{"secondaryobjectnumber":null,"periodterms":[{"id":2033898,"period":"Edo (Japanese period)"},{"id":2034064,"period":"Kano School"}],"creditline":"Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund","caption":"Japanese, Edo period (1603–1868), Kano Shigenobu 狩野重信 (fl. 1620–1640), Chinese Recluse Lin Bu Greeting a Crane, early 17th century. Two-panel folding screen: ink, color, and gold on paper; 174.2 x 189 cm. Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund (y1992-8)","cultureterms":[{"id":2033838,"culture":"Japanese"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2033838,"term":"Japanese","aatid":300018519,"termtype":"Culture"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2171646,"term":"cranes","aatid":null,"termtype":"Subject"},{"id":2171670,"term":"plum trees","aatid":null,"termtype":"Subject"},{"id":2033898,"term":"Edo (Japanese period)","aatid":300106643,"termtype":"Period / Style"},{"id":2064803,"term":"screens (furniture)","aatid":300037737,"termtype":"Classification"},{"id":2034055,"term":"Japanese painting styles","aatid":300018579,"termtype":"Classification"},{"id":2034064,"term":"Kano School","aatid":300018653,"termtype":"Period / Style"},{"id":2095045,"term":"hermits","aatid":300236796,"termtype":"Subject"},{"id":2052977,"term":"paintings","aatid":300033618,"termtype":"Classification"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2162191,"term":"gold","aatid":300011021,"termtype":"Materials"},{"id":2043813,"term":"paper (fiber product)","aatid":300014109,"termtype":"Materials"},{"id":2167672,"term":"ink","aatid":300015012,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Asia, Japan","code":"Place made","continent":"Asia","subcontinent":null,"country":"Japan","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/1861060/japan.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"174.20"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"189.00"}],"markings":"Artist, “Go” 語, rectangular relief (inverted)\r\nArtist, “Ji” 辞, encircled tripod relief (effaced)\r\n[the pairing of these two seals with the former inverted is also found on other works by Shigenobu]","accessionyear":"1992-01-01","newaccession":0,"makers":[{"id":4234,"displayname":"Kano Shigenobu 狩野重信","displaydate":"fl. 1620–1640","datebegin":1620,"dateend":1640,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Kano Shigenobu 狩野重信, fl. 1620–1640","displayorder":3}],"datecomputed":1614,"signed":null,"restrictions":null,"classification":"Paintings","packages":[{"packageid":8770,"name":"Web_Japanese_2014-6"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2052977,"classification":"paintings"},{"id":2064803,"classification":"screens (furniture)"},{"id":2034055,"classification":"japanese painting styles"}],"exhibitions":[],"cultures":[{"id":13690,"culture":"Japanese","alphasort":"Japanese","begindate":0,"enddate":0,"displayculture":"Japanese","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/y1992-8_SL"],"displaytitle":"Chinese Recluse Lin Bu Greeting a Crane","displayculture":"Japanese","displaymaker":"Kano Shigenobu 狩野重信, fl. 1620–1640","captionhtml":"Japanese, Edo period (1603–1868), Kano Shigenobu 狩野重信 (fl. 1620–1640), <i>Chinese Recluse Lin Bu Greeting a Crane</i>, early 17th century. Two-panel folding screen: ink, color, and gold on paper; 174.2 x 189 cm. Museum purchase, John Maclean Magie, Class of 1892, and Gertrude Magie Fund (y1992-8)","displaydate":"early 17th century","medium":"Two-panel folding screen: ink, color, and gold on paper","media":[{"id":14163,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1992-8_SL","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"},{"id":7621,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y1992-8","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"displayperiod":"Edo period, 1603–1868","extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Yoshiaki Shimizu, <i>&quot;Chinese Recluse Lin Pu Greeting a Crane</i>: A Japanese Screen,&quot; <i>Record of the Art Museum, Princeton University </i>53, no. 2 (1994): 2–21.","citation":"Yoshiaki Shimizu, <i>&quot;Chinese Recluse Lin Pu Greeting a Crane</i>: A Japanese Screen,&quot; <i>Record of the Art Museum, Princeton University </i>53, no. 2 (1994): 2–21., p. 2, fig. 1","date":1994,"id":3066,"uri":"https://www.jstor.org/stable/3774701"},{"boilertext":"\"Acquisitions of the Art Museum 1992,\" <em>Record of the Art Museum, Princeton University </em>52, no. 1 (1993): p. 36-83.","citation":"\"Acquisitions of the Art Museum 1992,\" <em>Record of the Art Museum, Princeton University </em>52, no. 1 (1993): p. 36-83., p. 66, p. 69 (illus.)","date":1993,"id":3075,"uri":"https://www.jstor.org/stable/3774739"}],"nowebuse":"False","periods":[{"id":12589,"period":"Edo period","alphasort":"Edo period","begindate":1603,"enddate":1868,"displayperiod":"Edo period, 1603–1868","displaydate":"1603–1868"}],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1600-1700","dateend":1629,"depicted":[],"titles":[{"title":"Chinese Recluse Lin Bu Greeting a Crane","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y1992-8","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"&nbsp;&nbsp;–1992&nbsp;London Gallery, Ltd. (Tokyo, Japan), sold to the Princeton University Art Museum, 1992.","remarks":"as per object file"},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nIn the sixteenth century, Kano school painting masters created a distinctive style that synthesized Japanese and Chinese pictorial elements and themes. The subject of this painting is the early eleventh-century recluse poet Lin Pu (Lin Heqing). Living in the southern Chinese city of Hangzhou, near scenic West Lake, he was held in high esteem by the imperial court for his virtue and skill at poetry. Lin was well known for his poems on plum blossoms and became synonymous with the flower, and with the qualities of perseverance and purity that it represents. He is commonly painted accompanied by an attendant, a crane, and his beloved plum. This screen is the result of a Japanese artist painting a Chinese theme in a Chinese ink painting style—but presenting an entirely Japanese aesthetic through the use of a lush gold background. </P></SPAN>","remarks":"Asian Rotation May 2014"}],"datebegin":1600,"sortnumber":"1992    8y","published_date":"2026-02-11 10:36:29.504280","objectid":33656,"dimensions":"174.2 x 189.0 cm. (68 9/16 x 74 7/16 in.)","on_view":false}