moderne..., (Paris: Madame C. Desplaces, 1854-1865)., Vol. 2: p. 505","date":1854,"id":4731,"uri":"https://search.worldcat.org/title/12692391"},{"boilertext":"Barbara Gaehtgens and Aude Virey Wallon, \"L'Artémise de Gérard van Honthorst ou les deux corps de la reine\", Revue de l'art 109 (1995): p. 13-25.","citation":"Barbara Gaehtgens and Aude Virey Wallon, \"L'Artémise de Gérard van Honthorst ou les deux corps de la reine\", Revue de l'art 109 (1995): p. 13-25., p. 13-25; p. 14, fig. 1","date":1995,"id":4732,"uri":"https://search.worldcat.org/title/887062336"},{"boilertext":"Amy Golahny, \"Elizabeth McGrath, \"Rubens: Subjects from History I\" [review]\", Newsletter - Historians of Netherlandish Art 14, no. 2 (supplement) (Nov. 1997).
","citation":"Amy Golahny, \"Elizabeth McGrath, \"Rubens: Subjects from History I\" [review]\", Newsletter - Historians of Netherlandish Art 14, no. 2 (supplement) (Nov. 1997).
","date":1997,"id":4733,"uri":"https://search.worldcat.org/title/902118122"},{"boilertext":"Theodoor Herman Lunsingh Scheurleer, \"De woonvertrekken in Amalia's Huis in het Bosch\", Oud-Holland 84 (1969): p. 29-65.","citation":"Theodoor Herman Lunsingh Scheurleer, \"De woonvertrekken in Amalia's Huis in het Bosch\", Oud-Holland 84 (1969): p. 29-65., p. 57-58; fig. 23-24","date":1969,"id":4734,"uri":"https://search.worldcat.org/title/888492163"},{"boilertext":"Albert Blankert, et. al., Gods, saints & heroes - Dutch painting in the age of Rembrandt, (Washington, D.C.: National Gallery of Art, 1980).","citation":"Albert Blankert, et. al., Gods, saints & heroes - Dutch painting in the age of Rembrandt, (Washington, D.C.: National Gallery of Art, 1980)., p. 37 (color illus.), p. 117 (b/w illus.); p. 116, no. 17","date":1980,"id":4735,"uri":"https://search.worldcat.org/title/604281802"},{"boilertext":"Peter Hecht, \"Reviewed work: gods, saints and heroes: Dutch painting in the age of Rembrandt\", Simiolus 12, no. 2/3 (1981-1982): p. 184-188.","citation":"Peter Hecht, \"Reviewed work: gods, saints and heroes: Dutch painting in the age of Rembrandt\", Simiolus 12, no. 2/3 (1981-1982): p. 184-188., p. 185","date":1981,"id":4736,"uri":"https://www.jstor.org/stable/3780601"},{"boilertext":"Marten Loonstra, Het huys int bosch: het Koninklijk Paleis Huis ten Bosch historisch gezien = the Royal Palace Huis ten Bosch in a historical view, (Zutphen, Netherlands: De Walburg Pers, 1985).","citation":"Marten Loonstra, Het huys int bosch: het Koninklijk Paleis Huis ten Bosch historisch gezien = the Royal Palace Huis ten Bosch in a historical view, (Zutphen, Netherlands: De Walburg Pers, 1985)., p. 40 (illus.); p. 42","date":1985,"id":4737,"uri":"https://search.worldcat.org/title/23079274"},{"boilertext":"Paul Nieuwenhuizen, \"Monument voor een dynastie\", Vitrine: museum tijdschrift openbaar kunstbezit (Feb. - Mar., 1997).","citation":"Paul Nieuwenhuizen, \"Monument voor een dynastie\", Vitrine: museum tijdschrift openbaar kunstbezit (Feb. - Mar., 1997)., p. 40 (color illus.)","date":1997,"id":4738,"uri":"https://search.worldcat.org/title/778412141"},{"boilertext":"Oliver Millar, \"Frederik Hendrik of Orange and Amalia van Solms. The Hague [exhibition review]\", Burlington magazine 141, no. 1141, (Apr., 1998): p. 281-284.","citation":"Oliver Millar, \"Frederik Hendrik of Orange and Amalia van Solms. The Hague [exhibition review]\", Burlington magazine 141, no. 1141, (Apr., 1998): p. 281-284., p. 283; illus.","date":1998,"id":4741,"uri":"https://www.jstor.org/stable/887876"},{"boilertext":"Lyckle de Vries, Gerard de Lairesse: an artist between stage and studio, (Amsterdam: Amsterdam University Press, 1998).","citation":"Lyckle de Vries, Gerard de Lairesse: an artist between stage and studio, (Amsterdam: Amsterdam University Press, 1998)., p. 31, fig. 7","date":1998,"id":4742,"uri":"https://search.worldcat.org/title/39505587"},{"boilertext":"J. Richard Judson and Rudolf E.O. Ekkart, Gerrit van Honthorst, 1592-1656, (Doornspijk: Davaco, 1999).","citation":"J. Richard Judson and Rudolf E.O. Ekkart, Gerrit van Honthorst, 1592-1656, (Doornspijk: Davaco, 1999)., p. 134-135; cat. no. 153; pl. xii, 72","date":1999,"id":4743,"uri":"https://search.worldcat.org/title/43264032"},{"boilertext":"Thomas DaCosta Kaufmann, Anne Egger, Koen Ottenheym and Freek Schmidt, L’art flamand et hollandais, (Paris: Citadelle & Mazenod, 2002).","citation":"Thomas DaCosta Kaufmann, Anne Egger, Koen Ottenheym and Freek Schmidt, L’art flamand et hollandais, (Paris: Citadelle & Mazenod, 2002)., Vol. 2: fig. 196 (color); p. 185","date":2002,"id":4744,"uri":"https://search.worldcat.org/title/51221199"},{"boilertext":"S.W.A. Drossaers and Theodoor Herman Lunsingh Scheurleur, Inventarissen van de inboedels in de verblijven van de Oranjes en daarmede gelijk te stellen stukken, 1567-1795, ('s-Gravenhage: M. Nijhoff, 1974-1976).","citation":"S.W.A. Drossaers and Theodoor Herman Lunsingh Scheurleur, Inventarissen van de inboedels in de verblijven van de Oranjes en daarmede gelijk te stellen stukken, 1567-1795, ('s-Gravenhage: M. Nijhoff, 1974-1976)., Vol. 1: no. 1187, p. 282; no. 7, p. 508; no. 3, 539","date":1974,"id":4745,"uri":"https://search.worldcat.org/title/1444033"},{"boilertext":"Ernst van de Wetering, C.J. van Nes, Murray Pearson, et. al., A corpus of Rembrandt paintings, (The Hague; Boston: M. Nijhoff Publishers; Hingham, MA, 1982-2015).
","citation":"Ernst van de Wetering, C.J. van Nes, Murray Pearson, et. al., A corpus of Rembrandt paintings, (The Hague; Boston: M. Nijhoff Publishers; Hingham, MA, 1982-2015).
, Vol. 2: p. 509","date":1982,"id":4746,"uri":"https://search.worldcat.org/title/8846692"},{"boilertext":"Eric M. Moormann and Wilfried Uitterhoeve, Van Alexandros tot Zenobia: thema's uit de klassieke geschiedenis in literatuur, muziek, beeldende kunst en theater, (Nijmegen, Netherlands: SUN, 1989).
","citation":"Eric M. Moormann and Wilfried Uitterhoeve, Van Alexandros tot Zenobia: thema's uit de klassieke geschiedenis in literatuur, muziek, beeldende kunst en theater, (Nijmegen, Netherlands: SUN, 1989).
, p. 50","date":1989,"id":4747,"uri":"https://search.worldcat.org/title/22492306"},{"boilertext":"B.P.J. Broos, Edwin Buijsen and Rieke van Leeuwen, Great Dutch paintings from America, (The Hague: Mauritshuis; Zwolle: Waanders Publishers, 1990).","citation":"B.P.J. Broos, Edwin Buijsen and Rieke van Leeuwen, Great Dutch paintings from America, (The Hague: Mauritshuis; Zwolle: Waanders Publishers, 1990)., p. 89, fig. 2","date":1990,"id":4748,"uri":"https://search.worldcat.org/title/23806398"},{"boilertext":"Thomas Döring, Studien zur Künstlerfamilie van Bronchorst : Jan Gerritsz. (ca. 1603-1661), Johannes (1627-1656) und Gerrit van Bronchorst (ca. 1636-1673) in Utrecht und Amsterdam, (Alfter, Germany: VDG Verlag, 1993).
","citation":"Thomas Döring, Studien zur Künstlerfamilie van Bronchorst : Jan Gerritsz. (ca. 1603-1661), Johannes (1627-1656) und Gerrit van Bronchorst (ca. 1636-1673) in Utrecht und Amsterdam, (Alfter, Germany: VDG Verlag, 1993).
, p. 34, 41","date":1993,"id":4749,"uri":"https://search.worldcat.org/title/30739046"},{"boilertext":"Amy Golahny, \"Rembrandt's \"Artemisia\": arts patron\", Oud-Holland 114, no. 2/4 (2000): p. 139-152.","citation":"Amy Golahny, \"Rembrandt's \"Artemisia\": arts patron\", Oud-Holland 114, no. 2/4 (2000): p. 139-152., p. 145, fig. 5","date":2000,"id":4750,"uri":"https://www.jstor.org/stable/42712021"},{"boilertext":"Rebecca Tucker, The art of living nobly: the patronage of Prince Frederik Hendrik (1584-1647) at the Palace of Honselaarsdijk during the Dutch Republic, (New York: [Thesis/dissertation] New York University, 2002).","citation":"Rebecca Tucker, The art of living nobly: the patronage of Prince Frederik Hendrik (1584-1647) at the Palace of Honselaarsdijk during the Dutch Republic, (New York: [Thesis/dissertation] New York University, 2002)., p. 353, pl. 121","date":2002,"id":4751,"uri":"https://search.worldcat.org/title/58771313"},{"boilertext":"Annette Dixon, ed., Women who ruled: queens, goddesses, Amazons in Renaissance and Baroque art, (London: Merrell in association with the University of Michigan Museum of Art, 2002).","citation":"Annette Dixon, ed., Women who ruled: queens, goddesses, Amazons in Renaissance and Baroque art, (London: Merrell in association with the University of Michigan Museum of Art, 2002)., p;. 43; p. 98-99, 112-113 (illus.)","date":2002,"id":4752,"uri":"https://search.worldcat.org/title/901923389"},{"boilertext":"Joaneath Spicer, Lynn Federle Orr, et. al., Masters of light: Dutch painters in Utrecht during the Golden Age, (Baltimore: Walters Art Gallery; New Haven; London: Yale University Press [distributor], 1997).","citation":"Joaneath Spicer, Lynn Federle Orr, et. al., Masters of light: Dutch painters in Utrecht during the Golden Age, (Baltimore: Walters Art Gallery; New Haven; London: Yale University Press [distributor], 1997)., no. 26 (illus.), p. 209 (color illus.)","date":1997,"id":443,"uri":"https://search.worldcat.org/title/38269550"},{"boilertext":"Peter van der Ploeg, et. al., Princely patrons: the collection of Frederick Henry of Orange and Amalia of Solms in the Hague (Hague: Mauritshuis; Zwolle: Waanders, 1997).| Lyckle de Vries, Stories in Gilded Frames: Dutch Seventeenth-century Paintings with Biblical and Mythological Subjects (Amsterdam: Amsterdam University Press, 2016). |
| Lyckle de Vries, Stories in Gilded Frames: Dutch Seventeenth-century Paintings with Biblical and Mythological Subjects (Amsterdam: Amsterdam University Press, 2016). |
\n\tArtemisia II, a fourth-century BCE queen of Caria, in present-day Turkey, holds out a goblet into which an elderly man pours ashes. Artemisia was said to have built the famed Mausoleum at Halicarnassus to commemorate her deceased husband, Mausolus. She then drank wine mixed with his ashes to become his living tomb and an exemplar of virtue. Honthorst depicted Artemisia in a luxurious silvery dress lined with pearls—a sign of her purity—as her retainers marvel at her extraordinary act of loyalty and devotion.\n
\n\n\tHonthorst likely painted this scene for Elizabeth Stuart (1596–1662), the widow of Frederick V, elector palatine of the Rhine and short-lived king of Bohemia, who spent many years in exile in the Netherlands. The painting later hung above the fireplace in the home of Amalia van Solms (1602–1675), widow of Prince Frederik Hendrik of Orange-Nassau.\n
","remarks":"EUR1_02-05_WLA-Day 1 Cataloguing "},{"texttype":"Online","textpurpose":"Handbook Entry","textentryhtml":"\r\nQueen Artemisia (4th century B.C.) of Halicarnassus in Asia Minor was said by ancient authors to have mourned her husband, Mausolus, by building the Mausoleum, one of the Seven Wonders of the World. She then drank his ashes mixed with wine in order to become his living tomb and an example of virtue (exemplum virtutis). Here, the queen’s retainers of different ages and status marvel at her prodigious act, in accordance with the rules set forth for humanist history painting by theorist Leon Battista Alberti in his treatise De pictura (1435), where this noble genre was defined. \r\nThe Utrecht painter Gerrit van Honthorst spent from 1610/15 to 1620 in Italy, where he became a follower of Michelangelo Merisi da Caravaggio, and was known for his night scenes as \"Gherardo delle Notti.\" Upon his return to the Catholic stronghold of Utrecht, he moved from tenebrous to courtly scenes and worked for patrons such as Charles I of England, Christian IV of Denmark, and the House of Orange-Nassau. Artemisia hung over the fireplace in the house of Amalia van Solms, widow of Prince Frederik Hendrik of Orange-Nassau, who died in 1647. It was probably painted earlier, however, for Elizabeth of Bohemia, the widow of the Elector Palatine Frederick V (king of Bohemia 1619–20; died 1632). Known as \"The Winter Queen,\" she spent many years in exile in the Netherlands before returning to her native England shortly before her death, in 1662. ","remarks":null},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Probably painted for Elizabeth Stuart (1596–1662), the widow of Frederick V, elector palatine of the Rhine and short-lived king of Bohemia, who spent many years in exile in the Netherlands. Transferred to the home of Amalia van Solms (1602–1675), widow of Prince Frederik Hendrik of Orange-Nassau, Huis ten Bosch. Private collection, France; [François Heim, Paris, France]; [Samuel “Saam” Nystad (or Nijstad), The Hague, 1953]; [David M. Koetser, New York, 1956]; [Guttmann Arts Ltd., New York, (J. H. Guttmann), 1968]; purchased by the Princeton University Art Museum, 1968.\n","remarks":null}],"datebegin":1630,"sortnumber":"1968 117y","published_date":"2026-05-14 02:00:10.402181","objectid":30620,"dimensions":"170 × 147.5 cm (66 15/16 × 58 1/16 in.)\r\nframe: 193.7 × 172.9 × 7.6 cm (76 1/4 × 68 1/16 × 3 in.)","on_view":false}