Hedy B. Landman, European and American art from Princeton alumni collections, (Princeton, NJ: Art Museum, Princeton University, 1972).
","citation":"Hedy B. Landman, European and American art from Princeton alumni collections, (Princeton, NJ: Art Museum, Princeton University, 1972).
, p. 30, no. 30 (illus.)","date":1972,"id":568,"uri":"https://search.worldcat.org/title/403016"},{"boilertext":"\"Acquisitions of the Art Museum 1992,\" Record of the Art Museum, Princeton University 52, no. 1 (1993): p. 36-83.","citation":"\"Acquisitions of the Art Museum 1992,\" Record of the Art Museum, Princeton University 52, no. 1 (1993): p. 36-83., p. 37 (illus.), p. 39","date":1993,"id":3075,"uri":"https://www.jstor.org/stable/3774739"},{"boilertext":"Elizabeth Eger, Bluestockings displayed: portraiture, patronage and performance, (Cambridge; New York: Cambridge University Press, 2013).","citation":"Elizabeth Eger, Bluestockings displayed: portraiture, patronage and performance, (Cambridge; New York: Cambridge University Press, 2013).","date":2013,"id":1485,"uri":"https://search.worldcat.org/title/842350595"},{"boilertext":"Anne Leonard and Joyce Suechun Cheng et al., The tragic muse: art and emotion, 1700-1900, (Chicago, IL: University of Chicago Press, 2011).","citation":"Anne Leonard and Joyce Suechun Cheng et al., The tragic muse: art and emotion, 1700-1900, (Chicago, IL: University of Chicago Press, 2011)., fig. 35, p. 64 (illus.), 114","date":2011,"id":1504,"uri":"https://search.worldcat.org/title/587209586"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199338,"term":"Nazi-era gaps","termtype":"Provenance & Cultural Heritage"}],"daterange":"A.D. 1700-1800","dateend":1790,"depicted":[],"titles":[{"title":"Siddonian Recollections","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1992-13","inscribed":"Inscribed, lower right: Sidonian Recollections\r\n","texts":[{"texttype":"Online","textpurpose":"Multivocal Label","textentryhtml":"\n\tAs a theater director, I think about artistic process: from research to rehearsal to opening night. On some level, my process moves in the opposite direction as Romney’s. Theater moves from the page to the stage, whereas this sketch is an attempt to capture the expanse of a performance back to a singular frame. The “thing” that is the play is ephemeral and lives only in the memory of the spectator. So too does Sarah Siddons, as performer, live in Romney’s memory. In looking at this sketch, I see the ways in which all artists work in draft—in repetition and revision. It is complicated to locate a singular portrait of a woman whose work was live, embodied storytelling. It seems impossible to capture in still life an artist whose medium is motion—and yet, to be an artist is to strive.\n
\n\n\tNicole A. Watson, Producing Artistic Director, Playwrights’ Center, Minneapolis, MN\n
","remarks":"EUR-STR_02-05_WLA-Day 1 Cataloguing"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Sale, Christie’s, London, March 18, 1924, no. 12; sale, Christie’s, London, April 27, 1925, no. 86 [15 gns., to Deacon]; sale, Christie’s, London, March 22, 1929, no. 130 [24-3, to Leger Galleries, London]; [Arthur U. Newton Galleries, New York, ca. 1945]; [Victor D. Spark, New York, by 1962]; Mr. and Mrs. Thomas J. McCormick, by 1964; [Hirschl and Adler Galleries, Inc., New York]; 1992 purchase by Princeton University Art Museum.","remarks":"not vetted"}],"datebegin":1785,"sortnumber":"1992 13y","published_date":"2026-02-11 10:36:19.575660","objectid":33625,"dimensions":"68 × 61.2 cm (26 3/4 × 24 1/8 in.)\r\nframe: 85.7 × 78.7 × 5.4 cm (33 3/4 × 31 × 2 1/8 in.)","on_view":true}