{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of Stuart P. Feld, Class of 1957, and Mrs. Feld","caption":"Rosa Bonheur (1822–1899; born Bordeaux, France; died Thomery (Fontainebleau), France; active Thomery and Paris, France), Study of a Dog, possibly 1860s. Oil on canvas; 33.3 × 28.2 cm, 46.7 × 41.9 × 5.4 cm (frame). Gift of Stuart P. Feld, Class of 1957, and Mrs. Feld (y1976-23)","cultureterms":[{"id":2031609,"culture":"French"}],"type":"artobject","dimensionsproposed":"","campus_art":false,"terms":[{"id":2031609,"term":"French","aatid":300111188,"termtype":"Culture"},{"id":2057221,"term":"brown","aatid":300127490,"termtype":"Subject"},{"id":2058601,"term":"green (color)","aatid":300128438,"termtype":"Subject"},{"id":2052977,"term":"paintings","aatid":300033618,"termtype":"Classification"},{"id":2051797,"term":"studies (visual works)","aatid":300081053,"termtype":"Classification"},{"id":2103919,"term":"dogs","aatid":null,"termtype":"Subject"},{"id":2053145,"term":"oil paintings","aatid":300033799,"termtype":"Classification"},{"id":2167780,"term":"oil paint","aatid":300015050,"termtype":"Materials"},{"id":2171344,"term":"canvas","aatid":null,"termtype":"Materials"}],"geography":[],"dimensionelements":[{"element":"frame","type":"Height","units":"centimeters","dimension":"46.67"},{"element":"frame","type":"Width","units":"centimeters","dimension":"41.90"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"5.39"},{"element":"Overall","type":"Height","units":"centimeters","dimension":"33.30"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"28.20"}],"markings":null,"accessionyear":"1976-01-01","newaccession":0,"makers":[{"id":482,"displayname":"Rosa Bonheur","displaydate":"1822–1899; born Bordeaux, France; died Thomery (Fontainebleau), France; active Thomery and Paris, France","datebegin":1822,"dateend":1899,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Rosa Bonheur, 1822–1899; born Bordeaux, France; died Thomery (Fontainebleau), France; active Thomery and Paris, France","displayorder":1}],"datecomputed":1864,"signed":"Signed in paint, lower right: Rosa Bonheur","restrictions":null,"classification":"Paintings","packages":[{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":123,"name":"Web_Provenance"},{"packageid":228560,"name":"2023_ART490/GSS490/VIS490_10_02"},{"packageid":210960,"name":"Z_JS European Anchors"},{"packageid":207234,"name":"SAB_Gala2021"},{"packageid":276252,"name":"Nazi Era Sept 2025 list for web"},{"packageid":225374,"name":"Gallery_02-05(Pavilion1)-European [3]"},{"packageid":210962,"name":"Z_JS European On View 10 years"},{"packageid":182999,"name":"image_descriptions_eps_painitings"},{"packageid":246533,"name":"EPS Provenance Nazi-era gaps"},{"packageid":152533,"name":"web_frenchpaintings"}],"catalograisonne":null,"classifications":[{"id":2051797,"classification":"studies (visual works)"},{"id":2053145,"classification":"oil paintings"},{"id":2052977,"classification":"paintings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/y1976-23"],"displaytitle":"Study of a Dog","displayculture":null,"displaymaker":"Rosa Bonheur, 1822–1899; born Bordeaux, France; died Thomery (Fontainebleau), France; active Thomery and Paris, France","alt_numbers":[],"captionhtml":"Rosa Bonheur (1822–1899; born Bordeaux, France; died Thomery (Fontainebleau), France; active Thomery and Paris, France), <i>Study of a Dog</i>, possibly 1860s. Oil on canvas; 33.3 × 28.2 cm, 46.7 × 41.9 × 5.4 cm (frame). Gift of Stuart P. Feld, Class of 1957, and Mrs. Feld (y1976-23)","displaydate":"possibly 1860s","medium":"Oil on canvas","media":[{"id":3333,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1976-23","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Art Museum 1976,\" <em>Record of the Art Museum, Princeton University </em>36, no. 1 (1977): p. 28-40.","citation":"\"Acquisitions of the Art Museum 1976,\" <em>Record of the Art Museum, Princeton University </em>36, no. 1 (1977): p. 28-40., p. 30","date":1977,"id":3365,"uri":"https://www.jstor.org/stable/3774447"},{"boilertext":"Rosalia Shriver, <EM>Rosa Bonheur: with a checklist of works in American collections</EM>, (Philadelphia: Art Alliance Press, 1982).","citation":"Rosalia Shriver, <EM>Rosa Bonheur: with a checklist of works in American collections</EM>, (Philadelphia: Art Alliance Press, 1982).","date":1982,"id":4869,"uri":"https://search.worldcat.org/title/7837212"},{"boilertext":"William Secord, <I>Dog Painting: The European Breeds</I> (Woodbridge, Suffolk, England: Antique Collectors' Club, 2000).","citation":"William Secord, <I>Dog Painting: The European Breeds</I> (Woodbridge, Suffolk, England: Antique Collectors' Club, 2000)., pl. 466, p. 314","date":2000,"id":31,"uri":"https://search.worldcat.org/title/45612106"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"daterange":"A.D. 1850-1900","dateend":1869,"depicted":[],"titles":[{"title":"Study of a Dog","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1976-23","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"The artist (until 1900; sale, Galerie Georges Petit, Paris, May 30–31 and June 2, 1900, ?lot 1862); art market, Cambridge, MA (ca. 1957/1961; sold to Feld); Mr. and Mrs. Stuart Feld, New York (ca. 1957/1961–1976; gift to the Princeton University Art Museum).","remarks":"Migrated from 9.35 12/2013"},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<p>\n\tBonheur was renowned for her skillful depictions of animals, particularly horses. She made countless sketches of animals whom she kept in a personal menagerie, including dogs, cows, horses, sheep, deer,a gazelle, and even lions. Though the chariot and rider in the drawing are probably imagined, the dog, horses, and pair of lions in her works on view here likely derive from such drawing sessions after life. Bonheur’s interest in animals was not purely aesthetic. She was an avid equestrian, and she bucked gender conventions by wearing men’s clothing—something for which she and her life partner, Nathalie Micas, obtained police permits—and riding astride rather than sidesaddle as was standard for women at the time. She shared these gender-nonconforming practices with one of her favorite authors, George Sand, whose drawing is on view at left.\n</p>","remarks":"European Pavilion Rotation July 2026 (group chat for y1976-23 and x1970-63)"}],"datebegin":1860,"sortnumber":"1976   23y","published_date":"2026-08-12 02:00:32.642403","objectid":32258,"dimensions":"33.3 × 28.2 cm (13 1/8 × 11 1/8 in.)\r\nframe: 46.7 × 41.9 × 5.4 cm (18 3/8 × 16 1/2 × 2 1/8 in.)","on_view":true}