{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase, Laura P. Hall Memorial Fund","caption":"Rembrandt van Rijn (1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands), Woman at the Bath with a Hat Beside Her, 1658. 15.8 × 12.9 cm (plate, sheet trimmed to plate). Museum purchase, Laura P. Hall Memorial Fund (2002-374)","cultureterms":[{"id":2031635,"culture":"Dutch"},{"id":2031563,"culture":"European"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2082450,"term":"public baths","aatid":300007353,"termtype":"Subject"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2031635,"term":"Dutch","aatid":300111175,"termtype":"Culture"},{"id":2067034,"term":"beds (furniture)","aatid":300038697,"termtype":"Subject"},{"id":2054535,"term":"drypoints","aatid":300041349,"termtype":"Classification"},{"id":2094144,"term":"bathers","aatid":300188634,"termtype":"Subject"},{"id":2141899,"term":"burins","aatid":300193147,"termtype":"Classification"},{"id":2054569,"term":"etchings","aatid":300041365,"termtype":"Classification"},{"id":2055672,"term":"nudes","aatid":300189568,"termtype":"Subject"},{"id":2131442,"term":"hats","aatid":300046106,"termtype":"Subject"},{"id":2031563,"term":"European","aatid":300020656,"termtype":"Culture"},{"id":2154976,"term":"etching (printing process)","aatid":300053241,"termtype":"Techniques"},{"id":2167714,"term":"printing ink","aatid":300187371,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Europe, Netherlands","code":"Place made","continent":"Europe","subcontinent":null,"country":"Netherlands","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/2750405/kingdom-of-the-netherlands.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"plate","type":"Height","units":"centimeters","dimension":"15.80"},{"element":"plate","type":"Width","units":"centimeters","dimension":"12.90"}],"markings":"Inscribed in graphite, verso lower center: Hb69.2.5.15\r\n","accessionyear":"2002-01-01","newaccession":0,"makers":[{"id":1550,"displayname":"Rembrandt van Rijn","displaydate":"1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands","datebegin":1606,"dateend":1669,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Rembrandt van Rijn, 1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands","displayorder":1}],"datecomputed":1658,"signed":null,"restrictions":null,"classification":"Prints","packages":[{"packageid":217925,"name":"2022_FRS121_09_07"},{"packageid":241081,"name":"TDC-Final [7]"},{"packageid":227941,"name":"2023_FRS159_09_08"},{"packageid":218101,"name":"web_TDC-Final [5]"},{"packageid":220938,"name":"web_2000-2022printacquisitions"},{"packageid":253323,"name":"ART487_MIRADOR"},{"packageid":232333,"name":"2023_FRS159_11_10"},{"packageid":272441,"name":"2025-Fall-FRS168"},{"packageid":235146,"name":"web_FRS159"},{"packageid":234043,"name":"TDC-Final [6]"},{"packageid":231464,"name":"2023_FRS121_09_06"},{"packageid":223835,"name":"TDC-Final [5]"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":"Bartsch 199; Biörklund and Barnard 58; Hind 297; Hollstein 96; Münz 139; New Hollstein 299.310","classifications":[{"id":2054256,"classification":"prints"},{"id":2141899,"classification":"burins"},{"id":2054535,"classification":"drypoints"},{"id":2054569,"classification":"etchings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_CS_ART_14921"],"displaytitle":"Woman at the Bath with a Hat Beside Her","displayculture":null,"displaymaker":"Rembrandt van Rijn, 1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands","captionhtml":"Rembrandt van Rijn (1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands), Woman at the Bath with a Hat Beside Her, 1658. 15.8 × 12.9 cm (plate, sheet trimmed to plate). Museum purchase, Laura P. Hall Memorial Fund (2002-374)","displaydate":"1658","medium":null,"media":[{"id":202964,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_CS_ART_14921","isprimary":1,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"},{"id":202965,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/PUAMSTU_CS_ART_14915","isprimary":0,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"<P><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>F.W.H. Hollstein, “Rembrandt,” <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</SPAN></EM> (Amsterdam: M. Hertzberger, 1969).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>F.W.H. Hollstein, “Rembrandt,” <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</SPAN></EM> (Amsterdam: M. Hertzberger, 1969).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 96","date":1969,"id":6590,"uri":"https://search.worldcat.org/title/8532176"},{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2002,\" <em>Record of the Princeton University Art Museum</em> 62 (2003): p. 107-161.","citation":"\"Acquisitions of the Princeton University Art Museum 2002,\" <em>Record of the Princeton University Art Museum</em> 62 (2003): p. 107-161., p. 124 (illus.), p. 126","date":2003,"id":3022,"uri":"https://www.jstor.org/stable/3774824"},{"boilertext":"E. F. Gersaint and Adam von Bartsch, <em>Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt et ceux de ses principaux imitateurs</em> (Vienne: A Blumauer, 1797).","citation":"E. F. Gersaint and Adam von Bartsch, <em>Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt et ceux de ses principaux imitateurs</em> (Vienne: A Blumauer, 1797)., no. 199","date":1752,"id":6382,"uri":"https://search.worldcat.org/title/323251"},{"boilertext":"Arthur Mayger Hind, <em>Rembrandt's etchings: an essay and a catalogue, with some notes on the drawings</em> (New York: Scribner, 1912).","citation":"Arthur Mayger Hind, <em>Rembrandt's etchings: an essay and a catalogue, with some notes on the drawings</em> (New York: Scribner, 1912)., no. 297","date":0,"id":6452,"uri":"https://search.worldcat.org/title/680842597"},{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 1\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Erik&nbsp;Hinterding and Jaco Rutgers, Ger Luijten, ed., \"Rembrandt,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>New Hollstein Dutch &amp; Flemish etchings, engravings and woodcuts, 1450-1700 </SPAN></EM>(Ouderkerk aan den Ijssel: Sound &amp; Vision Publishers ; Amsterdam: In co-operation with the Rijksprentenkabinet, Rijksmuseum, 2013).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 1\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Erik&nbsp;Hinterding and Jaco Rutgers, Ger Luijten, ed., \"Rembrandt,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>New Hollstein Dutch &amp; Flemish etchings, engravings and woodcuts, 1450-1700 </SPAN></EM>(Ouderkerk aan den Ijssel: Sound &amp; Vision Publishers ; Amsterdam: In co-operation with the Rijksprentenkabinet, Rijksmuseum, 2013).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 319, p. 299","date":2013,"id":6453,"uri":"https://search.worldcat.org/title/844154989"},{"boilertext":"George Biörklund and Osbart H. Barnard, Rembrandt's Etchings, True and False (Stockholm, New York [etc.], 1968).","citation":"George Biörklund and Osbart H. Barnard, Rembrandt's Etchings, True and False (Stockholm, New York [etc.], 1968)., no. 58","date":1968,"id":6474,"uri":"https://search.worldcat.org/title/10926"},{"boilertext":"Ludwig Münz, <em>Rembrandt's Etchings: Reproductions of the Whole Original Etched Work</em> (London: Phaidon Press, 1952).","citation":"Ludwig Münz, <em>Rembrandt's Etchings: Reproductions of the Whole Original Etched Work</em> (London: Phaidon Press, 1952)., no. 139","date":1952,"id":6476,"uri":"https://search.worldcat.org/title/1534415"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1600-1700","dateend":1658,"depicted":[],"titles":[],"hasimage":"true","creditlinerepro":"","objectnumber":"2002-374","inscribed":"Signed and dated in plate, upper left: Rembrandt F. 1658","texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<span lang=\"EN\">Albertina, Vienna [Lugt 5g]; deaccessioned [Lugt 5g]. Carl Hirschler [1871-1941, Lugt 633a] and Rose Dreyfus Hirschler; then by descent. Sotheby’s, New York, November 7, 2002, lot 61; purchased by Princeton University Art Museum, 2002.\n\n</span>","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Rembrandt’s realistic representations of the female nude, which were considered ugly in the later seventeenth and the eighteenth century, are characterized by an expressive humanity. This is one of six etchings from the 1650s that feature the same unidentified model in a variety of ambiguous settings containing studio props, such as the bench and the prominent, broad-brimmed man’s hat. Although the precise meaning of this intimate scene is elusive, Rembrandt’s principal preoccupation is with dramatic light effects. Here, the harsh glare on the right counters the softer glow on the woman’s body and the crumpled sheets around her. ","remarks":"K1-3 Gallery Rotation"}],"datebegin":1658,"sortnumber":"2002  374","published_date":"2026-02-11 11:08:23.584827","objectid":41442,"dimensions":"plate (sheet trimmed to plate): 15.8 × 12.9 cm (6 1/4 × 5 1/16 in.)","on_view":false}