{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase, gift of Franklin H. Kissner","caption":"Angelica Kauffmann (1741–1807; born Chur, Switzerland; died Rome, Italy; active London, England), Pliny the Younger and his Mother at Misenum, 79 A.D., 1785. Oil on canvas\r\n; 103 × 127.5 cm, 116 × 140.5 × 6.7 cm (frame). Museum purchase, gift of Franklin H. 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Williamson, <em>Angelica Kauffmann, R.A., her life and her works</em>, (London: John Lane, 1924).","citation":"Lady Victoria Manners and Dr. G.C. Williamson, <em>Angelica Kauffmann, R.A., her life and her works</em>, (London: John Lane, 1924)., p. 204, note 1; p. 442","date":1924,"id":4765,"uri":"https://search.worldcat.org/title/1242031"},{"boilertext":"Lady Dorothy Mouton Piper Mayer, <EM>Angelica Kauffmann, R. A., 1741-1807</EM>, (Gerrards Cross, U.K.: Smythe, 1972).","citation":"Lady Dorothy Mouton Piper Mayer, <EM>Angelica Kauffmann, R. A., 1741-1807</EM>, (Gerrards Cross, U.K.: Smythe, 1972)., p. 136-137 (color illus.)","date":1972,"id":4766,"uri":"https://search.worldcat.org/title/624436"},{"boilertext":"Dorrie Schreiner, \" The many faces of Angelica Kauffmann\",<EM> Intellect</EM> 104, no. 2373&nbsp;(Mar., 1976): p. 440-447.","citation":"Dorrie Schreiner, \" The many faces of Angelica Kauffmann\",<EM> Intellect</EM> 104, no. 2373&nbsp;(Mar., 1976): p. 440-447., p. 440-446; Cover Illus.","date":1976,"id":4767,"uri":"https://search.worldcat.org/title/425126339"},{"boilertext":"<EM>Pompeii as source and inspiration: reflections in eighteenth-and nineteenth-century art : an exhibition</EM>, (Ann Arbor, MI: University of Michigan Museum of Art, 1977).","citation":"<EM>Pompeii as source and inspiration: reflections in eighteenth-and nineteenth-century art : an exhibition</EM>, (Ann Arbor, MI: University of Michigan Museum of Art, 1977)., cat. no. 44; p. 49 (illus.)","date":1977,"id":4768,"uri":"https://search.worldcat.org/title/3769132"},{"boilertext":"\"AD 79: eyewitness account of the eruption of Mount Vesuvius\", <EM>Bulletin of the Art Institute of Chicago</EM> 72, no. 4 (Jul.- Aug., 1978): p. 4-7.","citation":"\"AD 79: eyewitness account of the eruption of Mount Vesuvius\", <EM>Bulletin of the Art Institute of Chicago</EM> 72, no. 4 (Jul.- Aug., 1978): p. 4-7., p. 5 (illus.)","date":1978,"id":4769,"uri":"https://www.jstor.org/stable/4104138"},{"boilertext":"Alexandra R. Murphy, <EM>Visions of Vesuvius</EM>, (Boston: Museum of Fine Arts, 1978).","citation":"Alexandra R. Murphy, <EM>Visions of Vesuvius</EM>, (Boston: Museum of Fine Arts, 1978)., p. 16","date":1978,"id":4770,"uri":"https://search.worldcat.org/title/3823904"},{"boilertext":"<EM>The Golden age of Naples: art and civilization under the Bourbons, 1734-1805</EM>, (Detroit: Detroit Institute of Arts; Chicago: Art Institute of Chicago, 1981).","citation":"<EM>The Golden age of Naples: art and civilization under the Bourbons, 1734-1805</EM>, (Detroit: Detroit Institute of Arts; Chicago: Art Institute of Chicago, 1981)., p. 171-72, no. 62 (illus.)","date":1981,"id":4771,"uri":"https://search.worldcat.org/title/7652782"},{"boilertext":"Donald Rosenthal, \"Joseph Franque's scene during the eruption of Vesuvius\", <EM>Bulletin (Philadelphia Museum of Art)</EM> 75, no. 324 (Mar., 1979): p. 2-15.","citation":"Donald Rosenthal, \"Joseph Franque's scene during the eruption of Vesuvius\", <EM>Bulletin (Philadelphia Museum of Art)</EM> 75, no. 324 (Mar., 1979): p. 2-15., fig. 8","date":1979,"id":4772,"uri":"https://www.jstor.org/stable/3795265"},{"boilertext":"Richard Brilliant, <EM>Pompeii AD 79: the treasure of rediscovery, </EM>(New York:&nbsp; C.N. Potter, 1979).","citation":"Richard Brilliant, <EM>Pompeii AD 79: the treasure of rediscovery, </EM>(New York:&nbsp; C.N. Potter, 1979)., pl. 21 (color)","date":1979,"id":4773,"uri":"https://search.worldcat.org/title/4883345"},{"boilertext":"Laurie Schneider Adams, <EM>A history of Western art,</EM>&nbsp;(Madison, WI: Brown &amp; Benchmark, 1994).","citation":"Laurie Schneider Adams, <EM>A history of Western art,</EM>&nbsp;(Madison, WI: Brown &amp; Benchmark, 1994)., fig. 20.12; p. 340","date":1994,"id":4774,"uri":"https://search.worldcat.org/title/30381793"},{"boilertext":"Joyce K. Schiller, \"Nydia: a forgotten icon of the nineteenth century\",<EM> Bulletin of the Detroit Institute of Arts</EM> 67, no. 4 (1993): p. 36-45.","citation":"Joyce K. Schiller, \"Nydia: a forgotten icon of the nineteenth century\",<EM> Bulletin of the Detroit Institute of Arts</EM> 67, no. 4 (1993): p. 36-45., p. 39, fig. 5; p. 39ff","date":1993,"id":4775,"uri":"https://www.jstor.org/stable/41504877"},{"boilertext":"Wendy Wassyng Roworth, \"Angelica Kauffman's 'Memorandum of Paintings'\", <EM>Burlington magazine</EM> 126, no. 979 (Oct., 1984): p. 627-630.","citation":"Wendy Wassyng Roworth, \"Angelica Kauffman's 'Memorandum of Paintings'\", <EM>Burlington magazine</EM> 126, no. 979 (Oct., 1984): p. 627-630., p. 627-630","date":1984,"id":4776,"uri":"https://www.jstor.org/stable/881841"},{"boilertext":"Claire-Lise Bionda, \"Angelika Kauffmann\", <EM>L'Oeil</EM>, no. 447 (Dec., 1992).","citation":"Claire-Lise Bionda, \"Angelika Kauffmann\", <EM>L'Oeil</EM>, no. 447 (Dec., 1992)., p. 28-29","date":1992,"id":4777,"uri":"https://search.worldcat.org/title/1761030"},{"boilertext":"Wendy Wassyng Roworth, \"Angelica Kauffman: Rome, Düsseldorf and Munich\", <EM>Burlington magazine</EM> 141, no. 1153 (Apr., 1999): p. 254-255.","citation":"Wendy Wassyng Roworth, \"Angelica Kauffman: Rome, Düsseldorf and Munich\", <EM>Burlington magazine</EM> 141, no. 1153 (Apr., 1999): p. 254-255., p. 255","date":1999,"id":4778,"uri":"https://www.jstor.org/stable/888297"},{"boilertext":"Oscar Sandner, \"Eine andere Angelika Kauffmann\", in Oscar Sandner, ed., <EM>Hommage an Angelika Kauffmann, </EM>(Milano: Nuova Mazzotta, 1992).","citation":"Oscar Sandner, \"Eine andere Angelika Kauffmann\", in Oscar Sandner, ed., <EM>Hommage an Angelika Kauffmann, </EM>(Milano: Nuova Mazzotta, 1992)., p. 50-51; p. 50 (illus.)","date":1992,"id":4779,"uri":"https://search.worldcat.org/title/28369034"},{"boilertext":"Oscar Sandner, \"Roma come destino\", in Oscar Sandner ed., <EM>Angelika Kauffmann e Roma</EM>, (Roma: De Luca, 1998).","citation":"Oscar Sandner, \"Roma come destino\", in Oscar Sandner ed., <EM>Angelika Kauffmann e Roma</EM>, (Roma: De Luca, 1998)., p. xxxi-xxxii; p. xxxii, fig. 24","date":1998,"id":4780,"uri":"https://search.worldcat.org/title/40482672"},{"boilertext":"<EM>The exhibition of the Royal Academy, 1786, the eighteenth</EM>, (London: Royal Academy of Arts, 1786).","citation":"<EM>The exhibition of the Royal Academy, 1786, the eighteenth</EM>, (London: Royal Academy of Arts, 1786).","date":1786,"id":4781,"uri":"https://search.worldcat.org/title/220402408"},{"boilertext":"Wilhelmina Feemster Jashemski and Frederick G. Meyer, ed., <EM>The natural history of Pompeii, </EM>(Cambridge, U.K.; New York: Cambridge University Press, 2002)","citation":"Wilhelmina Feemster Jashemski and Frederick G. Meyer, ed., <EM>The natural history of Pompeii, </EM>(Cambridge, U.K.; New York: Cambridge University Press, 2002), fig. 43, 41, illus.","date":2002,"id":39,"uri":"https://search.worldcat.org/title/46393268"},{"boilertext":"<EM>The J. Paul Getty Museum guide to the villa and its gardens</EM> (Malibu, CA: The Museum, 1988).<BR>","citation":"<EM>The J. Paul Getty Museum guide to the villa and its gardens</EM> (Malibu, CA: The Museum, 1988).<BR>, p. 17 (illus.)","date":1988,"id":233,"uri":"https://search.worldcat.org/title/17412982"},{"boilertext":"<i>Princeton University Art Museum: Handbook of the Collection</i> (New Haven, CT: Yale University Press, 2007)","citation":"<i>Princeton University Art Museum: Handbook of the Collection</i> (New Haven, CT: Yale University Press, 2007), 198 (illus.)","date":2007,"id":474,"uri":"https://search.worldcat.org/title/191864564"},{"boilertext":"Shelley Hales and Joanna Paul, eds., <EM>Pompeii in the public imagination from its rediscovery to today</EM>, (Oxford, UK; New York: Oxford University Press, 2011).","citation":"Shelley Hales and Joanna Paul, eds., <EM>Pompeii in the public imagination from its rediscovery to today</EM>, (Oxford, UK; New York: Oxford University Press, 2011).","date":2011,"id":720,"uri":"https://search.worldcat.org/title/704381197"},{"boilertext":"Gerard, Frances A.. <I>Angelica Kauffmann: a biography,</I> (London: Ward and Downey, 1893).","citation":"Gerard, Frances A.. <I>Angelica Kauffmann: a biography,</I> (London: Ward and Downey, 1893)., p. 206, 366, 442","date":1893,"id":1339,"uri":"https://search.worldcat.org/title/798506466"},{"boilertext":"\"Acquisitions 1969\", <EM>Record of the Art Museum, Princeton University</EM> 29, no. 1 (1970): p. 16-27.","citation":"\"Acquisitions 1969\", <EM>Record of the Art Museum, Princeton University</EM> 29, no. 1 (1970): p. 16-27., p. 20 (illus.)","date":1970,"id":3435,"uri":"https://www.jstor.org/stable/3774558"},{"boilertext":"<P>Victoria C. Gardner Coates, et. al., \"The Last Days of Pompeii: Decadence, Apocalypse, Resurrection\", (Los Angeles: J. Paul Getty Museum, 2012).</P>","citation":"<P>Victoria C. Gardner Coates, et. al., \"The Last Days of Pompeii: Decadence, Apocalypse, Resurrection\", (Los Angeles: J. Paul Getty Museum, 2012).</P>, cat. no. 20; p. 129 (illus.)","date":2012,"id":1460,"uri":"https://search.worldcat.org/title/781594083"},{"boilertext":"Allen Rosenbaum and Francis F. Jones,<em> Selections from The Art Museum, Princeton University, </em>(Princeton,&nbsp;NJ: The Art Museum, Princeton University, 1986)","citation":"Allen Rosenbaum and Francis F. Jones,<em> Selections from The Art Museum, Princeton University, </em>(Princeton,&nbsp;NJ: The Art Museum, Princeton University, 1986), p. 98 (illus.)","date":1986,"id":1899,"uri":"https://search.worldcat.org/title/14244748"},{"boilertext":"Martin Conway, \"Giorgione Again\",<EM> Burlington&nbsp;magazine</EM>&nbsp;52, no. 303 (1928): p. 259-260.","citation":"Martin Conway, \"Giorgione Again\",<EM> Burlington&nbsp;magazine</EM>&nbsp;52, no. 303 (1928): p. 259-260.","date":1928,"id":4333,"uri":"https://search.worldcat.org/title/888711437"},{"boilertext":"Eldon Katter and Marilyn G. Stewart, <I>Art:&nbsp;a global pursuit </I>(Worcester, MA: Davis Publications, 2001).","citation":"Eldon Katter and Marilyn G. Stewart, <I>Art:&nbsp;a global pursuit </I>(Worcester, MA: Davis Publications, 2001)., fig. 6-11, 206, illus.","date":2001,"id":10,"uri":"https://search.worldcat.org/title/45875428"},{"boilertext":"Elisabeth Noske, <EM>Asthetische Bildung, Kunst &amp; Musik: Kreative Ideen fur den Kindergarten/Ausgabe 12</EM>, (München: Olzog, 2010).","citation":"Elisabeth Noske, <EM>Asthetische Bildung, Kunst &amp; Musik: Kreative Ideen fur den Kindergarten/Ausgabe 12</EM>, (München: Olzog, 2010).","date":2010,"id":757,"uri":"https://search.worldcat.org/title/705754395"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"daterange":"A.D. 1700-1800","dateend":1785,"depicted":[],"titles":[{"title":"Pliny the Younger and his Mother at Misenum, 79 A.D.","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1969-89","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<SPAN lang=EN>As Mount Vesuvius erupts in the distance, the young Pliny continues his studies at his family’s villa—despite being urged to flee. Meanwhile, his uncle, Pliny the Elder, is sailing toward Vesuvius and will die trying to rescue a friend. Pliny’s letters comprise one of the great records of the catastrophe that destroyed Pompeii and Herculaneum. In one, he tells of being able to \"hear the wails of women, the cries of children, the shouts of men . . . others were reaching to the gods . . . others declared the gods no more.\" This is one of three large-scale history paintings Kauffmann produced in Italy in 1785 for a Mr. Bowles, an English patron. As was noted when the work was first exhibited at London’s Royal Academy in 1786, Pliny has two left feet. The reason for this may be that Kauffmann, then among the most popular artists in Rome, evidently relied on her less-talented husband, Antonio Zucchi, to complete many of her commissions.","remarks":" SM June 2018, (See SM_July2013_labels.pdf for similar text)"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"George Bowles, Wanstead, London (ca. 1785; original commission); by descent to Rebecca Bowles Rushout Northwick (until 1818); by descent to Anna Rushout, Wanstead Grove, Essex (1818-1826); by descent to her sister, Harriet Rushout Cockerell (until 1851); by descent to Charles Rushout, 2nd Bart. (1851-1869); by descent to Charles F. Rushout, 3rd Bart. (1869-1879; sale Phillips, London, Dec. 9, 1879, lot 834, to Jacobson); anonymous sale, Christie, Manson and Woods, London, Nov. 222, 1968, lot 140, to Leger Galleries; Leger Galleries, London;&nbsp; (1968-1969; sold to Princeton University Art Museum).","remarks":"not vetted"}],"datebegin":1785,"sortnumber":"1969   89y","published_date":"2026-02-11 10:24:18.917730","objectid":31399,"dimensions":"103 × 127.5 cm (40 9/16 × 50 3/16 in.)\r\nframe: 116 × 140.5 × 6.7 cm (45 11/16 × 55 5/16 × 2 5/8 in.)","on_view":false}