{"secondaryobjectnumber":null,"periodterms":[{"id":2033603,"period":"Qing"}],"creditline":"Gift of Jeannette Shambaugh Elliott","caption":"Chinese, Qing dynasty (1644–1912), Wang Wenzhi 王文治 (1730–1802), Studio of the Winding Peaks, 1799. Handscroll; ink on paper; 29 x 103.8 cm (Calligraphy), 45.2 x 118.5 cm (mat). 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Handscroll; ink on paper; 29 x 103.8 cm (Calligraphy), 45.2 x 118.5 cm (mat). Gift of Jeannette Shambaugh Elliott (y1977-13)","displaydate":"1799","medium":"Handscroll; ink on paper","media":[{"id":58920,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV03952","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"},{"id":224952,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAM20_37548","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"}],"displayperiod":"Qing dynasty, 1644–1912","extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Richard M. Barnhart, \"The Jeannette Shambaugh Elliott Collection,\" <EM>Record of the Art Museum, Princeton University</EM> 38, no. 2 (1979): 6<SPAN style='FONT-SIZE: 15px; FONT-FAMILY: Palatino, \"Palatino Linotype\", Georgia, Times, \"Times New Roman\", serif; WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; FLOAT: none; FONT-WEIGHT: normal; COLOR: rgb(28,35,54); FONT-STYLE: normal; TEXT-ALIGN: left; ORPHANS: 2; WIDOWS: 2; DISPLAY: inline !important; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(240,231,219); TEXT-INDENT: 0px; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial'><FONT style=\"BACKGROUND-COLOR: #ffffff\" color=#000000 face=Arial>–</FONT></SPAN>15, 17<SPAN style='FONT-SIZE: 15px; FONT-FAMILY: Palatino, \"Palatino Linotype\", Georgia, Times, \"Times New Roman\", serif; WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; FLOAT: none; FONT-WEIGHT: normal; COLOR: rgb(28,35,54); FONT-STYLE: normal; TEXT-ALIGN: left; ORPHANS: 2; WIDOWS: 2; DISPLAY: inline !important; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(240,231,219); TEXT-INDENT: 0px; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial'><FONT style=\"BACKGROUND-COLOR: #ffffff\" color=#000000 face=Arial>–</FONT></SPAN>63.","citation":"Richard M. Barnhart, \"The Jeannette Shambaugh Elliott Collection,\" <EM>Record of the Art Museum, Princeton University</EM> 38, no. 2 (1979): 6<SPAN style='FONT-SIZE: 15px; FONT-FAMILY: Palatino, \"Palatino Linotype\", Georgia, Times, \"Times New Roman\", serif; WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; FLOAT: none; FONT-WEIGHT: normal; COLOR: rgb(28,35,54); FONT-STYLE: normal; TEXT-ALIGN: left; ORPHANS: 2; WIDOWS: 2; DISPLAY: inline !important; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(240,231,219); TEXT-INDENT: 0px; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial'><FONT style=\"BACKGROUND-COLOR: #ffffff\" color=#000000 face=Arial>–</FONT></SPAN>15, 17<SPAN style='FONT-SIZE: 15px; FONT-FAMILY: Palatino, \"Palatino Linotype\", Georgia, Times, \"Times New Roman\", serif; WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; FLOAT: none; FONT-WEIGHT: normal; COLOR: rgb(28,35,54); FONT-STYLE: normal; TEXT-ALIGN: left; ORPHANS: 2; WIDOWS: 2; DISPLAY: inline !important; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(240,231,219); TEXT-INDENT: 0px; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial'><FONT style=\"BACKGROUND-COLOR: #ffffff\" color=#000000 face=Arial>–</FONT></SPAN>63., p. 13, p. 58 (illus.)","date":1979,"id":7710,"uri":"https://www.jstor.org/stable/3774616"},{"boilertext":"\"Acquisitions of the Art Museum 1977,\" <em>Record of the Art Museum, Princeton University</em> 37, no. 1 (1978): p. 28-40.","citation":"\"Acquisitions of the Art Museum 1977,\" <em>Record of the Art Museum, Princeton University</em> 37, no. 1 (1978): p. 28-40., p. 31","date":1978,"id":3354,"uri":"https://www.jstor.org/stable/3774515"}],"nowebuse":"False","periods":[{"id":15366,"period":"Qing dynasty","alphasort":"Qing dynasty","begindate":1644,"enddate":1912,"displayperiod":"Qing dynasty, 1644–1912","displaydate":"1644–1912"}],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1700-1800","dateend":1799,"depicted":[],"titles":[{"title":"Studio of the Winding Peaks","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"y1977-13","inscribed":"yes","texts":[],"datebegin":1799,"sortnumber":"1977   13y","published_date":"2026-02-11 10:28:55.653977","objectid":32315,"dimensions":"Calligraphy: 29 x 103.8 cm. (11 7/16 x 40 7/8 in.)\r\nMat: 45.2 x 118.5 cm. (17 13/16 x 46 5/8 in.)","on_view":false}