{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Bequest of Junius S. Morgan, Class of 1888","caption":"Jacob van Ruisdael (1628–1682; born Haarlem, Netherlands, died Amsterdam, Netherlands), The Cottage on the Hill, ca. 1660. Etching; 19.6 x 28.1 cm (plate), 20.6 x 29.1 cm (sheet). Bequest of Junius S. Morgan, Class of 1888 (x1934-530)","cultureterms":[{"id":2031635,"culture":"Dutch"},{"id":2031563,"culture":"European"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2031635,"term":"Dutch","aatid":300111175,"termtype":"Culture"},{"id":2085195,"term":"houses","aatid":300005433,"termtype":"Subject"},{"id":2103928,"term":"trees","aatid":null,"termtype":"Subject"},{"id":2031563,"term":"European","aatid":300020656,"termtype":"Culture"},{"id":2054569,"term":"etchings","aatid":300041365,"termtype":"Classification"},{"id":2184998,"term":"rural areas","aatid":300229355,"termtype":"Subject"},{"id":2055694,"term":"landscapes (representations)","aatid":300015636,"termtype":"Subject"},{"id":2154976,"term":"etching (printing process)","aatid":300053241,"termtype":"Techniques"},{"id":2167714,"term":"printing ink","aatid":300187371,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Europe, Netherlands","code":"Place made","continent":"Europe","subcontinent":null,"country":"Netherlands","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/2750405/kingdom-of-the-netherlands.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"plate","type":"Width","units":"centimeters","dimension":"28.10"},{"element":"plate","type":"Height","units":"centimeters","dimension":"19.60"},{"element":"sheet","type":"Width","units":"centimeters","dimension":"29.10"},{"element":"sheet","type":"Height","units":"centimeters","dimension":"20.60"}],"markings":null,"accessionyear":"1934-01-01","newaccession":0,"makers":[{"id":3384,"displayname":"Jacob van Ruisdael","displaydate":"1628–1682; born Haarlem, Netherlands, died Amsterdam, Netherlands","datebegin":1628,"dateend":1682,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Jacob van Ruisdael, 1628–1682; born Haarlem, Netherlands, died Amsterdam, Netherlands","displayorder":1}],"datecomputed":1660,"signed":null,"restrictions":null,"classification":"Prints","packages":[{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":225374,"name":"Gallery_02-05(Pavilion1)-European [3]"}],"catalograisonne":"Bartsch 313.3; Hollstein 3","classifications":[{"id":2054256,"classification":"prints"},{"id":2054569,"classification":"etchings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/INV27221"],"displaytitle":"The Cottage on the Hill","displayculture":null,"displaymaker":"Jacob van Ruisdael, 1628–1682; born Haarlem, Netherlands, died Amsterdam, Netherlands","captionhtml":"Jacob van Ruisdael (1628–1682; born Haarlem, Netherlands, died Amsterdam, Netherlands), <i>The Cottage on the Hill</i>, ca. 1660. Etching; 19.6 x 28.1 cm (plate), 20.6 x 29.1 cm (sheet). Bequest of Junius S. Morgan, Class of 1888 (x1934-530)","displaydate":"ca. 1660","medium":"Etching","media":[{"id":102484,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV27221","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"<P class=MsoNormalCxSpFirst><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Adam vom Bartsch, \"Volume 1,\"&nbsp;<I>Le peintre graveur ... </I>(Vienne: J. V. Degen, 1803</SPAN></P>","citation":"<P class=MsoNormalCxSpFirst><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Adam vom Bartsch, \"Volume 1,\"&nbsp;<I>Le peintre graveur ... </I>(Vienne: J. V. Degen, 1803</SPAN></P>, no. 3, p. 313","date":1803,"id":6554,"uri":"https://search.worldcat.org/title/682354769"},{"boilertext":"<p><span style='font-family: \"Arial\",sans-serif; font-size: 9pt;'>F.W.H. Hollstein, “van Renesse-van Ryssen,” <em><span style='font-family: \"Arial\",sans-serif;'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</span></em> (Amsterdam: M. Hertzberger, 1978).<!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /--><o:p></o:p></span></p>","citation":"<p><span style='font-family: \"Arial\",sans-serif; font-size: 9pt;'>F.W.H. Hollstein, “van Renesse-van Ryssen,” <em><span style='font-family: \"Arial\",sans-serif;'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</span></em> (Amsterdam: M. Hertzberger, 1978).<!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /--><o:p></o:p></span></p>, no. 3 II","date":1978,"id":6603,"uri":"https://search.worldcat.org/title/8532176"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1600-1700","dateend":1665,"depicted":[],"titles":[{"title":"The Cottage on the Hill","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"x1934-530","inscribed":"Signed in margin, lower center: Ruisdael","texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<span lang=\"EN\">Junius S. Morgan (1867-1932); bequeathed to the Princeton University Art Museum, 1932. </span>","remarks":null},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Junius S. Morgan (1867–1932); bequeathed to the Princeton University Art Museum, 1932\n","remarks":"as per Jun P. Nakamura & Laura M. Giles"},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<p>\n\tLike the paintings on the wall opposite this case, these four works show varied approaches to depicting the landscape in the seventeenth-century Low Countries. Savery’s drawing of the Tyrolean Alps reflects a sixteenth-century taste for expansive views of often exaggerated mountainscapes, punctuated by\n\t\n\tminiature scenes of figures along a path that the eye traverses as it recedes into the background. Visscher’s village road reveals a turn to more domestic and quotidian views of rural life that became popular in the early seventeenth century. In contrast to Visscher’s sleepy boulevard, Ruisdael’s and Rembrandt’s etchings heighten the drama of the Dutch countryside, casting a massive, gnarled tree as a central protagonist, or—in Rembrandt’s\n\n\tcase—staging three silhouetted trees backlit against the pageantry of an approaching squall. While the passions of the natural landscape take center stage, Rembrandt hid a barely discernable pair of lovers in the shadows at bottom right.\n</p>","remarks":"EUR_STR_3-T5-A1_CLA-Day 1 Cataloguing (group chat for 2011-164, 2010-171, 2019-96, x1934-530)"}],"datebegin":1655,"sortnumber":"1934  530x","published_date":"2026-02-11 11:43:33.343844","objectid":47388,"dimensions":"plate: 19.6 x 28.1 cm. (7 11/16 x 11 1/16 in.)\r\nsheet: 20.6 x 29.1 cm (8 1/8 x 11 7/16 in.)","on_view":true}