{"secondaryobjectnumber":null,"periodterms":[{"id":2033651,"period":"modern Chinese styles and periods"}],"creditline":"Museum purchase, Fowler McCormick, Class of 1921, Fund, with gifts from the P.Y. and Kinmay W. Tang Center for East Asian Art, Alisan Fine Arts, Ltd.–Alice King Gallery, and Thaw Charitable Trust","caption":"Zhi Lin 林志 (born 1959, Nanjing, China; active Seattle, WA), Drawing and Quartering, from the series Five Capital Punishments in China, 2000–03. Hanging scroll mounted as thangka: charcoal on canvas, screen-printing on ribbons; 269.2 × 188 cm (Painting). Museum purchase, Fowler McCormick, Class of 1921, Fund, with gifts from the P.Y. and Kinmay W. 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Hanging scroll mounted as thangka: charcoal on canvas, screen-printing on ribbons; 269.2 × 188 cm (Painting). Museum purchase, Fowler McCormick, Class of 1921, Fund, with gifts from the P.Y. and Kinmay W. Tang Center for East Asian Art, Alisan Fine Arts, Ltd.–Alice King Gallery, and Thaw Charitable Trust (2005-131)","displaydate":"2000–03","medium":"Hanging scroll mounted as thangka: charcoal on canvas, screen-printing on ribbons","media":[{"id":13035,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2005-131","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Luna Digitization Project"},{"id":13036,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2005-131_DET1","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Luna Digitization Project"},{"id":13037,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2005-131_DET2","isprimary":0,"rank":4,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Luna Digitization Project"},{"id":13038,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2005-131_DET3","isprimary":0,"rank":5,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Luna Digitization Project"},{"id":13039,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2005-131_DET4","isprimary":0,"rank":6,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Luna Digitization Project"},{"id":192556,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/CF009571","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Paula M. Varsano, <EM>The Rhetoric of Hiddenness in Traditional Chinese Culture</EM> (Albany: State University of New York Press, 2016).","citation":"Paula M. Varsano, <EM>The Rhetoric of Hiddenness in Traditional Chinese Culture</EM> (Albany: State University of New York Press, 2016).","date":2016,"id":6830,"uri":"https://search.worldcat.org/title/946967839"},{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2005,\" <em>Record of the Princeton University Art Museum</em> 65 (2006): p. 49-81.","citation":"\"Acquisitions of the Princeton University Art Museum 2005,\" <em>Record of the Princeton University Art Museum</em> 65 (2006): p. 49-81., pp. 69–70 (illus.)","date":2006,"id":429,"uri":"https://www.jstor.org/stable/20442620"}],"nowebuse":"False","periods":[],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"},{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":2003,"depicted":[],"titles":[{"title":"Drawing and Quartering, from the series Five Capital Punishments in China","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"© Zhi Lin","objectnumber":"2005-131","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"2003–2005 Zhi Lin, born 1959 (Seattle, WA), through Koplin Del Rio Gallery (Los Angeles, CA), sold to the Princeton University Art Museum, 2005. <br>","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nIncensed by the Tiananmen Square Massacre of 1989, Zhi seeks to prevent history from repeating itself by using a language that merges traditional Chinese painting, Renaissance figuration, and twentieth-century protest art. In the series <I>Five Capital Punishments,</I> Zhi questions the efficacy of state-sponsored execution while critiquing public indifference to—and enjoyment of—such events. The series includes five monumental canvases presented as if they were scrolls, each depicting a different method of execution: flaying, starvation, decapitation, drawing and quartering, and the firing squad. Here, a throng of gleeful onlookers watches as Chinese officials tie the limbs of a motionless man to the saddles of four horses. Like David Wojnarowicz, whose work is also on view in this gallery, the <BR>artist seeks change by drawing attention to such events and thus engages in an act of fundamental hope.</P></SPAN>","remarks":"Asian Rotation Jan 2016 in MM "}],"datebegin":2000,"sortnumber":"2005  131","published_date":"2026-03-31 02:34:23.603873","objectid":42834,"dimensions":"Painting: 269.2 × 188 cm (106 × 74 in.)\r\nMount: 365.8 x 213.4 cm. (144 x 84 in.)","on_view":false}