{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of The Forbes Magazine Collection","caption":"Richard Hogle (born 1939, New York, NY; active New Paltz, NY), 56 Cubes, Red, Blue, Green, 1967. Plastic; 61 × 61 × 61 cm. Gift of The Forbes Magazine Collection (y1973-85)","cultureterms":[{"id":2038492,"culture":"American"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2054791,"term":"sculpture","aatid":300047090,"termtype":"Classification"},{"id":2038492,"term":"American","aatid":300107956,"termtype":"Culture"},{"id":2098411,"term":"cubes","aatid":300133032,"termtype":"Subject"},{"id":2165315,"term":"plastic","aatid":300014570,"termtype":"Materials"}],"geography":[],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"61.00"},{"element":"Overall","type":"Length","units":"centimeters","dimension":"61.00"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"61.00"}],"markings":null,"accessionyear":"1973-01-01","newaccession":0,"makers":[{"id":5260,"displayname":"Richard Hogle","displaydate":"born 1939, New York, NY; active New Paltz, NY","datebegin":1939,"dateend":2100,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Richard Hogle, born 1939, New York, NY; active New Paltz, NY","displayorder":1}],"datecomputed":1967,"signed":null,"restrictions":"Restricted","classification":"Sculpture","packages":[{"packageid":196699,"name":"MoCo-Kinetic art"}],"catalograisonne":null,"classifications":[{"id":2054791,"classification":"sculpture"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/INV92661"],"displaytitle":"56 Cubes, Red, Blue, Green","displayculture":null,"displaymaker":"Richard Hogle, born 1939, New York, NY; active New Paltz, NY","captionhtml":"Richard Hogle (born 1939, New York, NY; active New Paltz, NY), <i>56 Cubes, Red, Blue, Green</i>, 1967. Plastic; 61 × 61 × 61 cm. Gift of The Forbes Magazine Collection (y1973-85)","displaydate":"1967","medium":"Plastic","media":[{"id":197858,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV92659","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Inventory Project"},{"id":197859,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV92660","isprimary":0,"rank":4,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Inventory Project"},{"id":197860,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV92661","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Inventory Project"},{"id":197861,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV92662","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Inventory Project"},{"id":197862,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV92663","isprimary":0,"rank":5,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Inventory Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Art Museum 1974\", <EM>Record of the Art Museum, Princeton University</EM> 33, no. 1 (1974): p. 37-47.","citation":"\"Acquisitions of the Art Museum 1974\", <EM>Record of the Art Museum, Princeton University</EM> 33, no. 1 (1974): p. 37-47., p. 42","date":1974,"id":3613,"uri":"https://www.jstor.org/stable/3774502"},{"boilertext":"<EM>Let there be light</EM>, (New York: Wise Gallery?, 1967).","citation":"<EM>Let there be light</EM>, (New York: Wise Gallery?, 1967)., p. 6 (illus.)","date":1967,"id":7969,"uri":"https://search.worldcat.org/title/82063619"},{"boilertext":"<EM>New Jersey collects</EM>, (Newark, NJ: Newark Museum, 1970).","citation":"<EM>New Jersey collects</EM>, (Newark, NJ: Newark Museum, 1970)., no. 89","date":1970,"id":7971,"uri":"https://search.worldcat.org/title/217055105"}],"nowebuse":"False","periods":[],"department":"Modern and Contemporary Art","attribute_groups":[{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199325,"term":"North American Art","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":1967,"depicted":[],"titles":[{"title":"56 Cubes, Red, Blue, Green","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"© Richard Hogle","objectnumber":"y1973-85","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"[Howard Wise Gallery, New York, New York], sold; to The Forbes Magazine Collection, New York, New York, gift; to Princeton University Art Museum, 1973.","remarks":null},{"texttype":"Online","textpurpose":"Description","textentryhtml":"Cube shape with opaque plexi glass sides.\nThe cube is composed of smaller cubes that change color in random sequence.\n","remarks":"Moved from description field"},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<span style=\"text-align: left; color: rgb(51, 51, 51); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: -apple-system, system-ui, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif, &quot;Apple Color Emoji&quot;, &quot;Segoe UI Emoji&quot;, &quot;Segoe UI Symbol&quot;, sans-serif; font-size: 13px; font-style: normal; font-weight: 400; word-spacing: 0px; float: none; display: inline !important; white-space: pre-wrap; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\">Kinetic art in the Forbes Collection exemplifies the period of technological idealism that followed World War II, leading artists to experiment with electricity and industrial materials to develop work that could transcend the idea of artistic medium and recenter the meaning of art in the perceptual experience of the viewer. Additionally, this practice presages the increasing globalization of the art world in the second half of the twentieth century and the diasporic experience of artists from Europe and Latin America following the war.</span>","remarks":null}],"datebegin":1967,"sortnumber":"1973   85y","published_date":"2026-03-31 02:24:04.526854","objectid":32024,"dimensions":"61 × 61 × 61 cm (24 × 24 × 24 in.)","on_view":false}