{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase","caption":"Bernardo di Stefano Rosselli (Italian, active ca. 1460–1526), Madonna della Cintola, 1484. Tempera on wood panel; 163 x 150 cm (sight), 180.5 × 167 × 14 cm (frame). 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Tempera on wood panel; 163 x 150 cm (sight), 180.5 × 167 × 14 cm (frame). Museum purchase (y38)","displaydate":"1484","medium":"Tempera on wood panel","media":[{"id":106309,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/y38","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Bruce White Photography"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"Betsy Rosasco, \"The teaching of art and the museum tradition: Joseph Henry to Allan Marquand,\"&nbsp; in \"An art museum for Princeton: the early years\", special issue, <EM>Record of the Art Museum, Princeton University</EM> 55, no. 1/2 (1996): p. 7-52.","citation":"Betsy Rosasco, \"The teaching of art and the museum tradition: Joseph Henry to Allan Marquand,\"&nbsp; in \"An art museum for Princeton: the early years\", special issue, <EM>Record of the Art Museum, Princeton University</EM> 55, no. 1/2 (1996): p. 7-52., p. 41; fig. 26","date":1996,"id":3052,"uri":"https://www.jstor.org/stable/3774779"},{"boilertext":"<SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'>W.B. McCormick, \"Princeton Museum, a workshop\", <EM>International studio</EM> 83 (Sept., 1925).</SPAN>","citation":"<SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'>W.B. McCormick, \"Princeton Museum, a workshop\", <EM>International studio</EM> 83 (Sept., 1925).</SPAN>, p. 36-37","date":1925,"id":3676,"uri":"https://search.worldcat.org/title/82471836"},{"boilertext":"Erling Skaug, \"The third element: preliminary notes on parchment, canvas and fibres as structural components related to the grounds of Medieval and Renaissance panel paintings\", ed. Jilleen Nadolny, Kaja Kollandsrud, et. al.,&nbsp;<EM>Medieval painting in Northern Europe: techniques, analysis, art history: studies in commemoration of the 70th birthday of Unn Plahter</EM>, (London: Archetype, 2007).<BR>","citation":"Erling Skaug, \"The third element: preliminary notes on parchment, canvas and fibres as structural components related to the grounds of Medieval and Renaissance panel paintings\", ed. Jilleen Nadolny, Kaja Kollandsrud, et. al.,&nbsp;<EM>Medieval painting in Northern Europe: techniques, analysis, art history: studies in commemoration of the 70th birthday of Unn Plahter</EM>, (London: Archetype, 2007).<BR>, p. 190; fig. 8","date":2007,"id":241,"uri":"https://search.worldcat.org/title/201546028"},{"boilertext":"B. B. Fredericksen and F. Zeri, <EM>Census of pre-nineteenth-century Italian paintings in North American collections</EM>, (Cambridge, MA: Harvard University Press, 1972).","citation":"B. B. Fredericksen and F. Zeri, <EM>Census of pre-nineteenth-century Italian paintings in North American collections</EM>, (Cambridge, MA: Harvard University Press, 1972)., p. 623","date":1972,"id":572,"uri":"https://search.worldcat.org/title/488066386"},{"boilertext":"Frank Jewett Mather Jr., \"Painting\",<em> Art and archaeology</em> 20, no. 3&nbsp;(1925): p. 145-151.","citation":"Frank Jewett Mather Jr., \"Painting\",<em> Art and archaeology</em> 20, no. 3&nbsp;(1925): p. 145-151., p. 147 (illus.)","date":1925,"id":3925,"uri":"https://search.worldcat.org/title/1514254"},{"boilertext":"Anna Padoa Rizzo, \"Ricerche sulla pittura del '400 nel territorio fiorentino\",&nbsp;<EM>Antichità viva </EM>26, nos. 5/6 (1987): p. 20-27.","citation":"Anna Padoa Rizzo, \"Ricerche sulla pittura del '400 nel territorio fiorentino\",&nbsp;<EM>Antichità viva </EM>26, nos. 5/6 (1987): p. 20-27., p. 22-23; fig. 5","date":1987,"id":7078,"uri":"https://search.worldcat.org/title/887280667"},{"boilertext":"Bernard Berenson, <EM>Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere, con un indice dei luoghi</EM>, (Milano: U. Hoepli, 1936).","citation":"Bernard Berenson, <EM>Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere, con un indice dei luoghi</EM>, (Milano: U. Hoepli, 1936).","date":1936,"id":4139,"uri":"https://search.worldcat.org/title/1136695"},{"boilertext":"Bernard Berenson,<EM> Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places</EM>, (Oxford, UK: Clarendon Press, 1932).","citation":"Bernard Berenson,<EM> Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places</EM>, (Oxford, UK: Clarendon Press, 1932)., p. 197","date":1932,"id":4140,"uri":"https://search.worldcat.org/title/2029496"},{"boilertext":"Bernard Berenson,<EM> Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places: Florentine school</EM>, (London: Phaidon Press, 1963).","citation":"Bernard Berenson,<EM> Italian pictures of the Renaissance: a list of the principal artists and their works, with an index of places: Florentine school</EM>, (London: Phaidon Press, 1963)., p. 221","date":1963,"id":4166,"uri":"https://search.worldcat.org/title/971269"},{"boilertext":"Donald Garstang, <EM>Gothic to Renaissance: European painting, 1300-1600</EM>, (London: Colnaghi, 1988).","citation":"Donald Garstang, <EM>Gothic to Renaissance: European painting, 1300-1600</EM>, (London: Colnaghi, 1988)., p. 80-82; no.10.\r\n\r\n","date":1988,"id":4234,"uri":"https://search.worldcat.org/title/20168021"}],"nowebuse":"False","periods":[],"department":"European Painting and Sculpture ","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"}],"daterange":"A.D. 1000-1500","dateend":1484,"depicted":[],"titles":[{"title":"Madonna della Cintola","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"y38","inscribed":"Inscribed in painting, bottom center: QUESTA TAVOLA E DELLA/ COMPAGNIA DI SANTA M/ARIA DELLE PIEVE DISTO PI/ERO ASSIEYE MCCCCLXXXIIII\r\n","texts":[],"datebegin":1484,"sortnumber":"38     y","published_date":"2026-02-11 10:38:49.515416","objectid":34149,"dimensions":"sight: 163 x 150 cm. (64 3/16 x 59 1/16 in.)\r\nframe: 180.5 × 167 × 14 cm (71 1/16 × 65 3/4 × 5 1/2 in.)","on_view":false}