Suzuki, Kei, and Terakazu Akiyama. Chugoku bijutsu, vol. 1. Tokyo: Kodan-sha, 1973.
","citation":"Suzuki, Kei, and Terakazu Akiyama. Chugoku bijutsu, vol. 1. Tokyo: Kodan-sha, 1973.
, p. 21","date":1973,"id":8183,"uri":"https://search.worldcat.org/title/35154162"},{"boilertext":"Lee, Sherman E., and Wai-kam Ho. Chinese Art under the Mongols: The Yüan Dynasty (1279–1358). Cleveland: Cleveland Museum of Art, 1968.","citation":"Lee, Sherman E., and Wai-kam Ho. Chinese Art under the Mongols: The Yüan Dynasty (1279–1358). Cleveland: Cleveland Museum of Art, 1968., p. 90, fig. 17","date":1968,"id":8186,"uri":"https://search.worldcat.org/title/31199488"},{"boilertext":"Li, Chu-tsing. "Stages of Development in Yüan Landscape Painting." National Palace Museum Bulletin 4, no. 2 (May–June 1969): 1–10.","citation":"Li, Chu-tsing. "Stages of Development in Yüan Landscape Painting." National Palace Museum Bulletin 4, no. 2 (May–June 1969): 1–10., fig. 1","date":1969,"id":8187,"uri":"https://search.worldcat.org/title/883195028"},{"boilertext":"Barnhart, Richard. "Marriage of the Lord of the River: A Lost Landscape by Tung Yüan." Artibus Asiae. Supplementum 27 (1970): 3-60.","citation":"Barnhart, Richard. "Marriage of the Lord of the River: A Lost Landscape by Tung Yüan." Artibus Asiae. Supplementum 27 (1970): 3-60., fig. 24","date":1970,"id":8188,"uri":"https://www.jstor.org/stable/1522672"},{"boilertext":"Brinker, Helmut. "Ch'an Portraits in a Landscape." Archives of Asian Art 27 (1973): 8-29.
","citation":"Brinker, Helmut. "Ch'an Portraits in a Landscape." Archives of Asian Art 27 (1973): 8-29.
","date":1973,"id":8189,"uri":"https://www.jstor.org/stable/20111051"},{"boilertext":"Cahill, James. Hills beyond a River: Chinese Painting of the Yüan Dynasty, 1279–1368. New York and Tokyo: Weatherhill, 1976.","citation":"Cahill, James. Hills beyond a River: Chinese Painting of the Yüan Dynasty, 1279–1368. New York and Tokyo: Weatherhill, 1976., pls. 10, 11","date":1976,"id":8190,"uri":"https://search.worldcat.org/title/569495389"},{"boilertext":"Fong, Wen. "Rivers and Mountains after Snow (Chiang-Shan Hsüeh-Chi) Attributed to Wang Wei (A.D. 699-759)." Archives of Asian Art 30 (1976–1977): 6-33.","citation":"Fong, Wen. "Rivers and Mountains after Snow (Chiang-Shan Hsüeh-Chi) Attributed to Wang Wei (A.D. 699-759)." Archives of Asian Art 30 (1976–1977): 6-33., p. 16, fig. 7","date":1976,"id":8191,"uri":"https://www.jstor.org/stable/20111070"},{"boilertext":"Ishikawa, Jun, et al., eds. Bunjinga suihen, vol. 3. Tokyo: Chuokoron-sha, 1979.
","citation":"Ishikawa, Jun, et al., eds. Bunjinga suihen, vol. 3. Tokyo: Chuokoron-sha, 1979.
, pl. 64","date":1979,"id":8192,"uri":"https://search.worldcat.org/title/840679874"},{"boilertext":"Barnhart, Richard M. Along the Border of Heaven: Sung and Yüan Paintings from the C.C. Wang Family Collection. New York: The Metropolitan Museum of Art, 1983.","citation":"Barnhart, Richard M. Along the Border of Heaven: Sung and Yüan Paintings from the C.C. Wang Family Collection. New York: The Metropolitan Museum of Art, 1983., p. 112, fig. 49, p. 114–15, fig. 50","date":1983,"id":8193,"uri":"https://search.worldcat.org/title/679378974"},{"boilertext":"Zhejiang daxue Zhongguo gudai shuhua yanjiu zhong xin 浙江大學中國古代書畫研究中心. Yuan hua quan ji. 5, 4 (元畫全集 第五卷第四冊). Hangzhou: Zhejiang daxue chuban she 浙江大學出版社, 2012–onwards.","citation":"Zhejiang daxue Zhongguo gudai shuhua yanjiu zhong xin 浙江大學中國古代書畫研究中心. Yuan hua quan ji. 5, 4 (元畫全集 第五卷第四冊). Hangzhou: Zhejiang daxue chuban she 浙江大學出版社, 2012–onwards., no. 148","date":2012,"id":9241,"uri":"https://search.worldcat.org/title/879496746"},{"boilertext":"Wen C. Fong, Images of the mind: selections from the Edward L. Elliott family and John B. Elliott collections of Chinese calligraphy and painting at the Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1984).","citation":"Wen C. Fong, Images of the mind: selections from the Edward L. Elliott family and John B. Elliott collections of Chinese calligraphy and painting at the Art Museum, Princeton University, (Princeton, NJ: The Art Museum, Princeton University, 1984)., cat. no. 6","date":1984,"id":6467,"uri":"https://search.worldcat.org/title/770927319"},{"boilertext":"\"Acquisitions of the Art Museum 1984,\" Record of the Art Museum, Princeton University 44, no. 1 (1985): p. 24-52.","citation":"\"Acquisitions of the Art Museum 1984,\" Record of the Art Museum, Princeton University 44, no. 1 (1985): p. 24-52., pp. 48–49 (illus.)","date":1985,"id":3134,"uri":"https://www.jstor.org/stable/3774658"}],"nowebuse":"False","periods":[{"id":12561,"period":"Yuan dynasty","alphasort":"Yuan dynasty","begindate":1271,"enddate":1368,"displayperiod":"Yuan dynasty, 1271–1368","displaydate":"1271–1368"}],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"}],"daterange":"A.D. 1000-1500","dateend":1292,"depicted":[],"titles":[],"hasimage":"true","creditlinerepro":"","objectnumber":"y1984-13","inscribed":"Extensive colophons: see \"Images of the Mind: selections from Edward L. Elliott family and John B. Elliott collections of Chinese calligraphy and painting at the Art Museum, Princeton University\"","texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Edward L. Elliott Family Collection;
1984- present, purchased by Princeton University Art Museum, Princeton, NJ
","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Zhao Mengfu promoted a “return to the spirit of antiquity” (guyi), and here he evoked an early mode of landscape painting, the blue-green style. The flatness of forms, blue and green colors, evenly spaced trees, and wiry thin brush lines are among the many archaic allusions. The scroll’s subject is the scholar-official Xie Youyu (280–322), who once said that although he was uncomfortable in the confines of court, when surrounded by hills and streams, he had no equal. In this composition, he is aptly portrayed seated in a landscape of his own imagination. The underlying theme of reclusion at court was particularly poignant for Zhao, a descendant of the Song royal family who transferred his loyalty to serve under the Mongol conquerors of the Yuan dynasty.","remarks":"Asian rotation February 2019"}],"datebegin":1282,"sortnumber":"1984 13y","published_date":"2026-02-11 10:30:58.359658","objectid":32688,"dimensions":"Painting: 27.4 x 117.0 cm. (10 13/16 x 46 1/16 in.)\r\nColophon (right): 27.2 x 177.6 cm. (10 11/16 x 69 15/16 in.)\r\nColophon (center): 27.2 x 107.2 cm. (10 11/16 x 42 3/16 in.)\r\nColophon (left): 27.2 x 76.8 cm. (10 11/16 x 30 1/4 in.)\r\nMount: h. 28.2 cm. (11 1/8 in.)","on_view":false}