Eric Zafran, The Rococo age: French masterpieces of the eighteenth century, (Atlanta, GA: High Museum of Art, 1983).
","citation":"Eric Zafran, The Rococo age: French masterpieces of the eighteenth century, (Atlanta, GA: High Museum of Art, 1983).
, p. 56-57, no. 18; p. 50, fig. 18","date":1983,"id":4858,"uri":"https://search.worldcat.org/title/10070576"},{"boilertext":"June Hargrove, The French Academy: classicism and its antagonists, (Newark: University of Delaware Press; London; Cranbury, NJ: Associated University Presses, 1990).","citation":"June Hargrove, The French Academy: classicism and its antagonists, (Newark: University of Delaware Press; London; Cranbury, NJ: Associated University Presses, 1990)., p. 93","date":1990,"id":4859,"uri":"https://search.worldcat.org/title/19271433"},{"boilertext":"\"Acquisitions of the Art Museum 1975,\" Record of the Art Museum, Princeton University, 35, no. 1 (1976): p. 22-31.","citation":"\"Acquisitions of the Art Museum 1975,\" Record of the Art Museum, Princeton University, 35, no. 1 (1976): p. 22-31., p. 23","date":1976,"id":3366,"uri":"https://www.jstor.org/stable/3774452"},{"boilertext":"Betsy Rosasco, \"Louis-Jean-François Lagrenée's Four Estates and Their Patron, Guillaume Mazade de Saint-Bresson,\" Record of the Art Museum, Princeton University 52, no. 2 (1993): p. 2–25.","citation":"Betsy Rosasco, \"Louis-Jean-François Lagrenée's Four Estates and Their Patron, Guillaume Mazade de Saint-Bresson,\" Record of the Art Museum, Princeton University 52, no. 2 (1993): p. 2–25., p. 2, fig. 2","date":1993,"id":3076,"uri":"https://www.jstor.org/stable/3774750"},{"boilertext":"Allen Rosenbaum and Francis F. Jones, Selections from The Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1986)","citation":"Allen Rosenbaum and Francis F. Jones, Selections from The Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1986), p. 97 (illus.)","date":1986,"id":1899,"uri":"https://search.worldcat.org/title/14244748"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"daterange":"A.D. 1700-1800","dateend":1766,"depicted":[],"titles":[{"title":"Justice Disarmed by Innocence and Applauded by Prudence","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1975-16","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Guillaume Mazade de Saint-Bresson, probably Hotel Castanier, rue des Capucines, Paris (1763-); ?art market, Aix-en-Provence, France (early 1970s); anonymous sale, Christie’s, London, July 18-19, 1974, lot 96 to James; Central Picture Galleries, New York (in 1975, sold to Princeton University Art Museum).","remarks":"Migrated from 9.35 12/2013"}],"datebegin":1766,"sortnumber":"1975 16y","published_date":"2026-02-11 10:28:18.758590","objectid":32205,"dimensions":"98 x 145.5 cm (38 9/16 x 57 5/16 in.)\r\nframe: 120.3 x 164.1 x 6.3 cm (47 3/8 x 64 5/8 x 2 1/2 in.)","on_view":false}