{"secondaryobjectnumber":null,"periodterms":[{"id":2033562,"period":"Ming"},{"id":2033603,"period":"Qing"}],"creditline":"Gift of Jeannette Shambaugh Elliott","caption":"Chinese, Ming dynasty (1368–1644), early Qing dynasty (1644–1912), Fu Shan 傅山 (1607–1684/85), \"Clearing at Dusk,\"  A Poem by Tu Fu, undated. Hanging scroll; ink on paper; 225.6 x 75.5 cm (Calligraphy). Gift of Jeannette Shambaugh Elliott (y1976-58)","cultureterms":[{"id":2033355,"culture":"Chinese"}],"type":"artobject","dimensionsproposed":"","campus_art":false,"terms":[{"id":2033355,"term":"Chinese","aatid":300018322,"termtype":"Culture"},{"id":2122351,"term":"poems","aatid":300026451,"termtype":"Subject"},{"id":2033562,"term":"Ming","aatid":300018438,"termtype":"Period / Style"},{"id":2033603,"term":"Qing","aatid":300018478,"termtype":"Period / Style"},{"id":2126479,"term":"hanging scrolls","aatid":300033636,"termtype":"Classification"},{"id":2033673,"term":"Chinese painting styles","aatid":300018501,"termtype":"Classification"},{"id":2155285,"term":"calligraphy (writing)","aatid":300053162,"termtype":"Subject"},{"id":2053034,"term":"scroll paintings","aatid":300033666,"termtype":"Classification"},{"id":2133986,"term":"calligraphy (visual work)","aatid":null,"termtype":"Subject"},{"id":2158114,"term":"evening","aatid":null,"termtype":"Subject"}],"geography":[{"displaygeography":"Place made: Asia, China","code":"Place made","continent":"Asia","subcontinent":null,"country":"China","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":null,"location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Calligraphy","type":"Height","units":"centimeters","dimension":"225.60"},{"element":"Calligraphy","type":"Width","units":"centimeters","dimension":"75.50"},{"element":"mount","type":"Height","units":"centimeters","dimension":"302.00"},{"element":"mount","type":"Width","units":"centimeters","dimension":"89.90"}],"markings":"Eleven characters in ink on label adhered to edge of rolled scroll ","accessionyear":"1976-01-01","newaccession":0,"makers":[{"id":6014,"displayname":"Fu Shan 傅山","displaydate":"1607–1684/85","datebegin":1607,"dateend":0,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Fu Shan 傅山, 1607–1684/85","displayorder":4}],"datecomputed":1656,"signed":"signed","restrictions":null,"classification":"Calligraphy","packages":[{"packageid":104193,"name":"web_2017_ASIAN_April"}],"catalograisonne":null,"classifications":[{"id":2053034,"classification":"scroll paintings"},{"id":2126479,"classification":"hanging scrolls"},{"id":2033673,"classification":"chinese painting styles"}],"exhibitions":[],"cultures":[{"id":13592,"culture":"Chinese","alphasort":"Chinese","begindate":0,"enddate":0,"displayculture":"Chinese","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/y1976-58"],"displaytitle":"\"Clearing at Dusk,\"  A Poem by Tu Fu","displayculture":"Chinese","displaymaker":"Fu Shan 傅山, 1607–1684/85","alt_numbers":[],"captionhtml":"Chinese, Ming dynasty (1368–1644), early Qing dynasty (1644–1912), Fu Shan 傅山 (1607–1684/85), <i>\"Clearing at Dusk,\"  A Poem by Tu Fu</i>, undated. Hanging scroll; ink on paper; 225.6 x 75.5 cm (Calligraphy). Gift of Jeannette Shambaugh Elliott (y1976-58)","displaydate":"undated","medium":"Hanging scroll; ink on paper","media":[{"id":61759,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV08360","isprimary":0,"rank":31,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"},{"id":66572,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1976-58","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"}],"displayperiod":"Ming dynasty, 1368–1644 | early Qing dynasty, 1644–1912","extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Richard M. Barnhart, \"The Jeannette Shambaugh Elliott Collection,\" <EM>Record of the Art Museum, Princeton University</EM> 38, no. 2 (1979): 6<SPAN style='FONT-SIZE: 15px; FONT-FAMILY: Palatino, \"Palatino Linotype\", Georgia, Times, \"Times New Roman\", serif; WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; FLOAT: none; FONT-WEIGHT: normal; COLOR: rgb(28,35,54); FONT-STYLE: normal; TEXT-ALIGN: left; ORPHANS: 2; WIDOWS: 2; DISPLAY: inline !important; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(240,231,219); TEXT-INDENT: 0px; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial'><FONT style=\"BACKGROUND-COLOR: #ffffff\" color=#000000 face=Arial>–</FONT></SPAN>15, 17<SPAN style='FONT-SIZE: 15px; FONT-FAMILY: Palatino, \"Palatino Linotype\", Georgia, Times, \"Times New Roman\", serif; WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; FLOAT: none; FONT-WEIGHT: normal; COLOR: rgb(28,35,54); FONT-STYLE: normal; TEXT-ALIGN: left; ORPHANS: 2; WIDOWS: 2; DISPLAY: inline !important; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(240,231,219); TEXT-INDENT: 0px; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial'><FONT style=\"BACKGROUND-COLOR: #ffffff\" color=#000000 face=Arial>–</FONT></SPAN>63.","citation":"Richard M. Barnhart, \"The Jeannette Shambaugh Elliott Collection,\" <EM>Record of the Art Museum, Princeton University</EM> 38, no. 2 (1979): 6<SPAN style='FONT-SIZE: 15px; FONT-FAMILY: Palatino, \"Palatino Linotype\", Georgia, Times, \"Times New Roman\", serif; WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; FLOAT: none; FONT-WEIGHT: normal; COLOR: rgb(28,35,54); FONT-STYLE: normal; TEXT-ALIGN: left; ORPHANS: 2; WIDOWS: 2; DISPLAY: inline !important; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(240,231,219); TEXT-INDENT: 0px; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial'><FONT style=\"BACKGROUND-COLOR: #ffffff\" color=#000000 face=Arial>–</FONT></SPAN>15, 17<SPAN style='FONT-SIZE: 15px; FONT-FAMILY: Palatino, \"Palatino Linotype\", Georgia, Times, \"Times New Roman\", serif; WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; FLOAT: none; FONT-WEIGHT: normal; COLOR: rgb(28,35,54); FONT-STYLE: normal; TEXT-ALIGN: left; ORPHANS: 2; WIDOWS: 2; DISPLAY: inline !important; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(240,231,219); TEXT-INDENT: 0px; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial'><FONT style=\"BACKGROUND-COLOR: #ffffff\" color=#000000 face=Arial>–</FONT></SPAN>63., p. 12, p. 32–33 (illus.)","date":1979,"id":7710,"uri":"https://www.jstor.org/stable/3774616"},{"boilertext":"\"Acquisitions of the Art Museum 1976,\" <em>Record of the Art Museum, Princeton University </em>36, no. 1 (1977): p. 28-40.","citation":"\"Acquisitions of the Art Museum 1976,\" <em>Record of the Art Museum, Princeton University </em>36, no. 1 (1977): p. 28-40., p. 31","date":1977,"id":3365,"uri":"https://www.jstor.org/stable/3774447"}],"nowebuse":"False","periods":[{"id":15366,"period":"Qing dynasty","alphasort":"Qing dynasty","begindate":1644,"enddate":1912,"displayperiod":"early Qing dynasty, 1644–1912","displaydate":"1644–1912"},{"id":12562,"period":"Ming dynasty","alphasort":"Ming dynasty","begindate":1368,"enddate":1644,"displayperiod":"Ming dynasty, 1368–1644","displaydate":"1368–1644"}],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1600-1700","dateend":1685,"depicted":[],"titles":[{"title":"\"Clearing at Dusk,\"  A Poem by Tu Fu","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"y1976-58","inscribed":"yes","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nFu Shan was a scholar of the Chinese classics and a medical doctor who specialized in women’s health. As an artist, he was a talented seal carver, painter, and calligrapher. This work demonstrates Fu’s characteristic style in which brushstrokes twist and turn chaotically, resembling tangled ribbons, and dark and light strokes create a dynamic rhythm. A Ming loyalist, Fu refused to serve the Manchus when they established the Qing dynasty in 1644. Instead, he adopted the lifestyle and dress of a Daoist and devoted himself to erudite activities such as writing essays, composing poetry, painting, and practicing calligraphy. In this work he transcribes the poetic verses of the great eighth- century poet Du Fu. </P></SPAN>","remarks":"The Art of Calligraphy in Asia Rotation April2017"}],"datebegin":1627,"sortnumber":"1976   58y","published_date":"2026-04-16 02:00:41.875523","objectid":32095,"dimensions":"Calligraphy: 225.6 x 75.5 cm. (88 13/16 x 29 3/4 in.)\r\nMount: 302 x 89.9 cm. (118 7/8 x 35 3/8 in.)","on_view":false}