{"secondaryobjectnumber":null,"periodterms":[{"id":2033651,"period":"modern Chinese styles and periods"}],"creditline":"Museum purchase, Fowler McCormick, Class of 1921, Fund","caption":"Chinese, Modern period (1912–present), Old Labor Revolutionary Team of the Vehicle Repair Section, Changxindian District 长辛店车辆段老工人造反队, In Revolution There is Justice 造反有理, 7/1968. Sheet; gouache on paper (framed); 180 x 87.5 cm (Painting), 186.1 x 95.9 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2001-44)","cultureterms":[{"id":2033355,"culture":"Chinese"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2120146,"term":"mountains","aatid":300008795,"termtype":"Subject"},{"id":2033355,"term":"Chinese","aatid":300018322,"termtype":"Culture"},{"id":2056370,"term":"red","aatid":300126225,"termtype":"Subject"},{"id":2059498,"term":"light blue","aatid":300129405,"termtype":"Subject"},{"id":2118675,"term":"text","aatid":300250810,"termtype":"Subject"},{"id":2135468,"term":"revolutions","aatid":300055312,"termtype":"Subject"},{"id":2033651,"term":"modern Chinese styles and periods","aatid":300106420,"termtype":"Period / Style"},{"id":2052977,"term":"paintings","aatid":300033618,"termtype":"Classification"},{"id":2089160,"term":"dictator","aatid":300236596,"termtype":"Subject"},{"id":2125778,"term":"book","aatid":300028051,"termtype":"Subject"},{"id":2095769,"term":"propaganda","aatid":300055539,"termtype":"Subject"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2053178,"term":"gouaches","aatid":300078928,"termtype":"Classification"},{"id":2131442,"term":"hats","aatid":300046106,"termtype":"Subject"},{"id":2043813,"term":"paper (fiber product)","aatid":300014109,"termtype":"Materials"},{"id":2167941,"term":"gouache","aatid":300070114,"termtype":"Materials"}],"geography":[{"displaygeography":"(not assigned): Asia, China","code":"(not assigned)","continent":"Asia","subcontinent":null,"country":"China","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/1814991/people-s-republic-of-china.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Painting","type":"Height","units":"centimeters","dimension":"180.00"},{"element":"Painting","type":"Width","units":"centimeters","dimension":"87.50"},{"element":"Overall","type":"Height","units":"centimeters","dimension":"186.05"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"95.88"}],"markings":null,"accessionyear":"2001-01-01","newaccession":0,"makers":[{"id":661,"displayname":"Old Labor Revolutionary Team of the Vehicle Repair Section, Changxindian District 长辛店车辆段老工人造反队","displaydate":null,"datebegin":0,"dateend":0,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Old Labor Revolutionary Team of the Vehicle Repair Section, Changxindian District 长辛店车辆段老工人造反队","displayorder":3}],"datecomputed":1968,"signed":null,"restrictions":null,"classification":"Paintings","packages":[{"packageid":207234,"name":"SAB_Gala2021"},{"packageid":11623,"name":"Web_Chinese_2014-6"},{"packageid":197269,"name":"web_highlights -revised 2021"}],"catalograisonne":null,"classifications":[{"id":2053178,"classification":"gouaches"},{"id":2052977,"classification":"paintings"}],"exhibitions":[],"cultures":[{"id":13592,"culture":"Chinese","alphasort":"Chinese","begindate":0,"enddate":0,"displayculture":"Chinese","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/2001-44"],"displaytitle":"In Revolution There is Justice 造反有理","displayculture":"Chinese","displaymaker":"Old Labor Revolutionary Team of the Vehicle Repair Section, Changxindian District 长辛店车辆段老工人造反队","captionhtml":"Chinese, Modern period (1912–present), Old Labor Revolutionary Team of the Vehicle Repair Section, Changxindian District 长辛店车辆段老工人造反队, <i>In Revolution There is Justice 造反有理</i>, 7/1968. Sheet; gouache on paper (framed); 180 x 87.5 cm (Painting), 186.1 x 95.9 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2001-44)","displaydate":"7/1968","medium":"Sheet; gouache on paper (framed)","media":[{"id":2121,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2001-44","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"}],"displayperiod":"Modern period, 1912–present","extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"<i>Princeton University Art Museum: Handbook of the Collection</i> (New Haven, CT: Yale University Press, 2007)","citation":"<i>Princeton University Art Museum: Handbook of the Collection</i> (New Haven, CT: Yale University Press, 2007), 34 (illus.)","date":2007,"id":474,"uri":"https://search.worldcat.org/title/191864564"},{"boilertext":"<i>Princeton University Art Museum: Handbook of the Collections </i>(Princeton, NJ: Princeton University Art Museum, 2013)","citation":"<i>Princeton University Art Museum: Handbook of the Collections </i>(Princeton, NJ: Princeton University Art Museum, 2013), p. 34","date":2013,"id":1994,"uri":"https://search.worldcat.org/title/865020505"},{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2001,\" <EM>Record of the Princeton University Art Museum</EM> 61 (2002): p. 101-142.","citation":"\"Acquisitions of the Princeton University Art Museum 2001,\" <EM>Record of the Princeton University Art Museum</EM> 61 (2002): p. 101-142., pp. 134–135 (illus.)","date":2002,"id":3028,"uri":"https://www.jstor.org/stable/3774768"}],"nowebuse":"False","periods":[{"id":13587,"period":"Modern period","alphasort":"Modern","begindate":1912,"enddate":2100,"displayperiod":"Modern period, 1912–present","displaydate":"1912–present"}],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"},{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":1968,"depicted":[],"titles":[{"title":"In Revolution There is Justice 造反有理","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"2001-44","inscribed":"Text: \r\n造反有理\r\nIn Revolution There is Justice.\r\n\r\n马克思主义的道理千条万绪，归根结底就是一句话：‘造反有理’\r\n\t长辛店车辆段  老工人造反队  68.7\r\nIn the doctrine of Marxism there are one-thousand principles and ten-thousand guidelines, but in the final analysis it comes down to just one saying: \"In Revolution There is Justice.\" \r\n- Old Labor Revolutionary Team of the Vehicle Repair Section, Changxingdian District, 7/68.\r\n\r\nNote:  Changxingdian is a district in suburban Beijing, and the Section was a vehicle repair shop or garage.\r\n","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nPainted during the Cultural Revolution, this workers-group painting exemplifies a style developed in deliberate reaction against the elite, or literati, painting and calligraphy traditions of imperial China, seen in the paintings displayed in the center of the exhibition. Art theory and manifestos of the period adopted the cry for art to serve the aims of the state. In contrast to the personalized tradition of literati art, the new paintings were often anonymous, or, as in this example, signed by a factory division or collective group. </P></SPAN>","remarks":"Asian Rotation May 2014"},{"texttype":"Online","textpurpose":"Handbook Entry","textentryhtml":"Painted in 1968, during the Cultural Revolution, <I>In Revolution There Is Justice</I> exemplifies a style of painting developed in deliberate reaction to the elite painting and calligraphy traditions of imperial China. Manifestos of the period reflected the demand that art serve the aims of the state. In contrast to the personalized tradition of literati art, the new paintings were often anonymous or, as in this example, signed by a factory division or a collective group. Other deliberate reactions to past styles included the use of bright colors and an industrial calligraphy script arranged horizontally to read from left to right. \r\nThe painting is comprised of two different pieces of paper. The skilled portrait of Chairman Mao was likely painted by a sanctioned artist who specialized in images of the chairman; such portraits were distributed separately and incorporated into larger paintings by secondary artists and propagandists. Below the portrait is a figure of a man with upraised arms, holding a copy of the &shy;<I>Sayings of Chairman Mao</I>. Visible under the pigments are the faint gridlines that were used in transferring the image from a set model or pattern. The red four-character slogan \"In Revolution There Is &shy;Justice\" appears in the middle of the painting. Below, the inscription reads, \"In the doctrine of Marxism there are one thousand principles and ten thousand guidelines, but in the final analysis it comes down to just one saying: ‘In Revolution There Is Justice.’\" </P></SPAN></SPAN>","remarks":null},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<font color=\"#7030a0\"><span lang=\"EN\">–2001\tChina 2000 Fine Art&nbsp;(New York, NY), sold to the Princeton University Art Museum, 2001.</span></font><font color=\"#7030a0\">\n</font><font color=\"#7030a0\">\n</font><font color=\"#7030a0\">\n</font><font color=\"#7030a0\">\n</font>","remarks":null}],"datebegin":1968,"sortnumber":"2001   44","published_date":"2026-03-31 02:28:46.537215","objectid":39738,"dimensions":"Painting: 180.0 x 87.5 cm. (70 7/8 x 34 7/16 in.)\r\nframe: 186.1 x 95.9 x 4.2 cm. (73 1/4 x 37 3/4 x 1 5/8 in.)","on_view":false}